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The Epistolary Novel: Representations of Consciousness: Routledge Studies in Eighteenth-Century Literature

Autor Joe Bray
en Limba Engleză Paperback – 27 feb 2014
The epistolary novel is a form which has been neglected in most accounts of the development of the novel. This book argues that the way that the eighteenth-century epistolary novel represented consciousness had a significant influence on the later novel.
Critics have drawn a distinction between the self at the time of writing and the self at the time at which events or emotions were experienced. This book demonstrates that the tensions within consciousness are the result of a continual interaction between the two selves of the letter-writer and charts the oscillation between these two selves in the epistolary novels of, amongst others, Aphra Behn, Eliza Haywood, Samuel Richardson, Fanny Burney and Charlotte Smith.
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Specificații

ISBN-13: 9781138008724
ISBN-10: 1138008729
Pagini: 160
Dimensiuni: 156 x 234 x 10 mm
Greutate: 0.23 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Studies in Eighteenth-Century Literature

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Professional

Notă biografică

Joe Bray lectures in Literary Stylistics at the University of Stirling, having previously held positions at the Universities of Strathclyde, Cambridge and Luton. He has published on Samuel Richardson and Jane Austen and is co-editor of Ma(r)king the Text: The Presentation of Meaning on the Literary Page (Ashgate, 2000).

Cuprins

1. Introduction: Consciousness, The Novel and The Letter 2. Sex and Politics: The Epistolary Novel before 1740 3. Reserve and Memory: Richardson and the Experiencing Self 4. Sentiment and Sensibility: The Late Eighteenth-Century Letter 5. From First to Third: Austen and Epistolary Style 6. Postcript: The Case of Herzog

Descriere

This book argues that the way the eighteenth-century epistolary novel represented consciousness had a significant influence on the later novel, a view that had been largely ignored in most accounts of the development of the novel.