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Fictions of the Press in Nineteenth-Century France: Palgrave Studies in Modern European Literature

Autor Edmund Birch
en Limba Engleză Hardback – 24 mai 2018
This book explores how writers responded to the rise of the newspaper over the course of the nineteenth century. Taking as its subject the ceaseless intertwining of fiction and journalism at this time, it tracks the representation of newspapers and journalists in works by Honoré de Balzac, Edmond and Jules de Goncourt, and Guy de Maupassant. This was an era in which novels were published in newspapers and novelists worked as journalists. In France, fiction was to prove an utterly crucial presence at the newspaper’s heart, with a gilded array of predominant literary figures active in journalism. Today, few in search of a novel would turn to the pages of a daily newspaper. But what are usually cast as discrete realms – fiction and journalism – came, in the nineteenth century, to occupy the same space, a point which complicates our sense of the cultural history of French literature.
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Specificații

ISBN-13: 9783319721996
ISBN-10: 3319721992
Pagini: 250
Ilustrații: IX, 238 p.
Dimensiuni: 148 x 210 x 24 mm
Greutate: 0.45 kg
Ediția:1st ed. 2018
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Palgrave Studies in Modern European Literature

Locul publicării:Cham, Switzerland

Cuprins

Introduction.- 1. Newspaper Fictions, Newspaper Histories.- 2. A Sentimental Education: Balzac’s Journalists.- 3. The Brothers Goncourt and the End of Privacy.- 4. Sleight of Hand: Maupassant and Actualité.- Conclusion.

Recenzii

“Birch has written a rich, textured, and thoughtful analysis of the novel of journalism in nineteenth-century France. The significance of his book to our understanding of the period’s social and intellectual life is as far-reaching as literary realism itself, which the works under study here all represent.” (James Smith Allen, H-France Review, Vol. 20 (190), October, 2020)

“Many … writers from the period who used the press as a literary laboratory merit similar attention. Birch’s book provides an excellent model for future research on that theme.” (Max McGuinness, Modern Language Review, Vol. 115 (4), October, 2020)

“Edmund Birch’s monograph skilfully explores different aspects of the interrelationship between fiction and newspapers in nineteenth-century France through a study of selected seminal novels of journalism. … The text is extremely well written, with an enviable clarity of expression and lucidity of exposition, not least in its use of literary theory. Overall the book represents a significant scholarly contribution to our understanding of both nineteenth-century French literature and the cultural history of journalism in France.” (Raymond Kuhn, Modern & Contemporary France, December 10, 2019)

Notă biografică

Edmund Birch teaches French Literature at the University of Cambridge, UK, where he is Director of Studies and College Lecturer at Churchill College and Selwyn College. He is Co-Editor of ‘Literature and the Press in France’, a special number of the journal Dix-Neuf (2017), and the author of a number of articles on French literature and the cultural history of journalism.

Textul de pe ultima copertă

This book explores how writers responded to the rise of the newspaper over the course of the nineteenth century. Taking as its subject the ceaseless intertwining of fiction and journalism at this time, it tracks the representation of newspapers and journalists in works by Honoré de Balzac, Edmond and Jules de Goncourt, and Guy de Maupassant. This was an era in which novels were published in newspapers and novelists worked as journalists. In France, fiction was to prove an utterly crucial presence at the newspaper’s heart, with a gilded array of predominant literary figures active in journalism. Today, few in search of a novel would turn to the pages of a daily newspaper. But what are usually cast as discrete realms – fiction and journalism – came, in the nineteenth century, to occupy the same space, a point which complicates our sense of the cultural history of French literature.

Caracteristici

Provides new readings of crucial and often-discussed authors, such as Balzac and Maupassant, alongside lesser-known works, such as the Goncourts’ Charles Demailly Introduces Anglophone readers to a new and developing area of French studies Traces a neglected history of literary opposition to the rise of the newspapers