G. W. M. Reynolds and His Fiction: The Man Who Outsold Dickens: Routledge Studies in Nineteenth Century Literature
Autor Stephen Knighten Limba Engleză Hardback – 11 dec 2018
A serious radical, strongly pro-woman, and a leading Chartist seeking the vote for all men, Reynolds’ vigorous heroines differ notably from the Victorian novelists’ timid norm. He was strongly pro-Jewish and pro-Gypsy, very interested in French and Italian society, but wrote for ordinary English working people. Dickens thought him a dangerous leftist: for all these reasons, he was excluded from the elite literary world.
G. W. M. Reynolds: The Man Who Outsold Dickens reestablishes Reynolds as a major figure of mid-nineteenth-century fiction and an author of European range and status. This book examines his massive popularity and notable concern with the problems of ordinary people, especially women, in the complex and often dangerous new world of the modern city. With the support of his wife Susannah, Reynolds’ enormous influence would also make a contribution to the cause of mass political education through his role in the development of popular fiction and journalism. This book is a major innovation in the field of Victorian literary studies, with relevance to popular cultural studies, the politics of literature, and publishing history, presenting properly a much overlooked major English novelist.
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Specificații
ISBN-13: 9781138579842
ISBN-10: 113857984X
Pagini: 220
Dimensiuni: 152 x 229 x 14 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Studies in Nineteenth Century Literature
Locul publicării:Oxford, United Kingdom
ISBN-10: 113857984X
Pagini: 220
Dimensiuni: 152 x 229 x 14 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Studies in Nineteenth Century Literature
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
Preface
Introduction
1. Reynolds and His Novels
2. Reynold’s Reception
3. Approaching Reynolds’ Fiction
Chapter 1 Towards London and the Mysteries
Section 1: Volumes 1-2: The Markhams, Self-Managing Women, The Resurrection Man, and Other Criminals
2.A.1 Aristocratic Interactions
2.A.2 The Master Criminal
2.A.3 Comic Non-Gentry
2.A.4 Corrupt Non-Gentry, and Some Decent Relatives
2.A.5 Minor Figures, Respectable and Criminal
Section 2 B: Volume 4: Chapters 120-209, 1846-7: Modern Gentry, Bourgeoisie, Seductresses, and Criminals.
2.B.1 The Gentry in the Present
2.B 2 Modern Seductresses
2.B.3 New Aristocratic Dramas
2.B.4 Modern Criminals
2.B.5 Satirical and Political Commentary
Section 3 The Mysteries of London, Series 3 and 4
3.1 Series 3, Volume 5: Thomas Miller and the Ordinary People of London
3.2 Series 4, volume 6: Edward Blanchard and Aristocratic Sentimentality
Chapter 3 Mysteries Historicized: The Days of Hogarth and The Mysteries of the Court of London
Section 1: The Parricide: Revisiting the Past in Fiction
Section 2: The Days of Hogarth: Revisiting Past London
2.1 Mystery and History
2.2 Hogarth’s Four Narrative Sequences
2.3 Jem Ruffles the Hero
2.4 Other New Characters
2.5 Century-Old London
2.6 After Reynolds and Hogarth
Section 3: The Mysteries of the Court of London, volumes 1-2: The Prince Regent and Other Villains
3.1 Royalty
3.2 Aristocracy
3.3 Other Social Figures
3.4 Criminals
3.5 Social and Political Comment
Section 4 The Mysteries of the Court of London, volumes 3-4: Venetia Trelawney Versus the Prince and Other Males
4.1 Royalty
4.2 Aristocratic Women
4.3 Aristocratic Men
4.4 Other Characters
4.5 Social and Urban Comment
Section 5 The Mysteries of the Court of London, volumes 5-6: Aristocrats: Female Villainy and Secondary Males
5.1 Introduction
5.2 The House of Saxondale
5.3 The House of Eagledean
5.4 Other Characters
5.5 Final Events
5.6 Satire and Social Reference
Section 6 The Mysteries of the Court of London, volumes 7-8: Aristocrats: Disputed Inheritance and Young Love
6.1 The Duke and His Problems
6.2 Other Characters in the Main Plot
6.3 Other Plot Strands
6.4 The Murder Mystery Resolved
6.5 Social and Political Commentary
Chapter 4 Lower-Class Heroines and Heroes of the 1850s
Section 1 Fantasy History
1.3 The Coral Island, or The Hereditary Curse
1.4 The Necromancer, A Romance
Section 2 Historical Fiction
2.1 Pope Joan, or The Female Pontiff
2.2 Kenneth, A Romance of the Highlands
2.3 The Massacre of Glencoe, A Historical Tale
2.4 The Rye House Plot, or Ruth the Conspirator’s Daughter
2.5 Margaret, or The Discarded Queen
2.6 Canonbury House, or The Queen’s Prophecy
2.7 Mary Stuart, Queen of Scots
Section 3 International Narratives
3.1 The Bronze Statue, or The Virgin’s Kiss
3.2 Omar, A Tale of the Crimean War
3.3 The Loves of the Harem, A Romance of Constantinople
3.4 Leila, or The Star of Mingrelia
3.5 The Empress Eugénie’s Boudoir
3.6 Conclusion
1. Reynolds and His Novels
2. Reynold’s Reception
3. Approaching Reynolds’ Fiction
Chapter 1 Towards London and the Mysteries
- First Moves in Fiction
- Pickwick Abroad
- Alfred de Rosann
- Grace Darling
- Robert Macaire
- The Steam-Packet
- The Drunkard’s Tale
- Master Timothy’s Bookcase
Section 1: Volumes 1-2: The Markhams, Self-Managing Women, The Resurrection Man, and Other Criminals
- Introduction
- Major Male Figures
- Major Female Figures
- Minor Characters, Noble, Troubled, and Vicious
- Criminals Great and Small
- Socio-Political Commentary
2.A.1 Aristocratic Interactions
2.A.2 The Master Criminal
2.A.3 Comic Non-Gentry
2.A.4 Corrupt Non-Gentry, and Some Decent Relatives
2.A.5 Minor Figures, Respectable and Criminal
Section 2 B: Volume 4: Chapters 120-209, 1846-7: Modern Gentry, Bourgeoisie, Seductresses, and Criminals.
2.B.1 The Gentry in the Present
2.B 2 Modern Seductresses
2.B.3 New Aristocratic Dramas
2.B.4 Modern Criminals
2.B.5 Satirical and Political Commentary
Section 3 The Mysteries of London, Series 3 and 4
3.1 Series 3, Volume 5: Thomas Miller and the Ordinary People of London
3.2 Series 4, volume 6: Edward Blanchard and Aristocratic Sentimentality
Chapter 3 Mysteries Historicized: The Days of Hogarth and The Mysteries of the Court of London
Section 1: The Parricide: Revisiting the Past in Fiction
Section 2: The Days of Hogarth: Revisiting Past London
2.1 Mystery and History
2.2 Hogarth’s Four Narrative Sequences
2.3 Jem Ruffles the Hero
2.4 Other New Characters
2.5 Century-Old London
2.6 After Reynolds and Hogarth
Section 3: The Mysteries of the Court of London, volumes 1-2: The Prince Regent and Other Villains
3.1 Royalty
3.2 Aristocracy
3.3 Other Social Figures
3.4 Criminals
3.5 Social and Political Comment
Section 4 The Mysteries of the Court of London, volumes 3-4: Venetia Trelawney Versus the Prince and Other Males
4.1 Royalty
4.2 Aristocratic Women
4.3 Aristocratic Men
4.4 Other Characters
4.5 Social and Urban Comment
Section 5 The Mysteries of the Court of London, volumes 5-6: Aristocrats: Female Villainy and Secondary Males
5.1 Introduction
5.2 The House of Saxondale
5.3 The House of Eagledean
5.4 Other Characters
5.5 Final Events
5.6 Satire and Social Reference
Section 6 The Mysteries of the Court of London, volumes 7-8: Aristocrats: Disputed Inheritance and Young Love
6.1 The Duke and His Problems
6.2 Other Characters in the Main Plot
6.3 Other Plot Strands
6.4 The Murder Mystery Resolved
6.5 Social and Political Commentary
Chapter 4 Lower-Class Heroines and Heroes of the 1850s
- The Seamstress: A Domestic Tale: Distress and Tragedy
- Mary Price, or The Memoirs of a Servant-Maid: Her Many Connections
- Joseph Wilmot, or The Memoirs of a Man-Servant: Masculine Service, Travel, and Inheritance
- Rosa Lambert, or The Memoirs of an Unfortunate Woman: Independence and Danger
- Ellen Percy, or The Memoirs of an Actress: Commitment -- Personal, Professional, and Amicable
- The Young Duchess, or The Memoirs of a Woman of Quality: Beyond the World of Ellen Percy
- The Soldier’s Wife: The Working Class in Uniform
- May Middleton, or The History of a Fortune: Conventional Approaches
- Agnes, or Beauty and Pleasure: Women of All Kinds
Section 1 Fantasy History
- Faust, A Romance of the Secret Tribunals
1.3 The Coral Island, or The Hereditary Curse
1.4 The Necromancer, A Romance
Section 2 Historical Fiction
2.1 Pope Joan, or The Female Pontiff
2.2 Kenneth, A Romance of the Highlands
2.3 The Massacre of Glencoe, A Historical Tale
2.4 The Rye House Plot, or Ruth the Conspirator’s Daughter
2.5 Margaret, or The Discarded Queen
2.6 Canonbury House, or The Queen’s Prophecy
2.7 Mary Stuart, Queen of Scots
Section 3 International Narratives
3.1 The Bronze Statue, or The Virgin’s Kiss
3.2 Omar, A Tale of the Crimean War
3.3 The Loves of the Harem, A Romance of Constantinople
3.4 Leila, or The Star of Mingrelia
3.5 The Empress Eugénie’s Boudoir
3.6 Conclusion
Notă biografică
Stephen Knight (M.A., Oxford, Ph.D. Sydney, both in English Literature) taught at universities in Sydney, Canberra, Melbourne, Leicester, and Cardiff, and is an honorary professor at Melbourne. He has written many articles and reviews, and this is his twentieth book: they include several on crime fiction, the prize-winning Robin Hood: A Mythic Biography (2003) and recently The Politics of Myth (2015); The Mysteries of the Cities (2012) has a chapter on Reynolds’ The Mysteries of London.
Descriere
George Reynolds is arguably the most prolific of all nineteenth-century English novelists, yet today remains almost unknown in the canon of English Literature. The Man Who Outsold Dickens reestablishes Reynolds as a major figure of nineteenth-century fiction and an author of European range.