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Film, History and Cultural Citizenship: Sites of Production de Tina Mai Chen

Film, History and Cultural Citizenship: Sites of Production: Routledge Studies in Cultural History

Editat de Tina Mai Chen, David S. Churchill
en Limba Engleză Paperback – 9 dec 2011
This new book investigates the relationship of film to history, power, memory, and cultural citizenship. The book is concerned with two central issues: firstly, the participation of film and filmmakers in articulating and challenging projects of modernity; and, secondly, the role of film in shaping particular understandings of self and other to evoke collective notions of belonging. These issues call for interdisciplinary and multi-layered analyses that are ideally met through dialogue across place, time, identities and genres. The contributors to this volume enable this dialogue by considering the ways in which cultural expression and identity expressed through film serve to create notions of belonging, group identity, and entitlement within modern societies.
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Specificații

ISBN-13: 9780415514644
ISBN-10: 0415514649
Pagini: 250
Ilustrații: 25 black & white halftones
Dimensiuni: 156 x 234 x 13 mm
Greutate: 0.46 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Studies in Cultural History

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Notă biografică

Tina Mae Chen is Associate Professor of History at the University of Manitoba, Canada, and co-ordinator of the Interdisciplinary Research Circle on Globalization and Cosmopolitanism.
David S. Churchill is Assistant Professor of US History at the University of Manitoba, Canada, and co-ordinator of the Interdisciplinary Research Circle on Globalization and Cosmopolitanism.
 

Cuprins

Acknowledgements,
    ,
  1. Film, History, and Cultural Citizenship: An Introduction,
, Tina Mai Chen and David S. Churchill , Section I: Producing National and Transnational Imaginaries,
    ,
  1. Negotiating Mobile Subjectivities: Costume Play, Landscape, and Belonging in the Colonial Road Movies of Shimizu Hiroshi, Sharon Hayashi ,
  2. Moore’s Utopia: Canada in the Cinematic Imagination of Michael Moore, David S. Churchill ,
  3. Seeing Beneath the Veil: Saira Shah and the Problems of Documentary, Nima Naghibi ,
  4. Textual Communities and Localized Practices of Film in Maoist China, Tina Mai Chen ,
  5. Transnational Communities of Affinity: Patricio Guzmán’s The Pinochet Case, Macarena Gómez-Barris , Section II: Historical Feeling in the Sites of Production
  6. Moving Intimacy: The Betrayals of a Mother called Yesterday, a Child called Beauty and a Father called John Khumalo, Neville Hoad ,
  7. Queer Grit: Jane West Rides Through the Violence of the Hollywood Western, Roewan Crowe ,
  8. Violence, Gender, and Community in Atanarjuat, Peter Kulchyski ,
  9. Memory, Affect, and Personal Modernity: Now, Voyager and the Second World War, Brenda Austin-Smith , Section III: The Culture of Film and the Production of History
  10. Alterity, Activism, and the Articulation of Gendered Cinemascapes in Canadian Indian Country, Kathleen Buddle,
  11. The Battle of Algiers: Pentagon Edition, John Mowitt,
  12. Jacob the Liar and Historical Truth in Berlin and Hollywood, Cheryl Dueck,
  13. Abderrahmane Sissako: Les Lieux Provisoires of Transnational Cinema,
, Michelle Stewart, Contributors

Descriere

This new book investigates the relationship of film to history, power, memory, and cultural citizenship and considers ways in which cultural expression and identity expressed through film serve to create notions of belonging, group identity, and entitlement within modern societies