Cantitate/Preț
Produs

Hong Kong Film, Hollywood and New Global Cinema: No Film is An Island: Media, Culture and Social Change in Asia

Editat de Gina Marchetti, Tan See Kam
en Limba Engleză Paperback – 30 apr 2009
In recent years, with the establishment of the Hong Kong Film Archive and growing scholarly interest in the history of Hong Kong cinema, previously neglected historical documents and difficult-to-access films have offered new research materials. As Hong Kong film history comes into sharper focus, its inextricable links across the decades to Southeast Asia, Korea, Japan, the United States, and to the far reaches of the Chinese diaspora have also become more evident. Hong Kong’s connection with Hollywood involves ties that bring together art cinema and popular genres as well as film festivals and the media marketplace with popular transnational genres.
Giving fresh and facsinating insights into the vibrant area of Hong Kong, this exciting new book links Hong Kong with world film culture both within and beyond the commercial Hollywood paradigm. It emphasizes Hong Kong film in relation to other cinema industries, including Hollywood, and demonstrates that Hong Kong film, throughout its history, has challenged, redefined, expanded, and exceeded its borders.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 48553 lei  6-8 săpt.
  Taylor & Francis – 30 apr 2009 48553 lei  6-8 săpt.
Hardback (1) 104157 lei  6-8 săpt.
  Taylor & Francis – 21 dec 2006 104157 lei  6-8 săpt.

Din seria Media, Culture and Social Change in Asia

Preț: 48553 lei

Nou

Puncte Express: 728

Preț estimativ în valută:
9295 9662$ 7707£

Carte tipărită la comandă

Livrare economică 08-22 februarie 25

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780415545600
ISBN-10: 0415545609
Pagini: 304
Ilustrații: 4 b/w images and 4 halftones
Dimensiuni: 156 x 234 x 16 mm
Greutate: 0.56 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Media, Culture and Social Change in Asia

Locul publicării:Oxford, United Kingdom

Cuprins

Introduction: Hong Kong Cinema and Global Change Gina Marchetti and Tan See-Kam  Section 1: Chinese on the Move: ‘Hongkongers’ Abroad  1. From South Pacific to Shanghai Blues: No Film is an Island Tan See Kam  2. The Heroic Flux in John Woo’s Trans-Pacific Passage: From Confucian Brotherhood to American Selfhood Aaron Han Joon Magnan-Park  3. Hong Kong Film Goes to America Staci Ford  4. Hong Kong Television in Chinatown: Translocal Context(s) and Transnational Social Formations Amy Lee  5. Thailand in the Hong Kong Cinematic Imagination Adam Knee  6. Hong Kong-Australian Imaginary: Clara Law's Australian Films Tony Mitchell  Section 2: To-ing and Fro-ing: Transnational Genres  7. Generic Ghosts: Hong Kong Horror and Transnational Generic Exchange Bliss Cua Lim  8. Copies of Copies in Hollywood and Hong Kong Cinemas: Rethinking the Woman-Warrior Figures Kwai-Cheung Lo  9. The Noir East: Hong Kong’s Transmutation of a Hollywood Genre? Joelle Collier  10. Scenes of "In-action" and "Noir" Characteristics in the Films of Johnnie To Peter Rist  Section 3: International Players and a Global Niche  11. Hong Kong Goes International: The Case of Golden Harvest Michael Walsh  12. Distant Screen: Film Festivals and the Global Projection of Hong Kong Cinema Cindy Wong Hing-Yuk  13. Competing Regions: The Chromatics of the Urban Fix Stephanie Hemelryk Donald and John Gammack  14. Jackie Chan, Tourism, and the Performing Agency Laikwan Pang  15. Niche Cinema, or, Kill Bill with Shaolin Soccer Peter Hitchcock
 

Notă biografică

Gina Marchetti is on faculty in Comparative Literature at the University of Hong Kong. Her other books include Romance and the "Yellow Peril": Race, Sex, and Discursive Strategies in Hollywood Fiction (1993), and From Tian’anmen to Times Square: Transnational China and the Chinese Diaspora on Global Screens, 1989-1997 (2006).
Tan See Kam is Associate Professor of Communication at the University of Macau, Macao SAR, China. He is Vice-Chair of the Asian Cinema Studies Society. His research interests cover media communication in the areas of film, cultural and gender studies. He is the author of Chinese Connections: Critical Perspectives in Film, Identity and Diaspora (with Feng and Marchetti).

Descriere

Giving fresh and fascinating insights into the vibrant area of Hong Kong, this exciting book links Hong Kong with world film culture both within and beyond the commercial Hollywood paradigm.