Vision and Character: Physiognomics and the English Realist Novel: Routledge Studies in Nineteenth Century Literature
Autor Eike Kronshageen Limba Engleză Hardback – 17 noi 2017
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Specificații
ISBN-13: 9781138710252
ISBN-10: 1138710253
Pagini: 240
Dimensiuni: 152 x 229 x 24 mm
Greutate: 0.6 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Studies in Nineteenth Century Literature
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138710253
Pagini: 240
Dimensiuni: 152 x 229 x 24 mm
Greutate: 0.6 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Studies in Nineteenth Century Literature
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
List of Illustrations
Acknowledgements
Introduction Physiognomics and Realism
Chapter 1 "The Amorous Effects of ‘Brass’": Jane Austen (Emma)
Chapter 2 "By the Sweat of One’s Brow": Charlotte Brontë (The Professor & Villette)
Chapter 3 "The Dear Deceit of Beauty": George Eliot (Adam Bede & Daniel Deronda)
Chapter 4 Who Murdered Edwin Drood? Charles Dickens and Physiognomics
Chapter 5 Physiognomic Genre Parody: Joseph Conrad (Almayer’s Folly and The
Secret Agent)
Chapter 6 The Opacity of Modernist Vision: Virginia Woolf (To the Lighthouse)
Conclusion
Notes
Bibliography
Index
Acknowledgements
Introduction Physiognomics and Realism
Chapter 1 "The Amorous Effects of ‘Brass’": Jane Austen (Emma)
Chapter 2 "By the Sweat of One’s Brow": Charlotte Brontë (The Professor & Villette)
Chapter 3 "The Dear Deceit of Beauty": George Eliot (Adam Bede & Daniel Deronda)
Chapter 4 Who Murdered Edwin Drood? Charles Dickens and Physiognomics
Chapter 5 Physiognomic Genre Parody: Joseph Conrad (Almayer’s Folly and The
Secret Agent)
Chapter 6 The Opacity of Modernist Vision: Virginia Woolf (To the Lighthouse)
Conclusion
Notes
Bibliography
Index
Descriere
Vision and Character: Physiognomics and the English Realist Novel offers a study into the physiognomics and aesthetics of 19th and 20th Century English Realist Novels as presented by some of the best known authors in this genre, like Virginia Woolf, Joseph Conrad, Charles Dickens and Jane Austen. In this highly original approach to the issues of representation, visuality and aesthetics in the nineteenth-century realist novel, and even the question of literary interpretation, Eike Kronshage argues that physiognomics has enabled writers to access their characters’ inner lives without interfering in an authoritative way.