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Early Poems: Dover Thrift Editions

Autor Edna St Vincent Millay
en Limba Engleză Paperback – 30 noi 2008
One of the most successful poets in America and a fascinating literary figure of the early twentieth century, Edna St. Vincent Millay found her voice in a national poetry contest at the age of twenty. Her poems received critical praise and became the first step toward receiving the Pulitzer Award years later. An acclaimed poet of the Jazz Age, this liberated, often rebellious, woman enchanted us with her beautiful sonnets and lyrics, even as she surprised us with her unconventional personal life. This vibrant volume includes the complete selection of poems from Millay's first three books. Each gem reflects a different facet of the author's versatility.
"Renascence and Other Poems" was Millay's first collection of poetry, a literary sensation when it was published in 1912. Acclaimed by critics for its remarkable use of compelling language and imagery, it is a deeply personal work that reflects the poet's spiritual awakening, using the themes of death and resurrection. In contrast, the poetry in "A Few Figs from Thistles" represents a cynical stage, a time of rebellion, and a search for personal freedom, as depicted in her famous line, "My candle burns at both ends." Part beauty, part despair, the free verse and heartfelt sonnets of "Second April" are an expression of Millay's feelings about love and disillusionment. Eloquent, daring, and sometimes bittersweet, these masterful lyrics exemplify the best work of a complex, passionate, and gifted poet. Includes a selection from the Common Core State Standards Initiative: "Afternoon on a Hill."
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Specificații

ISBN-13: 9780486436722
ISBN-10: 0486436721
Pagini: 83
Dimensiuni: 136 x 210 x 6 mm
Greutate: 0.09 kg
Editura: Dover Publications
Seria Dover Thrift Editions


Descriere

In finely crafted lyrics and sonnets, Edna St. Vincent Millay gave voice to her generation's claim to personal freedom and earned a reputation as a sexually liberated free-thinker. But her subject matter varies widely - from meditations on nature, love, life, loss, death, and the reincarnation of the human soul to commentaries on politics and discrimination against women - and reveals poetic influences from the classical to the romantic. Comprising Millay's first three books - Renascence (1917), A Few Figs from Thistles (1920; revised 1922), and Second April (1921) - this fully annotated volume presents the auspicious beginning of her career. As popular today as when the poet herself enraptured audiences, Millay's work is at last being appreciated for its beauty and depth as well as its impact on the American literary tradition.

Cuprins

Early Poems Acknowledgments
Introduction by Holly Peppe
Suggestions for Further Reading
A Note on the Text
Renascence and Other Poems
Renascence
Interim
The Suicide
God's World
Afternoon on a Hill
Sorrow
Tavern
Ashes of Life
The Little Ghost
Kin to Sorrow
Three Songs of Shattering
The Shroud
The Dream
Indifference
Witch-Wife
Blight
When the Year Grows Old
Thou are not lovelier than lilacs, - no
Time does not bring relief; you all have lied
Mindful of you the sodden earth in spring
Not in this chamber only at my birth
If I should learn, in some quite casual way
Bluebeard
A Few Figs from Thistles
First Fig
Second Fig
Recuerdo
Thursday
To the Not Impossible Him
Macdougal Street
The Singing-Woman from the Wood's Edge
She Is Overheard Singing
The Prisoner
The Unexplorer
Grown-up
The Penitent
Daphne
Portrait by a Neighbour
Midnight Oil
The Merry Maid
To Kathleen
To S. M.
The Philosopher
I do but ask that you be always fair
Love, though for this you riddle me with darts
I think I should have loved you presently
Oh, think not I am faithful to a vow
I shall forget you presently, my dear

Second April
Spring
City Trees
The Blue-Flag in the Bog
Journey
Eel-Grass
Elegy Before Death
The Bean-Stalk
Weeds
Passer Mortuus Est
Pastoral
Assault
Travel
Low-Tide
Song of a Second April
Rosemary
The Poet and His Book
Alms
Inland
To a Poet that Died Young
Wraith
Ebb
Elaine
Burial
Mariposa
The Little Hill
Doubt No More That Oberon
Lament
Exiled
The Death of Autumn
Ode to Silence
Memorial to D. C.
Wild Swans
We talk of taxes, and I call you friend
Into the golden vessel of great song
Not with libations, but with shouts and laughter
Only until this cigarette is ended
Once more into my arid days like dew
No rose that in a garden ever grew
When I too long have looked upon your face
And you as well must die, beloved dust
Let you not say of me when I am old
Oh, my beloved, have you thought of this
As to some lovely temple, tenantless
Cherish you then the hope I shall forget

Explanatory Notes
Index of Titles and First Lines


Notă biografică