Integrative Performance: Practice and Theory for the Interdisciplinary Performer
Autor Experience Bryonen Limba Engleză Hardback – 24 apr 2014
Experience Bryon’s Integrative Performance Practice is a way of working that will profoundly shift how performers engage with their training, conditioning and performance disciplines. It synthesizes the various elements of performance work in order to empower the performer as they practice across disciplines within any genre, style or aesthetic.
Theory and practice are balanced throughout, using:
- Regular box-outs, introducing the work's theoretical underpinnings through quotes, case studies and critical interjections.
- A full program of exercises ranging from training of specific muscle groups, through working with text, to more subtle structures for integrative awareness and presence.
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Specificații
ISBN-13: 9780415694469
ISBN-10: 0415694469
Pagini: 234
Ilustrații: 18 b/w images
Dimensiuni: 174 x 246 x 18 mm
Greutate: 0.54 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 0415694469
Pagini: 234
Ilustrații: 18 b/w images
Dimensiuni: 174 x 246 x 18 mm
Greutate: 0.54 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Public țintă
Professional Practice & DevelopmentCuprins
Part I: Performers Performing Performance 1. Who is an Integrative Performer? 2. What is Integrative Performance? 3. Towards Integrative Performing Part II: Working in the Field of Performing 4. Centre, Presence and the Initiation of Task Part III : Integrative Performance Practice 5. Working from the Integrative Centre 6. Voicing as a Breath Dance 7. Acting is Doing Part IV: Integrative Performance Analysis 8. Working in the Field of Performing Through Text Conclusion
Notă biografică
Experience Bryon is Senior Lecturer in Performance Practices and Research at the Royal Central School of Speech and Drama.
Descriere
Integrative Performance aims to serve the needs of 21st century performers. Today's requirements for fully rounded, versatile performers who are able to excel at singing, dancing and acting in a much more holistic role than those prevalent when many training systems were developed. This book aims to to produce practitioners who are not only fully prepared for the demands of contemporary performance, but sophisticated enough to engage with the wider discussions that surround their craft, especially with the growing relevance of 'practice-based research'.