Elmina's Kitchen: Modern Plays
Autor Kwame Kwei-Armahen Limba Engleză Paperback – 14 mai 2003
Toate formatele și edițiile | Preț | Express |
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Paperback (1) | 78.16 lei 6-8 săpt. | +18.31 lei 6-12 zile |
Bloomsbury Publishing – 14 mai 2003 | 78.16 lei 6-8 săpt. | +18.31 lei 6-12 zile |
Hardback (1) | 99.59 lei 3-5 săpt. | +26.23 lei 6-12 zile |
Bloomsbury Publishing – 3 noi 2019 | 99.59 lei 3-5 săpt. | +26.23 lei 6-12 zile |
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Specificații
ISBN-13: 9780413773630
ISBN-10: 0413773639
Pagini: 96
Ilustrații: black & white illustrations
Dimensiuni: 129 x 198 x 6 mm
Greutate: 0.11 kg
Ediția:Nouă
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 0413773639
Pagini: 96
Ilustrații: black & white illustrations
Dimensiuni: 129 x 198 x 6 mm
Greutate: 0.11 kg
Ediția:Nouă
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Caracteristici
Published to tie in with the production at the Royal National Theatre in May 2003.
Recenzii
'Guns, drugs, crime, racism, the effects of single parenthood, the ease with which young black men reject education, the troubled relationship between black Britons and "back home", the frustrated desire to achieve . . . Kwame Kwei-Armah's play covers an awful lot of bases. What makes Elmina's Kitchen remarkable, however, is his ability to address all these issues without hectoring. He takes us behind the headlines from Hackney's Murder Mile, bringing a human face to London's gang violence and showing how easy it is to make the wrong choice when struggling to survive.'
'Elmina's Kitchen does just what the best contemporary theatre should. It urges people with half closed minds and averted eyes to confront the ignored and evaded problems of our time.'
'This is an angry, provocative, vital play, one that demands change in society while recognising that there are no easy solutions, and is passionately political while understating that the best way to communicate with people is to keep them entertained. It is thrilling to see it at the National - and will be even more thrilling if it inspires other black playwrights to follow its lead.'
'a scorching drama about the black experience in Britain's inner cities . . . there's no mistaking its raw power, humanity and urgent concern.'
'Set in London's contemporary East End, this is an assured, humourous, ultimately grim drama . . . a revenge tragedy for our times, with violent retribution tied in with today's complicated black culture of "respect".'
'Elmina's Kitchen does just what the best contemporary theatre should. It urges people with half closed minds and averted eyes to confront the ignored and evaded problems of our time.'
'This is an angry, provocative, vital play, one that demands change in society while recognising that there are no easy solutions, and is passionately political while understating that the best way to communicate with people is to keep them entertained. It is thrilling to see it at the National - and will be even more thrilling if it inspires other black playwrights to follow its lead.'
'a scorching drama about the black experience in Britain's inner cities . . . there's no mistaking its raw power, humanity and urgent concern.'
'Set in London's contemporary East End, this is an assured, humourous, ultimately grim drama . . . a revenge tragedy for our times, with violent retribution tied in with today's complicated black culture of "respect".'
Descriere
The Yardies are burning up Hackney and Digger's offers of protection for the diner smacks more of threat than promise. How can Deli save his truanting, thieving son when temptation looms so large on Murder Mile?
Notă biografică
Kwame Kwei-Armah is British actor, playwright, director, singer and broadcaster. In 2018 he was made Artistic Director of the Young Vic Theatre, where he has directed Twelfth Night and Tree. From 2011 to 2018 he was the Artistic Director of Baltimore Center Stage where his directing credits include: Jazz, Marley, One Night in Miami, Amadeus, and Dance of the Holy Ghosts. As a playwright his credits include Tree (Manchester International Festival, Young Vic), One Love (Birmingham Repertory Theatre), Beneatha's Place (Baltimore Center Stage) Elmina's Kitchen, Fix Up, Statement of Regret (National Theatre) Let There Be Love and Seize the Day (Tricycle Theatre). Kwame was an Associate Director of the Donmar Warehouse and has served on the boards of the National Theatre, Tricycle Theatre, and Theatre Communications Group. He is Chair of the 2019 Bruntwood Prize for Playwriting, was Chancellor of the University of the Arts London from 2010 to 2015, and in 2012 was awarded an OBE for Services to Drama.
Cuprins
Foreword by Paterson JosephThe Play