Ivanhoe
Autor Walter Scotten Limba Engleză Paperback – 2014
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Specificații
ISBN-13: 9789350337332
ISBN-10: 9350337339
Pagini: 594
Dimensiuni: 140 x 216 x 35 mm
Greutate: 0.83 kg
Editura: Maple Press
ISBN-10: 9350337339
Pagini: 594
Dimensiuni: 140 x 216 x 35 mm
Greutate: 0.83 kg
Editura: Maple Press
Notă biografică
Sir Walter Scott (1771-1832) wrote many works that are today considered classics of English literature. His body of work is impressive, including non-fiction, plays, poems, novels and short stories, many of which were published to a good reception. His famous novels include Waverley (1814), Old Mortality (1816), Rob Roy (1817) and Ivanhoe (1819). One of his best-known poems is 'The Lady of the Lake' (1810).
Judith John (glossary) is a writer and editor specializing in literature and history. A former secondary school English Language and Literature teacher, she has subsequently worked as an editor on major educational projects, including English A: Literature for the Pearson International Baccalaureate series. Judith's major research interests include Romantic and Gothic literature, and Renaissance drama.
Judith John (glossary) is a writer and editor specializing in literature and history. A former secondary school English Language and Literature teacher, she has subsequently worked as an editor on major educational projects, including English A: Literature for the Pearson International Baccalaureate series. Judith's major research interests include Romantic and Gothic literature, and Renaissance drama.
Cuprins
Acknowledgements | vi | ||||
The Waverley Novels in Penguin | viii | ||||
Introduction | xi | ||||
Chronology of Walter Scott | xxx | ||||
Further Reading | xxxix | ||||
A Note on the Text | xliii | ||||
IVANHOE | |||||
| 1 | (132) | |||
| 133 | (126) | |||
| 259 | (144) | |||
Historical note | 403 | (7) | |||
Explanatory Notes | 410 | (77) | |||
Glossary | 487 |
Descriere
Descriere de la o altă ediție sau format:
More than a century after the Norman Conquest, England remains a colony of foreign warlords. The dissolute Prince John plots to seize his brother's crown, his barons terrorize the country, and the mysterious outlaw Robin Hood haunts the ancient greenwood. The secret return of King Richard and the disinherited Saxon knight, Ivanhoe, heralds the start of a splendid and tumultuous romance, featuring the tournament at Ashby-de-la-Zouche, the siege of Torquilstone, and the clash of wills between the wicked Templar Bois-Guilbert and the sublime Jewess Rebecca. In Ivanhoe Scott fashioned an imperial myth of national cultural identity that has shaped the popular imagination ever since its first appearance at the end of 1819. The most famous of Scottish novelists drew on the conventions of Gothic fiction, including its risky sexual and racial themes, to explore the violent origins and limits of English nationality. This edition uses the 1830 Magnum Opus text, corrected against the Interleaved Set, and incorporates readings from Scott's manuscript. The introduction examines the originality and cultural importance of Ivanhoe, and draws on current work by historians and cultural critics. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
More than a century after the Norman Conquest, England remains a colony of foreign warlords. The dissolute Prince John plots to seize his brother's crown, his barons terrorize the country, and the mysterious outlaw Robin Hood haunts the ancient greenwood. The secret return of King Richard and the disinherited Saxon knight, Ivanhoe, heralds the start of a splendid and tumultuous romance, featuring the tournament at Ashby-de-la-Zouche, the siege of Torquilstone, and the clash of wills between the wicked Templar Bois-Guilbert and the sublime Jewess Rebecca. In Ivanhoe Scott fashioned an imperial myth of national cultural identity that has shaped the popular imagination ever since its first appearance at the end of 1819. The most famous of Scottish novelists drew on the conventions of Gothic fiction, including its risky sexual and racial themes, to explore the violent origins and limits of English nationality. This edition uses the 1830 Magnum Opus text, corrected against the Interleaved Set, and incorporates readings from Scott's manuscript. The introduction examines the originality and cultural importance of Ivanhoe, and draws on current work by historians and cultural critics. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.