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Echoes of Opera in Modern Italian Poetry: Eros, Tragedy, and National Identity: Italian and Italian American Studies

Autor Mattia Acetoso
en Limba Engleză Paperback – 25 iun 2021
Twentieth-century Italian poetry is haunted by countless ghosts and shadows from opera. Echoes of Opera in Modern Italian Poetry reveals their presence and sheds light on their role in shaping that great poetic tradition. This is the first work in English to analyze the influence of opera on modern Italian poetry, uncovering a fundamental but neglected relationship between the two art forms. A group of Italian poets, from Gabriele D’Annunzio to Giorgio Caproni, by way of Umberto Saba and Eugenio Montale, made opera a cornerstone of their artistic craft. More than an occasional stylistic influence, opera is rather analyzed as a fundamental facet of these poets’ intellectual quest to overcome the expressive limitations of lyrical poetry. This book reframes modern Italian poetry in a truly interdisciplinary perspective, broadening our understanding of its prominence within the humanities, in the twentieth century and beyond.
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Specificații

ISBN-13: 9783030460938
ISBN-10: 3030460932
Pagini: 276
Ilustrații: XI, 276 p.
Dimensiuni: 148 x 210 mm
Greutate: 0.38 kg
Ediția:1st ed. 2020
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Italian and Italian American Studies

Locul publicării:Cham, Switzerland

Cuprins

Chapter 1: Introduction.- Chapter 2: From Bayreuth to Fiume: D’Annunzio, Wagner and the Death of Italian Opera.- Chapter 3: Umberto Saba and the Verdian Sound of Italy.- Chapter 4: More Than Words: Ossi di seppia, Opera, and the Miracle of Counter-Eloquence. Chapter 5: Heart of Darkness: Saba’s Operatic Eroticism.- Chapter 6: Strange Mercy: Montale, Opera, and the Death of Tragedy.- Chapter 7: Poetry and the Beast: Giorgio Caproni’s Simulations of Opera.- Chapter 8: Conclusions   

Recenzii

“Echoes of Opera offers an excellent insight into the influence of opera on the works of D’ Annunzio, Montale, Saba, and Caproni. The book’s narrative flows easily, and the author gives plenty of examples to support his contentions. It is worth looking up the referenced works … so the reader can get more familiar with the lesser- known sides and works of these key figures of twentieth-century Italian poetry.” (Dora Bodrogai, Annali d'italianistica, Vol. 40, 2022)

Notă biografică

Mattia Acetoso is an Assistant Professor of Italian at Boston College, USA. He received his PhD from Yale University in 2012. His research interests include modern Italian poetry, the relationship between literature and music, and contemporary Italian cinema.

Textul de pe ultima copertă

Twentieth-century Italian poetry is haunted by countless ghosts and shadows from opera: Echoes of Opera in Modern Italian Poetry reveals their presence and sheds light on their role in shaping that great poetic tradition. This is the first work in English to analyze the influence of opera on modern Italian poetry, uncovering a fundamental but neglected relationship between the two art forms. A group of Italian poets, from Gabriele D’Annunzio to Giorgio Caproni, by way of Umberto Saba and Eugenio Montale, made opera a cornerstone of their artistic craft. More than an occasional stylistic influence, opera is rather analyzed as a fundamental facet of these poets’ intellectual quest to overcome the expressive limitations of lyrical poetry. This book reframes modern Italian poetry in a truly interdisciplinary perspective, broadening our understanding of its prominence within the humanities, in the twentieth century and beyond.

Caracteristici

Provides the first text in English to explore the influence of opera on twentieth-century Italian poetry. Rethinks the twentieth-century canon in in the broader context of theoretical debates on national identity, the relationship between music and literature, and the role of poets and poetry in contemporary society, Appeals to scholars of Italian history, literature, and culture, as well as musicology, sound studies, and theater.