Ireland and Cinema: Culture and Contexts
Editat de Barry Monahanen Limba Engleză Hardback – 26 aug 2015
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 374.69 lei 6-8 săpt. | |
| Palgrave Macmillan UK – 14 feb 2018 | 374.69 lei 6-8 săpt. | |
| Hardback (1) | 380.72 lei 6-8 săpt. | |
| Palgrave Macmillan UK – 26 aug 2015 | 380.72 lei 6-8 săpt. |
Preț: 380.72 lei
Nou
Puncte Express: 571
Preț estimativ în valută:
72.89€ • 75.76$ • 60.43£
72.89€ • 75.76$ • 60.43£
Carte tipărită la comandă
Livrare economică 06-20 februarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781137496355
ISBN-10: 1137496355
Pagini: 216
Ilustrații: XXII, 216 p.
Dimensiuni: 140 x 216 x 14 mm
Greutate: 0.43 kg
Ediția:1st ed. 2015
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom
ISBN-10: 1137496355
Pagini: 216
Ilustrații: XXII, 216 p.
Dimensiuni: 140 x 216 x 14 mm
Greutate: 0.43 kg
Ediția:1st ed. 2015
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom
V-ar putea interesa
-
How to Read a Film: Movies, Media, and BeyondJames MonacoPreț: 209.95 lei -
-18%Preț: 299.90 lei366.17 lei -
The Oxford History of World CinemaGeoffrey Nowell-SmithPreț: 319.92 lei -
Screening Modernism: European Art Cinema, 1950-1980András Bálint KovácsPreț: 217.33 lei -
The Matter of Images: Essays on RepresentationsRichard DyerPreț: 343.52 lei -
Signatures of the VisibleFredric JamesonPreț: 148.29 lei -
Fiasco: A History of Hollywood's Iconic FlopsJames Robert ParishPreț: 114.30 lei -
Preț: 89.58 lei -
-17%Preț: 57.87 lei69.42 lei -
Preț: 350.22 lei -
Seeing is BelievingPeter Biskind-25%Preț: 80.90 lei107.26 lei -
Lon of 1000 FacesForrest J. AckermanPreț: 179.36 lei -
Amateur Filmmaking: The Home Movie, the Archive, the WebLaura RascaroliPreț: 242.42 lei -
The Winston EffectJody Duncan-12%Preț: 227.18 lei258.87 lei -
-16%Preț: 160.20 lei191.61 lei -
Sex and the CinemaTanya KrzywinskaPreț: 214.96 lei
Cuprins
Notes on Contributors
Foreword; Martin McLoone
Introduction; Barry Monahan
PART I: POLITICS OF HOME, SPACE AND PLACE
1. ' 'Nothin ' ' But a Wee Humble Cottage ' ': At Home in Irish Cinema; Conn Holohan
2. Gangland Geometries: Space, Mobility and Transgression in the Veronica Guerin Films; Jenny Knell
3. ' 'Don ' 't Use Your Own Accents! ' ': Representations of Dublin ' 's Accents in Contemporary Film; Nicholas O ' 'Riordan
4. Beyond Horror: Surviving Abuse in Carmel Winters ' ' Snap; Kathleen Vejvoda
PART II: IDENTITIES OF GENDER AND STARDOM
5. Black and White and Green All Over? Emergent Irish Female Stardom in Contemporary Popular Cinemas; Ciara Barrett
6. Transcending Parochial Borders? Jonathan Rhys Meyers is Henry VIII; Liz Carville
7. Old and New Irish Ethnics: Exploring Ethnic and Gender Representation in P.S. I Love You; Silvia Dibeltulo
8. Mediating between His & Hers: An Exploration of Gender Representations and Self-Representations; Patricia Neville
PART III: NORTHERN IRELAND
9. From Belfast to Bamako: Cinema in the Era of Capitalist Realism; Stephen Baker and Greg McLaughlin
10. ' 'Many Sides, Many Truths ' ': Collaborative Filmmaking in Transitional Northern Ireland; Laura Aguiar
11. The Suffering Male Body in Steve McQueen ' 's Hunger; Raita Merivirta
12. Mickybo and Me: A Cinematographic Adaptation for an International Audience; Brigitte Bastiat
PART IV: OVERSEAS PERSPECTIVES
13. Singing in the Rain: The Irish-Themed Film Musical and Schlager ' 's Hibernian Moment; Fergal Lenehan
14. Irish Cinema: a French Perspective; Isabelle Le Corff
15. Is Adaptation an Act of Transformation? J.B. Keane ' 's The Field on Screen; Noélia Borges
16. Irish Cinema in Italy: the Roma Irish Film Festa; Ciara Chambers and Barry Monahan
Bibliography
Filmography
Index
Foreword; Martin McLoone
Introduction; Barry Monahan
PART I: POLITICS OF HOME, SPACE AND PLACE
1. ' 'Nothin ' ' But a Wee Humble Cottage ' ': At Home in Irish Cinema; Conn Holohan
2. Gangland Geometries: Space, Mobility and Transgression in the Veronica Guerin Films; Jenny Knell
3. ' 'Don ' 't Use Your Own Accents! ' ': Representations of Dublin ' 's Accents in Contemporary Film; Nicholas O ' 'Riordan
4. Beyond Horror: Surviving Abuse in Carmel Winters ' ' Snap; Kathleen Vejvoda
PART II: IDENTITIES OF GENDER AND STARDOM
5. Black and White and Green All Over? Emergent Irish Female Stardom in Contemporary Popular Cinemas; Ciara Barrett
6. Transcending Parochial Borders? Jonathan Rhys Meyers is Henry VIII; Liz Carville
7. Old and New Irish Ethnics: Exploring Ethnic and Gender Representation in P.S. I Love You; Silvia Dibeltulo
8. Mediating between His & Hers: An Exploration of Gender Representations and Self-Representations; Patricia Neville
PART III: NORTHERN IRELAND
9. From Belfast to Bamako: Cinema in the Era of Capitalist Realism; Stephen Baker and Greg McLaughlin
10. ' 'Many Sides, Many Truths ' ': Collaborative Filmmaking in Transitional Northern Ireland; Laura Aguiar
11. The Suffering Male Body in Steve McQueen ' 's Hunger; Raita Merivirta
12. Mickybo and Me: A Cinematographic Adaptation for an International Audience; Brigitte Bastiat
PART IV: OVERSEAS PERSPECTIVES
13. Singing in the Rain: The Irish-Themed Film Musical and Schlager ' 's Hibernian Moment; Fergal Lenehan
14. Irish Cinema: a French Perspective; Isabelle Le Corff
15. Is Adaptation an Act of Transformation? J.B. Keane ' 's The Field on Screen; Noélia Borges
16. Irish Cinema in Italy: the Roma Irish Film Festa; Ciara Chambers and Barry Monahan
Bibliography
Filmography
Index
Recenzii
'Ireland and Cinema offers the reader a diverse and methodologically-rich collection of essays on the state of Irish cinema today. With chapters on gender, stardom, the city, post-Troubles Northern Ireland, documentaries, genres and festivals, this is the perfect resource for teachers, researchers and students. It sets down a marker for further writing in the discipline and is a model for National Cinema studies.' - Dr Ruth Barton, Department of Film, Trinity College Dublin
'Ireland and Cinema animates a wide-ranging and stimulating set of contemporary views, a timely volume working with a plurality of films that circulate within its boundaries. Of course in creating a space for contention there will be the inclusion of many arguable or disputable viewpoints, but they are an indispensable part of a dynamic discursive context. This is where creative and critical analysis has the potential to feed into politics and policy, and even practice.' - Professor Rod Stoneman, HustonSchool of Film and Visual Media, NUI Galway
'Ireland and Cinema animates a wide-ranging and stimulating set of contemporary views, a timely volume working with a plurality of films that circulate within its boundaries. Of course in creating a space for contention there will be the inclusion of many arguable or disputable viewpoints, but they are an indispensable part of a dynamic discursive context. This is where creative and critical analysis has the potential to feed into politics and policy, and even practice.' - Professor Rod Stoneman, HustonSchool of Film and Visual Media, NUI Galway
Notă biografică
Laura Aguiar, University College Cork, IrelandStephen Baker, Ulster University, UKCiara Barrett, Trinity College Dublin, IrelandBrigitte Bastiat, University of La Rochelle, FranceNoélia Borges, Federal University of Bahia, Brazil Liz Carville, NUI Maynooth, IrelandCiara Chambers, Ulster University, UKSilvia Dibeltulo, Oxford Brookes University, UKConn Holohan, NUI Galway, IrelandJenny Knell, University College Dublin, IrelandIsabelle Le Corff, Université de Bretagne Occidentale, FranceFergal Lenehan, Friedrich Schiller University, GermanyGreg McLaughlin, Ulster University, UKMartin McLoone, Ulster University, UKRaita Merivirta, University of Turku, FinlandBarry Monahan, University College Cork, IrelandPatricia Neville, University of Bristol, UK Nicholas O'Riordan, University College Cork, IrelandKathleen Vejvoda, Bridgewater State University, USA