I. A. Richards and the Rise of Cognitive Stylistics: Advances in Stylistics
Autor Dr David Westen Limba Engleză Paperback – 25 iun 2014
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Specificații
ISBN-13: 9781472575753
ISBN-10: 147257575X
Pagini: 176
Ilustrații: black & white illustrations
Dimensiuni: 156 x 234 x 8 mm
Greutate: 0.23 kg
Ediția:NIPPOD.
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Advances in Stylistics
Locul publicării:London, United Kingdom
ISBN-10: 147257575X
Pagini: 176
Ilustrații: black & white illustrations
Dimensiuni: 156 x 234 x 8 mm
Greutate: 0.23 kg
Ediția:NIPPOD.
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Advances in Stylistics
Locul publicării:London, United Kingdom
Caracteristici
Argues that Richards' attempt to understand literature and literary interpretation in terms of general psychological processes is important today for both cognitive stylistics and literary studies in general.
Notă biografică
David West is a Lecturer in English Language, Linguistics and Literature at the University of Münster, Germany.
Cuprins
Acknowledgements Introduction 1. The Darwinist Framework2. Philosophical Psychology and The Foundations of Aesthetics (1922)3. Behaviourism and The Meaning of Meaning (1923) 4. Sherringtonian Neurology and Principles of Literary Criticism (1924) 5. Experimental Psychology and Practical Criticism (1929) ConclusionReferences
Recenzii
Do you think you know who I. A. Richards is and what he stood for? Unless you have already read [this book], think again! ... West's style throughout is lucid and accessible ... [leaving] the reader well equipped to re-engage with Richards' ideas ... This book has a lot to offer anyone interested in understanding Richards' work, and is essential reading for cognitive stylisticians.
Brilliant, brilliant, brilliant. This is a convincing revaluation of Richards' significance; it is a perfect example of the rational cognitive turn in the arts; and it is an unanswerable polemic for a science of literary study.
Brilliant, brilliant, brilliant. This is a convincing revaluation of Richards' significance; it is a perfect example of the rational cognitive turn in the arts; and it is an unanswerable polemic for a science of literary study.