Feathers in the Snow: Modern Plays
Autor Philip Ridleyen Limba Engleză Paperback – 4 dec 2012
Din seria Modern Plays
- 20% Preț: 64.54 lei
- 19% Preț: 79.07 lei
- 15% Preț: 78.18 lei
- 15% Preț: 78.00 lei
- 13% Preț: 79.95 lei
- Preț: 78.62 lei
- 14% Preț: 78.18 lei
- 15% Preț: 78.18 lei
- 15% Preț: 77.58 lei
- 14% Preț: 79.07 lei
- 14% Preț: 79.14 lei
- 19% Preț: 78.18 lei
- 15% Preț: 78.18 lei
- Preț: 13.13 lei
- 15% Preț: 77.84 lei
- 19% Preț: 78.18 lei
- 19% Preț: 78.18 lei
- 24% Preț: 78.62 lei
- 14% Preț: 79.07 lei
- 14% Preț: 78.97 lei
- 14% Preț: 78.18 lei
- 15% Preț: 78.62 lei
- 14% Preț: 79.61 lei
- 19% Preț: 78.54 lei
- 19% Preț: 79.52 lei
- 19% Preț: 78.35 lei
- 15% Preț: 77.84 lei
- 15% Preț: 77.74 lei
- 23% Preț: 79.07 lei
- 14% Preț: 78.89 lei
- 14% Preț: 79.07 lei
- 15% Preț: 78.44 lei
- 24% Preț: 78.18 lei
- 24% Preț: 77.28 lei
- 24% Preț: 78.18 lei
- 15% Preț: 78.10 lei
- 19% Preț: 78.18 lei
- 19% Preț: 78.18 lei
- 23% Preț: 79.07 lei
- 19% Preț: 78.26 lei
- 13% Preț: 80.86 lei
- 19% Preț: 78.98 lei
- 15% Preț: 78.79 lei
- 19% Preț: 78.18 lei
- 24% Preț: 78.26 lei
- 19% Preț: 78.79 lei
- 15% Preț: 78.62 lei
- 14% Preț: 79.07 lei
- 14% Preț: 79.07 lei
- 15% Preț: 78.62 lei
Preț: 79.07 lei
Preț vechi: 91.81 lei
-14% Nou
Puncte Express: 119
Preț estimativ în valută:
15.13€ • 15.76$ • 12.58£
15.13€ • 15.76$ • 12.58£
Carte tipărită la comandă
Livrare economică 10-24 februarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781472515148
ISBN-10: 1472515145
Pagini: 144
Dimensiuni: 129 x 198 x 15 mm
Greutate: 0.14 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1472515145
Pagini: 144
Dimensiuni: 129 x 198 x 15 mm
Greutate: 0.14 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Caracteristici
Ridley's work has been a big success in the US with Ben Brantley of the New York Times commenting: 'Mr. Ridley . . . is high on my list of contemporary playwrights these days. He was always a writer of daring and satanic imagination, with a sui generis vocabulary to match . . . But more recently he's been weaving theatrical fantasies that bear the relation to everyday reality that your dreams, and especially your nightmares, do . . . The exotic worlds he conjures feel deeply familiar, even to the point of banality, which is what makes them all the scarier and all the more revelatory.'
Notă biografică
Philip Ridley is a contemporary artist, poet, novelist, film-maker and one of the country's most celebrated living playwrights. Ridley has been described as 'probably a genius' (Time Out) and 'the best British playwright of the last 20 years' (Aleks Sierz, author of In-Yer-Face Theatre). His plays include Ghost From A Perfect Place, Mercury Fur, The Fastest Clock in the Universe, and Vincent River.
Recenzii
Notable for its avid sense of fun ... the preoccupations are standard Ridley: stories ... and home, our constant yearning for each and the way we sometimes use the former to build the latter ... if you watch attentively you can spot substantive and complex ideas gliding past ... Ridley is stressing the "fun" in profundity.
Ridley's storytelling combines the fantastical and the down to earth, and leavens the darkness with humour ... like all Ridley's work, it's distinctively different, never patronising its young audience, and it celebrates the power of storytelling to see us through the darkest times.
A further instance of Ridley's preoccupation with the power - for good and ill - of story-telling in our attempts to make sense of experience. What's new here, though, is the spirit of antic knockabout playfulness ... [a] resilience in Ridley's writing that offsets the harshness of the subject matter - its spring recurring rhythms and its larky knowingness about narrative tropes.
The story has an epic structure ... gripping, confronting issues such as the unreliability of historians. Children around me seemed attentive, fascinated, serious
Ridley's storytelling combines the fantastical and the down to earth, and leavens the darkness with humour ... like all Ridley's work, it's distinctively different, never patronising its young audience, and it celebrates the power of storytelling to see us through the darkest times.
A further instance of Ridley's preoccupation with the power - for good and ill - of story-telling in our attempts to make sense of experience. What's new here, though, is the spirit of antic knockabout playfulness ... [a] resilience in Ridley's writing that offsets the harshness of the subject matter - its spring recurring rhythms and its larky knowingness about narrative tropes.
The story has an epic structure ... gripping, confronting issues such as the unreliability of historians. Children around me seemed attentive, fascinated, serious