I–Docs – The Evolving Practices of Interactive Documentary: Nonfictions
Autor Judith Aston, Sandra Gaudenzi, Mandy Roseen Limba Engleză Hardback – 23 mar 2017
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 246.14 lei 6-8 săpt. | |
| Wallflower Press – 23 mar 2017 | 246.14 lei 6-8 săpt. | |
| Hardback (1) | 602.14 lei 6-8 săpt. | |
| Wallflower Press – 23 mar 2017 | 602.14 lei 6-8 săpt. |
Din seria Nonfictions
-
Preț: 252.47 lei -
Preț: 188.20 lei -
Preț: 212.19 lei -
Preț: 244.28 lei -
Preț: 246.14 lei - 23%
Preț: 493.22 lei -
Preț: 245.23 lei -
Preț: 233.70 lei -
Preț: 273.23 lei -
Preț: 227.42 lei -
Preț: 212.19 lei -
Preț: 206.89 lei
Preț: 602.14 lei
Preț vechi: 782.00 lei
-23% Nou
Puncte Express: 903
Preț estimativ în valută:
115.25€ • 120.12$ • 95.94£
115.25€ • 120.12$ • 95.94£
Carte tipărită la comandă
Livrare economică 06-20 ianuarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780231181228
ISBN-10: 0231181221
Pagini: 256
Dimensiuni: 163 x 242 x 26 mm
Greutate: 0.59 kg
Editura: Wallflower Press
Seria Nonfictions
ISBN-10: 0231181221
Pagini: 256
Dimensiuni: 163 x 242 x 26 mm
Greutate: 0.59 kg
Editura: Wallflower Press
Seria Nonfictions
V-ar putea interesa
-
Preț: 251.74 lei -
Flickering Empire – How Chicago Invented the U.S. Film IndustryMichael Glover SmithPreț: 202.23 lei -
For His Eyes Only – The Women of James BondLisa FunnellPreț: 211.65 lei -
Preț: 242.41 lei -
Sweet and Lowdown – Woody Allen`s Cinema of RegretLloyd MichaelsPreț: 224.33 lei -
Projecting Race – Postwar America, Civil Rights and Documentary FilmStephen CharbonneauPreț: 245.23 lei -
The Psycho RecordsLaurence RickelsPreț: 201.29 lei -
Resolutions 3: Global Networks of VideoMing-Yuen S. MaPreț: 242.84 lei -
From Light to Byte: Toward an Ethics of Digital CinemaMarkos HadjioannouPreț: 214.66 lei -
A Vicious Love StoryTeddie DahlinPreț: 152.65 lei -
Star Wars for Beginning Piano SoloJohn WilliamsPreț: 87.02 lei -
Holy NightZainabu JalloPreț: 87.71 lei -
Early CinemaSimon PopplePreț: 160.01 lei -
The Rocky Horror Picture ShowJeffrey WeinstockPreț: 77.49 lei -
The Cinema of David CronenbergErnest MathijsPreț: 217.79 lei -
Aston(r) Postural AssessmentJudith Aston-25%Preț: 237.74 lei318.22 lei -
Dancing With a StarKristin BaggelaarPreț: 130.97 lei -
"Le bon, la brute et le truand" et le western spaghettiFabio SpirinelliPreț: 77.56 lei -
Der Hans Wurst-Streit in Wien und Joseph von SonnenfelsKarl von GörnerPreț: 260.41 lei -
El caballo de esparto (guion para el lector de novelas)Rafael AndariasPreț: 127.81 lei -
Preț: 416.46 lei
Notă biografică
Edited by Judith Aston, Sandra Gaudenzi, and Mandy Rose
Cuprins
Acknowledgments
Notes on Contributors
Foreword, by Brian Winston
Introduction, by Judith Aston, Sandra Gaudenzi, Mandy Rose
Part 1. Co-Creation
Preface, by Mandy Rose
1. I-docs and the documentary tradition: exploring questions of engagement, by Kate Nash
2. Co-creation as talkback: using the collaborative and interactive docu-forms to (re)imagine the 'rape-city', by Anandana Kapur
3. Documentary as co-creative practice: From Challenge for Change to Highrise – Kat Cizek in conversation with Mandy Rose, edited by Anna Wiehl
4. Not media about, but media with: co-creation for activism, by Mandy Rose
5. Living collaborations in Los Sures, Brooklyn: 1984 and today, by Christopher Allen
6. Software as co-creator in interactive documentary, by Craig Hight
Part 2. Methods
Preface, by Sandra Gaudenzi
7. Evaluating users' experiences: a case study approach to improving i-doc UX Design, by Samuel Gantier and Michel Labour
8. User experience versus author experience: lessons learned from the UX Series, by Sandra Gaudenzi
9. Pushing the craft forward: the POV Hackathon as a collaborative approach to making an interactive documentary, by Jess Linington
10. The Learn Do Share design methodology: Lance Weiler in conversation, by Sandra Gaudenzi
11. Testing and evaluating design prototypes: the case study of Avatar Secrets, by Ramona Pringle
12. Look who's watching: what storytellers can learn from privacy and personalisation, by Ben Moskowitz
Part 3. Horizons
Preface, by Judith Aston
13. Things to come: the possible futures of documentary … from a historical perspective, by William Uricchio
14. Towards behavioural realism: experiments in immersive journalism, by Nonny de la Peña
15. Interactive documentary and live performance: from embodied to emplaced interaction, by Judith Aston
16. The travelling i-doc: reflections on the meaning of interactive documentary-based image-making practices in contemporary India, by Paolo Favero
17. Interactive documentary aquí y ahora – here & now: themes and directions in South America, by Arnau Gifreu-Castells
18. Who wants to become banal?: the i-doc from experiment to industry, by Jon Dovey
Index
Notes on Contributors
Foreword, by Brian Winston
Introduction, by Judith Aston, Sandra Gaudenzi, Mandy Rose
Part 1. Co-Creation
Preface, by Mandy Rose
1. I-docs and the documentary tradition: exploring questions of engagement, by Kate Nash
2. Co-creation as talkback: using the collaborative and interactive docu-forms to (re)imagine the 'rape-city', by Anandana Kapur
3. Documentary as co-creative practice: From Challenge for Change to Highrise – Kat Cizek in conversation with Mandy Rose, edited by Anna Wiehl
4. Not media about, but media with: co-creation for activism, by Mandy Rose
5. Living collaborations in Los Sures, Brooklyn: 1984 and today, by Christopher Allen
6. Software as co-creator in interactive documentary, by Craig Hight
Part 2. Methods
Preface, by Sandra Gaudenzi
7. Evaluating users' experiences: a case study approach to improving i-doc UX Design, by Samuel Gantier and Michel Labour
8. User experience versus author experience: lessons learned from the UX Series, by Sandra Gaudenzi
9. Pushing the craft forward: the POV Hackathon as a collaborative approach to making an interactive documentary, by Jess Linington
10. The Learn Do Share design methodology: Lance Weiler in conversation, by Sandra Gaudenzi
11. Testing and evaluating design prototypes: the case study of Avatar Secrets, by Ramona Pringle
12. Look who's watching: what storytellers can learn from privacy and personalisation, by Ben Moskowitz
Part 3. Horizons
Preface, by Judith Aston
13. Things to come: the possible futures of documentary … from a historical perspective, by William Uricchio
14. Towards behavioural realism: experiments in immersive journalism, by Nonny de la Peña
15. Interactive documentary and live performance: from embodied to emplaced interaction, by Judith Aston
16. The travelling i-doc: reflections on the meaning of interactive documentary-based image-making practices in contemporary India, by Paolo Favero
17. Interactive documentary aquí y ahora – here & now: themes and directions in South America, by Arnau Gifreu-Castells
18. Who wants to become banal?: the i-doc from experiment to industry, by Jon Dovey
Index