Don Quixote: Everyman's Library CLASSICS
Autor Miguel De Cervantes Traducere de P A Motteuxen Limba Engleză Hardback – 26 sep 1991
A mixture of reality and illusion, this is the story of the besotted Don Quixote and his down-to-earth companion, the faithful Sancho Panza, who set out to right the world's wrongs in knightly combat. The narrative moves from philosophical speculation to broad comedy.
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Specificații
ISBN-13: 9781857150032
ISBN-10: 1857150031
Pagini: 1048
Dimensiuni: 136 x 213 x 52 mm
Greutate: 1 kg
Editura: EVERYMAN
Seria Everyman's Library CLASSICS
Locul publicării:United Kingdom
ISBN-10: 1857150031
Pagini: 1048
Dimensiuni: 136 x 213 x 52 mm
Greutate: 1 kg
Editura: EVERYMAN
Seria Everyman's Library CLASSICS
Locul publicării:United Kingdom
Notă biografică
Miguel de Cervantes Saavedra (29 September 1547 - 23 April 1616) was a Spanish writer. His most famous book was Don Quijote de la Mancha. It is considered the first modern novel, and therefore Cervantes was the first novelist.The book has been published in 65 countries. The work is considered among the most important in all of literature. He is sometimes called "The Prince of Satire." In 1570, Cervantes had enlisted as a soldier in a regiment of the Spanish naval elite corps, Infantería de Marina, stationed in Naples, then a possession of the Spanish crown. He was there for about a year before he saw active service. In September 1571, Cervantes sailed on board the Marquesa, part of the galley fleet of the Holy League, Spain, the Republic of Venice, the Republic of Genoa, the Duchy of Savoy, the Knights Hospitaller based in Malta, and others, under the command of King Philip II's illegitimate half brother, John of Austria, that defeated the Ottoman fleet on October 7 in the Gulf of Lepanto near Corinth, at great cost to both sides. Though taken down with fever, Cervantes refused to stay below, and begged to be allowed to take part in the battle, saying that he would rather die for his God and his king than keep under cover. He fought bravely on board a vessel, and received three gunshot wounds - two in the chest, and one which rendered his left arm useless. In Journey to Parnassus he was to say that he "had lost the movement of the left hand for the glory of the right" (he was thinking of the success of the first part of Don Quixote). Cervantes always looked back on his conduct in the battle with pride; he believed that he had taken part in an event that would shape the course of European history.
Cuprins
Acknowledgements
Introduction by Howard Mancing and Slav N. Gratchev
Part I: Re-accentuation: Theoretical Introduction
Chapter I: On Re-accentuation, Adaptation, and Imitation of Don Quixote by Tatevik Gyulamiryan
Part II: Imagery and Ideology
Chapter 2: Don Quixote Re-depicted by Eduardo Urbina & Fernando González Moreno
Chapter 3: Don Quixote in the Rise of Modern Novel: The Satirical Interpretation by Emilio Martínez Mata
Chapter 4: Don Quixote and the Chivalric Ideal in Classics Illustrated Comics (1941-1971)
by Ricardo Castells
Chapter 5: A Horse of a Different Color: Salvador Dalí and the Re-imagining of Clavileño by S. Alleyn Smythe
Chapter 5: Image not Found: Portraiture, Identity, and the future of Cervantismo by Stephen Hessel
Part III: Literature
Chapter 6: Borges and the Hermeneutics of the Novel by J. A. Garrido Ardila
Chapter 7: World War and the Novel: Responding to Don Quixote in 1914 and 1934 by Rachel Schmidt
Chapter 8: The Don Quixotes of Science Fiction by Howard Mancing
Part IV: Film
Chapter 9: The Art of re-accentuation: Don Quixote by Grigori Kozintsev by Slav N. Gratchev
Chapter 10: Surviving the Hollywood Blacklist: Waldo Salt's adaptation of Don Quixote
by William Childers
Chapter 11: Crouching Squire, Hidden Madman: Ah Gan¿s Don Quixote and Postmodern China
by Bruce Burningham
Chapter 12: Amélie as Re-accentuation of Cervantes by Jonathan Wade
Chapter 13: Extracting the Essence of Don Quixote for a Puppet film by Steven Ritz-Barr
Part V: Theater and Television
Chapter 14: The Spanish Knight Among the Soviet People: Dramatic Re-accentuations of Don Quixote as a Doomed Performer by Margarita Marinova & Scott Pollard
Chapter 15: A Russian Lancelot and His Don Quixote by Victor Fet
Part VI: Don Quixote in The New World
Chapter 16: The Visionary¿s Quixote by Roy H. Williams
Bibliography
Index
About the Editors