Iranian Cinema and Philosophy: Shooting Truth: Literatures and Cultures of the Islamic World
Autor Farhang Erfanien Limba Engleză Hardback – 15 dec 2011
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Palgrave Macmillan US – 15 dec 2011 | 387.75 lei 43-57 zile |
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Specificații
ISBN-13: 9780230339118
ISBN-10: 0230339115
Pagini: 230
Ilustrații: XII, 230 p.
Dimensiuni: 140 x 216 x 20 mm
Greutate: 0.41 kg
Ediția:2012
Editura: Palgrave Macmillan US
Colecția Palgrave Macmillan
Seria Literatures and Cultures of the Islamic World
Locul publicării:New York, United States
ISBN-10: 0230339115
Pagini: 230
Ilustrații: XII, 230 p.
Dimensiuni: 140 x 216 x 20 mm
Greutate: 0.41 kg
Ediția:2012
Editura: Palgrave Macmillan US
Colecția Palgrave Macmillan
Seria Literatures and Cultures of the Islamic World
Locul publicării:New York, United States
Cuprins
How Orphans Believe: Deleuze, National Cinema, and Majidi's The Color of Paradise 'What are filmmakers for in needy times?' On Heidegger and Kiarostami's Taste of Cherry Committed Perception: Merleau-Ponty and Children of Heaven Regarding You: Lacanian Gaze and Ethics in Kiarostami's Close-up Stolen Jouissance: Lacan, Feminism, and Meshkini's The Day I Became a Woman Deafening Silence: Bahman Ghobadi's Turtles Can Fly and Marginal Politics
Recenzii
'A fascinating piece of work which brings the insights of Continental philosophy to bear on Iranian cinema and perhaps more importantly brings Iranian cinema to bear on those insights.' - Simon Critchley, Hans Jonas Professor of Philosophy, New School for Social Research
'Erfani's important and informative book makes a stunning contribution to the relatively new field of film and philosophy. In it, Iranian cinema and western philosophy peer into each other like facing mirrors, finding there both confirmation and disorientation. Lucid and sophisticated, this work will have wide appeal to those interested in cinema and contemporary theory.' - Joan Copjec, professor of English, Comparative Literature, and Media Study, University at Buffalo
'Erfani's important and informative book makes a stunning contribution to the relatively new field of film and philosophy. In it, Iranian cinema and western philosophy peer into each other like facing mirrors, finding there both confirmation and disorientation. Lucid and sophisticated, this work will have wide appeal to those interested in cinema and contemporary theory.' - Joan Copjec, professor of English, Comparative Literature, and Media Study, University at Buffalo
Notă biografică
FARHANG ERFANI Assistant Professor of Philosophy at the American University, USA, and a research associate at Nelson Mandela Metropolitan University in South Africa.