Ivanhoe
Autor Walter Scott Editat de Richard S. Hartmetzen Limba Engleză Paperback
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Specificații
ISBN-13: 9781490392769
ISBN-10: 1490392769
Pagini: 530
Dimensiuni: 152 x 229 x 27 mm
Greutate: 0.7 kg
Editura: CREATESPACE
ISBN-10: 1490392769
Pagini: 530
Dimensiuni: 152 x 229 x 27 mm
Greutate: 0.7 kg
Editura: CREATESPACE
Notă biografică
Walter Scott was born in Edinburgh on 15 August 1777. He was educated in Edinburgh and called to the bar in 1792, succeeding his father as Writer to the Signet, then Clerk of Session. He published anonymous translations of German Romantic poetry from 1797, in which year he also married. In 1805 he published his first major work, a romantic poem called The Lay of the Last Minstrel, became a partner in a printing business, and several other long poems followed, including Marmion (1808) and The Lady of the Lake (1810). These poems found acclaim and great popularity, but from 1814 and the publication of Waverley, Scott turned almost exclusively to novel-writing, albeit anonymously. A hugely prolific period of writing produced over twenty-five novels, including Rob Roy (1817), The Heart of Midlothian (1818), The Bride of Lammermoor (1819), Kenilworth (1821) and Redgauntlet (1824). Already sheriff-depute of Selkirkshire, Scott was created a baronet in 1820. The printing business in which Scott was a partner ran into financial difficulties in 1826, and Scott devoted his energies to work in order to repay the firm's creditors, publishing many more novels, dramatic works, histories and a life of Napoleon Bonaparte. Sir Walter Scott died on 21 September 1832 at Abbotsford, the home he had built on the Scottish Borders.
Cuprins
Acknowledgements | vi | ||||
The Waverley Novels in Penguin | viii | ||||
Introduction | xi | ||||
Chronology of Walter Scott | xxx | ||||
Further Reading | xxxix | ||||
A Note on the Text | xliii | ||||
IVANHOE | |||||
| 1 | (132) | |||
| 133 | (126) | |||
| 259 | (144) | |||
Historical note | 403 | (7) | |||
Explanatory Notes | 410 | (77) | |||
Glossary | 487 |
Descriere
Descriere de la o altă ediție sau format:
More than a century after the Norman Conquest, England remains a colony of foreign warlords. The dissolute Prince John plots to seize his brother's crown, his barons terrorize the country, and the mysterious outlaw Robin Hood haunts the ancient greenwood. The secret return of King Richard and the disinherited Saxon knight, Ivanhoe, heralds the start of a splendid and tumultuous romance, featuring the tournament at Ashby-de-la-Zouche, the siege of Torquilstone, and the clash of wills between the wicked Templar Bois-Guilbert and the sublime Jewess Rebecca. In Ivanhoe Scott fashioned an imperial myth of national cultural identity that has shaped the popular imagination ever since its first appearance at the end of 1819. The most famous of Scottish novelists drew on the conventions of Gothic fiction, including its risky sexual and racial themes, to explore the violent origins and limits of English nationality. This edition uses the 1830 Magnum Opus text, corrected against the Interleaved Set, and incorporates readings from Scott's manuscript. The introduction examines the originality and cultural importance of Ivanhoe, and draws on current work by historians and cultural critics. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
More than a century after the Norman Conquest, England remains a colony of foreign warlords. The dissolute Prince John plots to seize his brother's crown, his barons terrorize the country, and the mysterious outlaw Robin Hood haunts the ancient greenwood. The secret return of King Richard and the disinherited Saxon knight, Ivanhoe, heralds the start of a splendid and tumultuous romance, featuring the tournament at Ashby-de-la-Zouche, the siege of Torquilstone, and the clash of wills between the wicked Templar Bois-Guilbert and the sublime Jewess Rebecca. In Ivanhoe Scott fashioned an imperial myth of national cultural identity that has shaped the popular imagination ever since its first appearance at the end of 1819. The most famous of Scottish novelists drew on the conventions of Gothic fiction, including its risky sexual and racial themes, to explore the violent origins and limits of English nationality. This edition uses the 1830 Magnum Opus text, corrected against the Interleaved Set, and incorporates readings from Scott's manuscript. The introduction examines the originality and cultural importance of Ivanhoe, and draws on current work by historians and cultural critics. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.