Directing the Story: Professional Storytelling and Storyboarding Techniques for Live Action and Animation
Autor Francis Glebasen Limba Engleză Paperback – 9 oct 2008
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 312.50 lei 3-5 săpt. | +54.05 lei 5-11 zile |
CRC Press – 9 oct 2008 | 312.50 lei 3-5 săpt. | +54.05 lei 5-11 zile |
Hardback (1) | 1001.35 lei 6-8 săpt. | |
CRC Press – 8 iun 2018 | 1001.35 lei 6-8 săpt. |
Preț: 312.50 lei
Nou
59.80€ • 62.31$ • 49.73£
Carte disponibilă
Livrare economică 20 ianuarie-03 februarie 25
Livrare express 04-10 ianuarie 25 pentru 64.04 lei
Specificații
ISBN-10: 0240810767
Pagini: 358
Ilustrații: Approx. 1870 illustrations (1850 in full color)
Dimensiuni: 276 x 216 x 20 mm
Greutate: 1.27 kg
Ediția:1
Editura: CRC Press
Colecția Routledge
Public țintă
Professional Practice & DevelopmentCuprins
PART ONE
INTRODUCTION:
The Goal
Audiences watch movies and animations to be entertained through an emotionally satisfying and meaningful experience. This book shows how to entertain, by structuring the elements of film thematically. You can work with images, words and sounds.
THE PROBLEM
Beginners work is often boring and confusing- unemotional.
What do directors direct? Attention -clearly and dramatically to tell an emotional story.
THE BEGINNING BASICS
History and uses of storyboarding
How to tell a story using images.
How to storyboard a scene
How to draw for storyboarding
PART TWO
STRUCTURAL TACTICS TO REACH THE GOAL
How direct attention
How to direct the eye
How to use images
How to convey and suggest meaning
Aiming for the heart. Emotional response
SUMMARY
Chart and recapitulation of all of the concepts
ANALYSIS AND EVOLUTION OF THE SCHEHERAZADE PROJECT
SCHEHERAZADE and her story will be woven through out, demonstrating 'HOW TO' for each of the concepts being discussed.
Recenzii
"A veritable bible of visual storytelling techniques and advice. Loaded with pictures, the book is set up like a storyboard for the material she wants to convey. Covering everything from why we watch movies to the most effective ways to build and maintain drama, she teaches how to keep your audience riveted to the screen. And if you’re worried that you may not have the drawing chops to create good storyboards, don’t worry - she’s on it. Even if you can’t draw a straight line, she teaches how to use whatever you’ve got, the barest minimum of drawing skills, to create the most effective boards you can imagine. Ever wondered why you look where you do on the screen? It’s not a coincidence, the director is pointing your attention in very specific directions. Glebas doesn’t just tell you how to direct the eye, she explains the why of it - how our brain works and how the director plays with those elements to convince us that what is taking place on screen is real; and not just real but urgent and dramatic. The book covers everything a director needs to know in order to prepare the storyboard for an effective and memorable film. All you have to add is your story! Highly recommended for the following areas of study: Animation, Theatre, Film Studies at the high school, college, and university levels. And it’s a must buy for libraries that collect texts on these subjects."--Animation World Network.com
Francis Glebas has put together a really comprehensive and thought-provoking look at the art and craft of film making, specifically directing. His approach, which is to ask a lot of seemingly innocent questions, has much the same effect as the good storytelling he is trying to teach us.it draws us in and makes us think. I can't imagine anyone, in or out of our business, who won't find any number of helpful ideas as they work their way through the filmmaking jungles!!
- Roy Disney, Director Emeritus and consultant for The Walt Disney Company
Francis Glebas was one of our most talented storyboard artists at Disney, and it was our great fortune to have him on the story team. He has a wealth of experience to share.
- Jeffrey Katzenberg, CEO, Dreamworks Animation
Francis Glebas has put together a really comprehensive and thought-provoking look at the art and craft of film making, specifically directing. His approach, which is to ask a lot of seemingly innocent questions, has much the same effect as the good storytelling he is trying to teach us.it draws us in and makes us think. I can't imagine anyone, in or out of our business, who won't find any number of helpful ideas as they work their way through the filmmaking jungles!! - Roy Disney, Director Emeritus and consultant for The Walt Disney Company Francis Glebas was one of our most talented storyboard artists at Disney, and it was our great fortune to have him on the story team. He has a wealth of experience to share. - Jeffrey Katzenberg, CEO, Dreamworks Animation
Notă biografică
Francis Glebas worked as a story artist for Disney Feature Animation on Aladdin, Lion King, Pocahontas, Hunchback of Notre Dame, Dinosaur, Treasure Planet and Hercules. He also directed Pomp and Circumstance starring Donald Duck in Fantasia 2000 and Piglet's BIG Movie. Francis is also an award-winning independent live action movie maker with almost 40 years' experience. He currently teaches storyboarding at Gnomon School of Visual Effects. Francis also works as a creative consultant, having worked with the Irish Government, Korean Government, General Motors, Los Alamos Labs, Walt Disney Imagineering and other film studios.
Descriere
Francis Glebas, a top Disney storyboard artist, teaches artists a structural approach to clearly and dramatically presenting visual stories. They will learn classic visual storytelling techniques such as conveying meaning with images and directing the viewer's eye. Glebas also teaches how to spot potential problems before they cost time and money, and he offers creative solutions on how to solve them.
* Uses the classic story of '1001 Arabian Nights' to show how to storyboard stories that will engage an audience’s attention and emotions.
* With 1001 drawings in graphic novel format plus teaching concepts and commentary.
* All of the storyboarding examples have a real project context rather to engage a very visual audience on their own terms and teaches through demonstration.