Experiencing Stanislavsky Today: Training and Rehearsal for the Psychophysical Actor
Autor Stephanie Daventry French, Philip G. Bennetten Limba Engleză Paperback – 10 feb 2016
- Each section of the book is accompanied by individual and group exercises, forming a full course of study in the foundations of modern acting.
- A glossary explains the key terms and concepts that are central to Stanislavsky’s thinking at a glance.
- The book’s companion website is full of downloadable worksheets and resources for teachers and students.
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 355.86 lei 6-8 săpt. | |
Taylor & Francis – 10 feb 2016 | 355.86 lei 6-8 săpt. | |
Hardback (1) | 834.04 lei 6-8 săpt. | |
Taylor & Francis – 12 feb 2016 | 834.04 lei 6-8 săpt. |
Preț: 355.86 lei
Preț vechi: 449.58 lei
-21% Nou
Puncte Express: 534
Preț estimativ în valută:
68.12€ • 74.21$ • 57.15£
68.12€ • 74.21$ • 57.15£
Carte tipărită la comandă
Livrare economică 19 decembrie 24 - 02 ianuarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780415693950
ISBN-10: 0415693950
Pagini: 632
Ilustrații: 4 black & white tables, 85 black & white halftones, 35 black & white line drawings
Dimensiuni: 191 x 254 x 30 mm
Greutate: 1.41 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 0415693950
Pagini: 632
Ilustrații: 4 black & white tables, 85 black & white halftones, 35 black & white line drawings
Dimensiuni: 191 x 254 x 30 mm
Greutate: 1.41 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Cuprins
1. Invitation to the Quest for Inspiration 2. The Actor's Palette: Interconnected elements of actions 3. Preparing for Inspiration: The creative state 4. Dedication to the Creative Space 5. The Psychophysical Instrument: Exploring mind-body connections 6. Communion: Deepening communication and mutual influence 7. Givens: Discovering and endowing circumstances 8. Non-Verbal Action: Communicating through behaviour 9. Embodying Voice and Speech 10. Verbal Action: Communicating with words and subtext 11. Emotional Experience 12. Reconnaissance: Mining the script and expanding to meet its challenges 13. Active Analysis through Events and Character Embodiment 14. Active Analysis through Psychophysical Action - Discoveries on the way to experiencing a role 15. Collaboration: Entering the production and rehearsal process 16. Experiencing the Creative Life: Communion with audience and society 17. The Evolving Stanislavsky System Appendices
Notă biografică
Stephanie Daventry French has directed over 40 productions using Stanislavsky's Active Analysis. She teaches the Stanislavsky System integrated with many other techniques as head of the Acting for Theatre, Television and Film track at East Stroudsburg University.
Philip G. Bennett has been an actor, teacher and director of the Stanislavsky System since 1969 - Artistic Director of the San Francisco Theatre Academy 1976-1984, the Bennett TheatreLab & Conservatory 1984-present, and Assistant Artistic Director to Russian emegré teacher, Sonia Moore, American Stanislavski Theatre, 1969 – 1975.
Philip G. Bennett has been an actor, teacher and director of the Stanislavsky System since 1969 - Artistic Director of the San Francisco Theatre Academy 1976-1984, the Bennett TheatreLab & Conservatory 1984-present, and Assistant Artistic Director to Russian emegré teacher, Sonia Moore, American Stanislavski Theatre, 1969 – 1975.
Recenzii
"An excellent acting textbook for any instructor aiming to provide a thorough overview of the System. Its wealth of references to other performance practices as well as its solid foundation in the latest scientific research offers an excellent blend of traditional and contemporary acting theory and practice."
- Theatre Library Association
- Robert Yowell, Northern Arizona University, USA
- Konstantinos Thomaidis, University of Portsmouth, UK
- Shawn J. Clerkin, Gannon University, USA
- Leah Roy, Wake Forest University, USA
- Kirsten Due Kjeldsen, VIA University College, Denmark
Descriere
This pioneering introduction to Stanislavsky's methods and modes of actor training considers: Recreating ‘truthful’ behaviour in the artificial environment; Awareness and observation; Psychophysical work (mind, breath and body); Given circumstances; Visualization and imagination; Group and partner work; Scene work: selecting and analysing from a text; Preparing for a performance.