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Irigaray, Incarnation and Contemporary Women's Fiction

Autor Dr Abigail Rine
en Limba Engleză Paperback – 25 feb 2015
Drawing on the provocative recent work of feminist theorist Luce Irigaray,Irigaray, Incarnation and Contemporary Women's Fictionilluminates the vital and subversive role of literature in rewriting notions of the sacred. Abigail Rine demonstrates through careful readings how a range of contemporary women writers - from Margaret Atwood to Michèle Roberts and Alice Walker - think beyond traditional religious discourse and masculine models of subjectivity towards a new model of the sacred: one that seeks to reconcile the schism between the human and the divine, between the body and the word. Along the way, the book argues that literature is the ideal space for rethinking religion, precisely because it is a realm that cultivates imagination, mystery and incarnation.
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Specificații

ISBN-13: 9781474222846
ISBN-10: 1474222846
Pagini: 208
Ilustrații: black & white illustrations
Dimensiuni: 156 x 234 x 13 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom

Caracteristici

Critically explores feminist constructions of the sacred in contemporary women's writing.

Notă biografică

Abigail Rineis Assistant Professor of English at George Fox University, USA.

Cuprins

Introduction1. Refiguring the Sacred: Feminist Religious Revision1.1 Women's Religious Revision: Critical Perspectives1.2 Where Literature, Religion, and Feminism Meet2. Becoming Incarnate: Luce Irigaray on Religion2.1 Luce Irigaray and the Divine2.2 Luce Irigaray and Incarnation2.3 Literature as Incarnated Writing3. 'In Love With Either/Or': Religion and Oppositional Logic in Margaret Atwood's The Handmaid's Tale3.1 Opposites that Tear the World Apart3.2 Bodies and Word(s)3.3 Chaste Vessels and Unholy Harlots3.4 The Gilead Within4. 'Where God Begins': The Female Body and the Divine Word in Michèle Roberts' The Book Of Mrs Noah and Impossible Saints4.1 'The Word that Structures Difference'4.2 Subjecting the Flesh4.3 Self-Incarnation4.4 Rejection, Revision, Renewal 5. 'Your Father Who is Tender Like a Furnace': Divinity, Violence and Female Masochism in A.L. Kennedy's Original Bliss5.1 Helen and the Apple5.2 'How do I pleasure?'5.3 The 'Palpable Gift' of God's Judgment5.4 Coming to Our Senses6. 'Sucked into the Black Cloth': Religion, Race and Sexual Shame in Alice Walker's By The Light of My Father's Smile6.1 Religion as an Imperialist Force6.2 The Wound of Sexual Shame6.3 Walker's Womanist Spirit6.4 The Lie that Unravelled the WorldBibliographyIndex