Theories of the Soundtrack: Oxford Music/Media Series
Autor James Buhleren Limba Engleză Paperback – 22 noi 2018
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 251.18 lei 10-16 zile | |
Oxford University Press – 22 noi 2018 | 251.18 lei 10-16 zile | |
Hardback (1) | 588.87 lei 31-37 zile | |
Oxford University Press – 22 noi 2018 | 588.87 lei 31-37 zile |
Din seria Oxford Music/Media Series
- 27% Preț: 325.85 lei
- 13% Preț: 198.15 lei
- 13% Preț: 251.65 lei
- Preț: 249.75 lei
- 8% Preț: 305.90 lei
- 12% Preț: 230.49 lei
- Preț: 288.05 lei
- 8% Preț: 299.68 lei
- 10% Preț: 275.52 lei
- 20% Preț: 276.00 lei
- Preț: 255.61 lei
- 8% Preț: 215.19 lei
- 12% Preț: 238.61 lei
- 5% Preț: 262.90 lei
- 20% Preț: 241.08 lei
- 23% Preț: 182.29 lei
- 17% Preț: 323.28 lei
- 5% Preț: 266.75 lei
- 19% Preț: 465.70 lei
- 22% Preț: 182.65 lei
- 12% Preț: 235.78 lei
- 15% Preț: 247.40 lei
- 5% Preț: 292.08 lei
Preț: 251.18 lei
Preț vechi: 289.99 lei
-13% Nou
Puncte Express: 377
Preț estimativ în valută:
48.07€ • 49.80$ • 40.12£
48.07€ • 49.80$ • 40.12£
Carte disponibilă
Livrare economică 18-24 februarie
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780199371082
ISBN-10: 0199371083
Pagini: 336
Ilustrații: 6 charts
Dimensiuni: 231 x 155 x 20 mm
Greutate: 0.48 kg
Editura: Oxford University Press
Colecția OUP USA
Seria Oxford Music/Media Series
Locul publicării:New York, United States
ISBN-10: 0199371083
Pagini: 336
Ilustrații: 6 charts
Dimensiuni: 231 x 155 x 20 mm
Greutate: 0.48 kg
Editura: Oxford University Press
Colecția OUP USA
Seria Oxford Music/Media Series
Locul publicării:New York, United States
Recenzii
This is a useful presentation of past and current theories about the soundtrack and the role sound plays in film.
This study is astonishing for the amount of film theory it traverses and makes compelling. Its methodology is remarkable, especially in the way it moves both chronologically and topically through film theory while carefully keeping the discussion of film sound and film music completely grounded within the larger theoretical frameworks in which they appear. Buhlers mastery of the subject allows him to explain complex theories with clarity and precision, but also to make sophisticated and illuminating comparisons between them. This book makes film theory not only immanently approachable for film sound and music scholars alike, but also absolutely essential.
James Buhler provides an excellent overview of Anglo-American, Soviet, German, and French accounts of the film soundtrack. He cuts through the jargon, with clear and sophisticated explanations that also allow us to see each theory in a wider intellectual context. For those interested in screen music, this will surely become a must-read.
This study is astonishing for the amount of film theory it traverses and makes compelling. Its methodology is remarkable, especially in the way it moves both chronologically and topically through film theory while carefully keeping the discussion of film sound and film music completely grounded within the larger theoretical frameworks in which they appear. Buhlers mastery of the subject allows him to explain complex theories with clarity and precision, but also to make sophisticated and illuminating comparisons between them. This book makes film theory not only immanently approachable for film sound and music scholars alike, but also absolutely essential.
James Buhler provides an excellent overview of Anglo-American, Soviet, German, and French accounts of the film soundtrack. He cuts through the jargon, with clear and sophisticated explanations that also allow us to see each theory in a wider intellectual context. For those interested in screen music, this will surely become a must-read.
Notă biografică
Jim Buhler is a Professor of Music Theory and Director of the Center for American Music at the University of Texas and lead author of Hearing the Movies: Music and Sound in Film History (2009, 2014).