Hollywood Abroad: Audiences and Cultural Exchange
Autor Melvyn Stokes, Richard Maltbyen Limba Engleză Hardback – aug 2007
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Specificații
ISBN-13: 9781844570188
ISBN-10: 1844570185
Pagini: 190
Ilustrații: illustrated
Dimensiuni: 166 x 244 x 13 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția British Film Institute
Locul publicării:London, United Kingdom
ISBN-10: 1844570185
Pagini: 190
Ilustrații: illustrated
Dimensiuni: 166 x 244 x 13 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția British Film Institute
Locul publicării:London, United Kingdom
Notă biografică
Melvyn Stokesteaches American history and film history at University College, London.Richard Maltbyis Professor of Screen Studies and Head of Humanities at Flinders University in South Australia.
Cuprins
1.Introduction: The Americanization of the World; Richard Maltby.- 2. The Reception of American Films in France, c. 1910-1920; Raphaelle Costa de Beauregard and Melvyn Stokes;.- 3. 'A Great American Sensation': Thomas Ince's Civilization at The Palladium, Southampton, 1917; Michael Hammond.- 4. A balanced show: the Australian picture theatre manager at work in 1922; Anne Bittner.- 5. Cowboys, jaffas and pies: researching cinema-going in the Illawarra; Nancy Huggett and Kate Bowles.- 6. Hollywood and the Multiple Constituencies of Colonial India; Priya Jaikumar.- 7. 'Home of American Movies': Subaru Za and the Making of Hollywood's Audiences in Occupied Tokyo, 1946-1949; Hiroshi Kitamura.- 8. The Making of Our America: Hollywood in a Turkish context; Nezih Erdogan.- 9. Popular Films and Colonial Audiences in Central Africa; Charles Ambler.- 10. 'It's the language of film!': Young film audiences on Hollywood and Europe; Philippe Meers.
Textul de pe ultima copertă
Hollywood
Abroad
is
the
first
book
to
examine
the
reception
of
Hollywood
movies
by
non-American
audiences.
Although
numerous
books
on
film
history
have
analyzed
the
ways
in
which
American
films
came
to
dominate
world
markets,
there
has
so
far
been
very
little
published
work
on
how
audiences
outside
the
United
States
have
responded
to
Hollywood-produced
films.
Hollywood
Abroad
explores
the
reception
of
U.S.
films
in
Britain,
France,
Belgium,
Turkey,
Australia,
India,
Japan,
and
Central
Africa.
The
book
covers
topics
from
the
first
major
penetration
of
American
films
into
France,
Britain,
and
Australia
to
the
impact
of
such
films
as
The
Best
Years
of
Our
Lives
to
the
response
of
Belgian
young
people
in
the
age
of
the
multiplex.
It
demonstrates
that
the
story
of
the
reception
of
American
films
overseas
is
less
one
of
domination
than
of
a
complex
adoption
of
Hollywood
into
various
cultures.