Hollywood Harmony: Musical Wonder and the Sound of Cinema: Oxford Music/Media Series
Autor Frank Lehmanen Limba Engleză Paperback – 7 iun 2018
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Paperback (1) | 198.15 lei 10-16 zile | +49.64 lei 7-13 zile |
Oxford University Press – 7 iun 2018 | 198.15 lei 10-16 zile | +49.64 lei 7-13 zile |
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Oxford University Press – 7 iun 2018 | 645.13 lei 31-37 zile |
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Specificații
ISBN-13: 9780190606404
ISBN-10: 0190606401
Pagini: 312
Ilustrații: 120 music examples
Dimensiuni: 231 x 155 x 20 mm
Greutate: 0.52 kg
Editura: Oxford University Press
Colecția OUP USA
Seria Oxford Music/Media Series
Locul publicării:New York, United States
ISBN-10: 0190606401
Pagini: 312
Ilustrații: 120 music examples
Dimensiuni: 231 x 155 x 20 mm
Greutate: 0.52 kg
Editura: Oxford University Press
Colecția OUP USA
Seria Oxford Music/Media Series
Locul publicării:New York, United States
Recenzii
an engaging style and rich insights into films and their music ... Lehman's musical, dramaturgical, and psychological insights will lead to more engaged film listening and viewing.
It's a rewarding read... If you pick it up, you might want to have a piano at hand to plink out the passages, or at least have Oxford University Press's companion Website of musical examples in front of you.
Hollywood Harmony brings analysis of film music fully into the present. Sophisticated theoretical modeling of associations and effects in the currently prevalent triadic style of underscore practice combines with close readings that not only offer fresh insights but also an over-the-composer's-shoulder immediacy.
Lehman does more than illuminate an intriguing and analytically neglected repertoire; his study demonstrates how well suited the tools and technologies of neo-Riemannian theory are to reveal the affective devices of film music.
It's a rewarding read... If you pick it up, you might want to have a piano at hand to plink out the passages, or at least have Oxford University Press's companion Website of musical examples in front of you.
Hollywood Harmony brings analysis of film music fully into the present. Sophisticated theoretical modeling of associations and effects in the currently prevalent triadic style of underscore practice combines with close readings that not only offer fresh insights but also an over-the-composer's-shoulder immediacy.
Lehman does more than illuminate an intriguing and analytically neglected repertoire; his study demonstrates how well suited the tools and technologies of neo-Riemannian theory are to reveal the affective devices of film music.
Notă biografică
Frank Lehman is an Assistant Professor of Music at Tufts University, and holds degrees from Brown University and Harvard University. As a music theorist, he is interested in how music works and what effects it has on its listeners. His research has explored a range of styles and repertoires, from nineteenth century instrumental compositions to film scores to ambient music. He has recently focused on the composers John Williams and Hans Zimmer. He lives in Belmont, Massachusetts.