Drama and Education: Performance Methodologies for Teaching and Learning
Autor Manon van de Water, Mary McAvoy, Kristin Hunten Limba Engleză Hardback – 27 feb 2015
Each approach is supplemented with sample lesson plans, activities, ideas for differentiation, and extensive bibliographies. The topics are discussed from five key angles:
• Historical and theoretical foundations
• Curricular applications
• Practical toolkits for a range of classrooms and learning environments
• Different strategies for lesson plans
• Extension options for longer workshops.
Alongside these core methods, the integration of other innovative forms—from performance art to Theatre of the Oppressed—into drama-based learning is explored, as well as the pragmatic concerns such as assessment, planning, and advocacy for arts learning and arts education partnerships.
Drama and Education is the comprehensive textbook for teachers and students on Applied Theatre and Theatre and Education courses.
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 377.95 lei 6-8 săpt. | |
Taylor & Francis – 5 mar 2015 | 377.95 lei 6-8 săpt. | |
Hardback (1) | 1088.23 lei 6-8 săpt. | |
Taylor & Francis – 27 feb 2015 | 1088.23 lei 6-8 săpt. |
Preț: 1088.23 lei
Preț vechi: 1327.11 lei
-18% Nou
Puncte Express: 1632
Preț estimativ în valută:
208.26€ • 216.33$ • 172.99£
208.26€ • 216.33$ • 172.99£
Carte tipărită la comandă
Livrare economică 01-15 februarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781138799509
ISBN-10: 1138799505
Pagini: 258
Dimensiuni: 156 x 234 x 20 mm
Greutate: 0.5 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138799505
Pagini: 258
Dimensiuni: 156 x 234 x 20 mm
Greutate: 0.5 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Public țintă
UndergraduateCuprins
Acknowledgements
Introduction
Chapter 1: Defining the Field: Drama Then and Now
Chapter 2: Foundational Methods: Linear and Process-Oriented Drama
Chapter 3: Drama for Social Justice
Chapter 4: Performance Art in the Classroom
Chapter 5: Assessment: Tools for Effective and Reflective Practice
Chapter 6: New Landscapes: Advocacy for Drama-based Learning Programs and Partnerships
Appendix A: Annotated Bibliography
Appendix B: For Course Instructors
Introduction
Chapter 1: Defining the Field: Drama Then and Now
Chapter 2: Foundational Methods: Linear and Process-Oriented Drama
Chapter 3: Drama for Social Justice
Chapter 4: Performance Art in the Classroom
Chapter 5: Assessment: Tools for Effective and Reflective Practice
Chapter 6: New Landscapes: Advocacy for Drama-based Learning Programs and Partnerships
Appendix A: Annotated Bibliography
Appendix B: For Course Instructors
Notă biografică
Manon van de Water is the Vilas-Phipps Distinguished Achievement Professor at the University of Wisconsin-Madison.
Mary McAvoy is an Assistant Professor of Theatre Education and Theatre for Youth at Arizona State University.
Kristin Hunt is an Assistant Professor of Applied Theatre at Northeastern Illinois University’s Department of Communication, Media and Theatre.
Mary McAvoy is an Assistant Professor of Theatre Education and Theatre for Youth at Arizona State University.
Kristin Hunt is an Assistant Professor of Applied Theatre at Northeastern Illinois University’s Department of Communication, Media and Theatre.
Descriere
Drama and Education is the comprehensive textbook for teachers and students on Applied Theatre and Theatre and Education courses. As well as a historical and theoretical overview of the field, it provides rationale and techniques for three specific methodologies: Linear Drama, Process-Oriented/In-Role Drama, and Drama for Social Change.
Each approach is supplemented with sample lesson plans, activities, ideas for differentiation, and extensive bibliographies. The topics are discussed from five key angles: Historical and theoretical foundations; Curricular applications; Practical toolkits for a range of classrooms and learning environments; Different strategies for lesson plans; Extension options for longer workshops.
Alongside these core methods, the integration of other innovative forms – from performance art to Theatre of the Oppressed – into drama-based learning is explored, as well as the pragmatic concerns such as funding applications, advocacy, and planning partnerships.
Each approach is supplemented with sample lesson plans, activities, ideas for differentiation, and extensive bibliographies. The topics are discussed from five key angles: Historical and theoretical foundations; Curricular applications; Practical toolkits for a range of classrooms and learning environments; Different strategies for lesson plans; Extension options for longer workshops.
Alongside these core methods, the integration of other innovative forms – from performance art to Theatre of the Oppressed – into drama-based learning is explored, as well as the pragmatic concerns such as funding applications, advocacy, and planning partnerships.