Emotion in Animated Films: Routledge Advances in Film Studies
Editat de Meike Uhrigen Limba Engleză Hardback – 10 oct 2018
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Specificații
ISBN-13: 9781138303287
ISBN-10: 1138303283
Pagini: 250
Ilustrații: 11 Halftones, black and white; 11 Illustrations, black and white
Dimensiuni: 152 x 229 x 17 mm
Greutate: 0.48 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Film Studies
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138303283
Pagini: 250
Ilustrații: 11 Halftones, black and white; 11 Illustrations, black and white
Dimensiuni: 152 x 229 x 17 mm
Greutate: 0.48 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Film Studies
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
Foreword (Chris Landreth) Part I: Introduction 1. AnimOtion: Animating Emotions in the Digital Age (Meike Uhrig) Part II: Emotion Theory & Animated Film 2. ‘Perfect Bridge Over the Crocodiles’: Tacit Contracts, Listen Thieves, and Emotional Labour in the Animated FAGO (Paul Wells) Part III: Genres 3. Audiovisual Metaphors and Metonymies of Emotions in Animated Moving Images (Kathrin Fahlenbrach & Maike Sarah Reinerth) 4. The Butterfly Lovers: Sex, Gender, and Emotion-Based Story Prototypes (Patrick Colm Hogan) 5. Animated Documentary: Viewer Engagement, Emotion, and Performativity (Paul Ward) Part IV: Diegesis & Formal Features 6. Aesthetics and Psychology of Animated Films (Torben Grodal) 7. Creating (Artificial) Emotion in Animation Through Sound and Story (Nichola Dobson) 8. Light, Color and (E)Motion: Animated Materiality and Surfaces in Moana (Kirsten Moana Thompson) 9. Shot Scale and Viewers’ Responses to Characters in Animated Films (Katalin E. Bálint & Brendan Rooney) Part V: Young Audiences 10. How Infants Perceive Animated Films(Sermin Ildirar Kirbas & Tim J. Smith) Part VI: Excurse 11. "Portraying emotions is fundamental to animated film": An Interview with Felix Gönnert (Meike Uhrig) Part VII: Annex
Descriere
This book looks at international film productions using animation techniques to display and/or to elicit emotions, with a special attention to the aesthetics, characters and stories of these films, and to the challenges and benefits of using computer techniques for these purposes.