Cantitate/Preț
Produs
Total produse
Vezi coșul
How Drama Activates Learning: Contemporary Research and Practice de Professor Michael Anderson

How Drama Activates Learning: Contemporary Research and Practice

Editat de Professor Michael Anderson, Dr Julie Dunn
en Limba Engleză Hardback – 31 iul 2013
How Drama Activates Learning: Contemporary Research and Practice draws together leaders in drama education and applied theatre from across the globe, including authors from Europe, North America and Australasia. It explores how learning can be activated when drama pedagogies and philosophies are applied across diverse contexts and for varied purposes. The areas explored include: · history · literacy, oracy and listening· health and human relationships education· science · democracy, social justice and global citizenship education· bullying and conflict management· criticality· digital technologies· additional language learningDrawing on a range of theoretical perspectives, the contributors present case studies of drama and applied theatre work in school and community settings, providing rich descriptions of practice accompanied by detailed analysis underpinned by the theoretical perspectives of key thinkers from both within and beyond the field of drama.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 25726 lei  6-8 săpt.
  Bloomsbury Publishing – 11 mar 2015 25726 lei  6-8 săpt.
Hardback (1) 71065 lei  6-8 săpt.
  Bloomsbury Publishing – 31 iul 2013 71065 lei  6-8 săpt.

Preț: 71065 lei

Preț vechi: 91628 lei
-22% Nou

Puncte Express: 1066
Preț estimativ în valută:
13605€ • 14829$ • 11440£

Carte tipărită la comandă

Livrare economică 17-31 decembrie

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781441136343
ISBN-10: 1441136347
Pagini: 336
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.64 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom

Caracteristici

Draws together drama education specialists from around the world, including Europe, North America and Australasia.

Notă biografică

Michael Anderson is Associate Professor, Associate Dean and Head of Drama Education at the University of Sydney, Australia. Julie Dunn is Associate Professor of Drama and Applied Theatre at Griffith University, Australia.

Cuprins

Notes on ContributorsPrefaceForeword, Cecily O'NeillAcknowledgementsPart 1: Introduction 1. Drama and Learning: Landscapes of an Aspirational Pedagogy, Michael Anderson (University of Sydney, Australia) and Julie Dunn (Griffith University, Australia)Part 2: Activating Communities2. Drama, Community and Achievement: Together I'm Someone, Jonothan Neelands (University of Warwick, UK) and Bethany Nelson (Emerson College, USA)3. Drama, Cultural Leadership and Reflective Practice: Taking the Road to Zamunda, Chris Sinclair (University of Melbourne, Australia) and Dave Kelman (Western Edge Youth Arts, Australia)4. Drama and Social Justice: Power, Participation and Possibility, Kelly Freebody (University of Sydney, Australia) and Michael Finneran (Mary Immaculate College, University of Limerick, Ireland)5. Drama, Conflict and Bullying: Working with Adolescent Refugees, Bruce Burton (Griffith University, Australia)6. Drama and Global Citizenship Education: Planting Seeds of Social Conscience and Change, Chan Yuk Lan (Phoebe) (Hong Kong Arts Centre, Hong Kong)7. Drama, Listening, Risk and Difference: On the Pedagogical Importance of (not) Knowing the Other, Kathleen Gallagher (University of Toronto, Canada) and Burcu Yaman Ntelioglou (University of Toronto, Canada)Part 3: Activating Learners8. Drama, Creating and Imagining: Rendering the World Newly Strange, Juliana Saxton (University of Victoria, Canada) and Carole Miller (University of Victoria, Canada)9. Drama as Critical Pedagogy: Re-imagining Terrorism, Peter O'Connor (University of Auckland, New Zealand)10. Drama and Beauty: Promise, Pleasure and Pedagogy, Joe Winston (University of Warwick, UK) 11. Drama and the Audience: Transformative Encounters in TheatreSpace, Penny Bundy (Griffith University, Australia), Robyn Ewing (University of Sydney, Australia) and Josephine Fleming (University of Sydney, Australia)12. Drama, Speaking and Listening: The Treasure of Oracy, John O'Toole (Griffith University, Australia) and Madonna Stinson (Griffith University, Australia)13. Drama for Health and Human Relationships Education: Aligning Purpose and Design, Helen Cahill (University of Melbourne, Australia)Part 4: Activating Curriculum 14. Drama and History: A Kind of Integrity, Andy Kempe (University of Reading, UK)15. Drama for Additional Language Learning: Dramatic Contexts and Pedagogical Possibilities, Madonna Stinson (Griffith University, Australia) and Erika Piazzoli (Griffith University, Australia)16. Drama and Learning Technologies: To Affinity Spaces and Beyond, Michael Anderson (University of Sydney, Australia) and Dave Cameron (University of Newcastle, UK)17. Drama and Writing: 'Overcoming the Hurdle of the Blank Page', Julie Dunn (Griffith University, Australia), Annette Harden (St Bernard State School, Australia) and Sarah Marino (Griffith University, Australia)18. Drama and Science: An Unlikely Partnership for Inquiry, Christine Warner (Ohio State University, USA) 19. Drama and Literature: Masks and Love Potions, George Belliveau (University of British Columbia, Canada) and Monica Prendergast (University of Victoria, Canada)Part 5: Conclusion20. Drama and the Future: Activating New Possibilities, Julie Dunn (Griffith University, Australia) and Michael Anderson (University of Sydney, Australia)Index

Recenzii

How Drama Activates Learning is a timely addition to the drama and education literature, with much wider relevance beyond this community. Leading international drama education and applied theatre scholars are joined by emerging researchers to create this new compendium of evidence and insights into diverse research and case studies of practice. A dynamic range of practical examples, analysis and theoretical developments are shared in the realms of community development, learning contexts and curriculum areas including history, additional language learning, learning technologies and science. This book highlights convincing reasons for drama to be central to learning processes and interrogates the ways that these processes work. It clearly demonstrates the effectiveness of dramatic practice and research for enabling people to play an active role in imagining and creating future worlds.
This book provides powerful evidence for how drama encourages multiple ways to learn and how it animates learning in many different settings. It boasts an impressive cast of contributors, all of whom show why learning matters to theatre-makers, and why educationalists should take drama seriously.
How Drama Activates Learning beautifully interrogates the way in which drama can be set in motion across three key contexts - community engagement, life-long learning and curriculum interventions. This book will speak to both novices and experts in the use of drama in learning and highlights the transformative power drama has for learners in the 21st century.

Descriere

Descriere de la o altă ediție sau format:

How Drama Activates Learning: Contemporary Research and Practice draws together leaders in drama education and applied theatre from across the globe, including authors from Europe, North America and Australasia. It explores how learning can be activated when drama pedagogies and philosophies are applied across diverse contexts and for varied purposes. The areas explored include: · history · literacy, oracy and listening· health and human relationships education· science · democracy, social justice and global citizenship education· bullying and conflict management· criticality· digital technologies· additional language learningDrawing on a range of theoretical perspectives, the contributors present case studies of drama and applied theatre work in school and community settings, providing rich descriptions of practice accompanied by detailed analysis underpinned by the theoretical perspectives of key thinkers from both within and beyond the field of drama.