Global Childhoods and Cosmopolitan Identities in Literature: Cross/Cultures, cartea 219
Autor Elizabeth Jacksonen Limba Engleză Hardback – 4 oct 2022
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Specificații
ISBN-13: 9789004514317
ISBN-10: 9004514317
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Cross/Cultures
ISBN-10: 9004514317
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Cross/Cultures
Notă biografică
Elizabeth Jackson is a Senior Lecturer in Literatures in English at the University of the West Indies. She has a PhD from the University of London (2007), and her previous publications include two single-authored books: Feminism and Contemporary Indian Women’s Writing (2010) and Muslim Indian Women Writing in English (2017).
Cuprins
Acknowledgments
Introduction
1 Working Definitions
2 Literature Review
2.1On Cosmopolitanisms and Mobilities
2.2On Third Culture Kids (tck s)
2.3On Literary Cosmopolitanisms
3 Overview of the Book
3.1Part 1: Beyond Diaspora in Literary Fiction
3.2Part 2: Beyond Diaspora in Autobiographical Narratives
Part 1
Beyond Diaspora in Literary Fiction
1Cosmopolitan Attitudes and Cosmopolitan Identities in Amitav Ghosh’s The Shadow Lines
1The Shadow Lines and National Borders
2 Cosmopolitan Attitudes and Cosmopolitan Identities
3 Ila as a “Third Culture Kid”
4 Gender, Nationalism, and Cosmopolitan Identity
5 Conclusion
2English and Cosmopolitan Identities in Evelyn Waugh’s Brideshead Revisited, and in John le Carré’s The Night Manager and Agent Running in the Field
1 Englishness and Cosmopolitanism in Evelyn Waugh’s Brideshead Revisited (1945)
2 Cosmopolitan Characters as English Spies in John le Carré’s The Night Manager (1993) and Agent Running in the Field (2019)
3 Conclusion
3Identity, Nationality, and Cosmopolitanism in Michael Ondaatje’s The English Patient
1 Names, Tribes, and Nationalities in the Desert and in the Villa
2 Selfhood and the Construction of Group Identity
3 The Feuds of the World
4 Conclusion
4The Expatriate Child in Contemporary Fiction: Forward in Time in Eileen Drew’s The Ivory Crocodile and Backward in Time in Jane Alison’s Natives and Exotics
1 Introduction
2 White Guilt in Eileen Drew’s The Ivory Crocodile
3 Discontinuity and Disruption, Borders and Boundaries, and the Kindness of Servants
4 Citizenship, Identity, and Transplantation
5 Recurring Motifs and Their Thematic Significance
6 Being Inquisitive instead of Acquisitive in Approaching the Natural World
7 Conclusion
Part 2
Beyond Diaspora in Autobiographical Narratives
5Autobiography, Identity, and the Narration of Global Childhoods: Edward Said and Nadia Owusu
1 The Nature of Autobiography and Its Relation to Fiction
2 Identity and Autobiography
3 Edward Said
4 Nadia Owusu
5 Conclusion
6“Third Culture Kid” Memoirs: Constructing an Alternative Category of Identity
1 Recurring Themes and Identity Construction
2 Narrative Features
3 Conclusion
7The Expatriate Child and the Patriarch: Identity and Father Figures in Three Memoirs of Growing Up Global
1 Framing the Narratives
2 The Imperial Context
3 Fathers
4 Mothers and Gender Issues
5 Mobility, the Expatriate Child, and (Re)Patriation
6 Construction of Identity
7 Conclusion
Conclusion
Bibliography
Index
Introduction
1 Working Definitions
2 Literature Review
2.1On Cosmopolitanisms and Mobilities
2.2On Third Culture Kids (tck s)
2.3On Literary Cosmopolitanisms
3 Overview of the Book
3.1Part 1: Beyond Diaspora in Literary Fiction
3.2Part 2: Beyond Diaspora in Autobiographical Narratives
Part 1
Beyond Diaspora in Literary Fiction
1Cosmopolitan Attitudes and Cosmopolitan Identities in Amitav Ghosh’s The Shadow Lines
1The Shadow Lines and National Borders
2 Cosmopolitan Attitudes and Cosmopolitan Identities
3 Ila as a “Third Culture Kid”
4 Gender, Nationalism, and Cosmopolitan Identity
5 Conclusion
2English and Cosmopolitan Identities in Evelyn Waugh’s Brideshead Revisited, and in John le Carré’s The Night Manager and Agent Running in the Field
1 Englishness and Cosmopolitanism in Evelyn Waugh’s Brideshead Revisited (1945)
2 Cosmopolitan Characters as English Spies in John le Carré’s The Night Manager (1993) and Agent Running in the Field (2019)
3 Conclusion
3Identity, Nationality, and Cosmopolitanism in Michael Ondaatje’s The English Patient
1 Names, Tribes, and Nationalities in the Desert and in the Villa
2 Selfhood and the Construction of Group Identity
3 The Feuds of the World
4 Conclusion
4The Expatriate Child in Contemporary Fiction: Forward in Time in Eileen Drew’s The Ivory Crocodile and Backward in Time in Jane Alison’s Natives and Exotics
1 Introduction
2 White Guilt in Eileen Drew’s The Ivory Crocodile
3 Discontinuity and Disruption, Borders and Boundaries, and the Kindness of Servants
4 Citizenship, Identity, and Transplantation
5 Recurring Motifs and Their Thematic Significance
6 Being Inquisitive instead of Acquisitive in Approaching the Natural World
7 Conclusion
Part 2
Beyond Diaspora in Autobiographical Narratives
5Autobiography, Identity, and the Narration of Global Childhoods: Edward Said and Nadia Owusu
1 The Nature of Autobiography and Its Relation to Fiction
2 Identity and Autobiography
3 Edward Said
4 Nadia Owusu
5 Conclusion
6“Third Culture Kid” Memoirs: Constructing an Alternative Category of Identity
1 Recurring Themes and Identity Construction
2 Narrative Features
3 Conclusion
7The Expatriate Child and the Patriarch: Identity and Father Figures in Three Memoirs of Growing Up Global
1 Framing the Narratives
2 The Imperial Context
3 Fathers
4 Mothers and Gender Issues
5 Mobility, the Expatriate Child, and (Re)Patriation
6 Construction of Identity
7 Conclusion
Conclusion
Bibliography
Index