Gender and the Fictions of the Public Sphere, 1690-1755: Routledge Studies in Eighteenth-Century Literature
Autor Anthony Pollocken Limba Engleză Paperback – 12 mar 2012
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Specificații
ISBN-13: 9780415541329
ISBN-10: 0415541328
Pagini: 240
Dimensiuni: 152 x 229 x 13 mm
Greutate: 0.44 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Studies in Eighteenth-Century Literature
Locul publicării:Oxford, United Kingdom
ISBN-10: 0415541328
Pagini: 240
Dimensiuni: 152 x 229 x 13 mm
Greutate: 0.44 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Studies in Eighteenth-Century Literature
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
Acknowledgments. Introduction. Part I: Models and Countermodels of English Public Discourse, 1690-1714. 1. Learned Oracles, Muck-Spattered Spies, and Academic Activists: The Politics of English Publicness from Dunton to Addison. 2. Neutering Addison and Steele: Aesthetic Failure and the Spectatorial Public Sphere. 3. Gender, Ridicule, and the Satire of Liberal Reform: ‘Manley,’ Mandeville and the Female Tatler. Part II: Tory Feminism and the Gendered Reader, Astell to Haywood. 4. Astell, Whig Publicness, and the Problem of Female Specularity. 5. Voyeurism, Feminist Impartiality, and Cultural Authority: Haywood and the Addisonian Periodical. Notes. Bibliography. Index.
Notă biografică
Anthony Pollock is Assistant Professor of English at the University of Illinois, Urbana-Champaign, where he specializes in eighteenth-century European literature and gender studies. A former Mellon Fellow at the Newberry Library, Pollock’s work has been placed in many journals, including ELH, Philological Quarterly, and The Eighteenth Century: Theory and Interpretation.
Descriere
Gender and the Fictions of the Public Sphere, 1690-1755, complicates our understanding of eighteenth-century English print culture by studying the journalistic work of women writers who have long been overlooked by scholars, and by re-interpreting texts by canonical male authors in the period as responses to these early feminist models of cultural authority.