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Jiuta Sōkyoku Lyrics and Explanations: Songs of the Floating World: SOAS Studies in Music

Editat de Christopher Yohmei Blasdel
en Limba Engleză Hardback – 9 mai 2024
Jiuta Sōkyoku Lyrics and Explanations is a compendium of seventy-three representative songs from the well-known genre of traditional Japanese Edo-period sankyoku ensemble music.
Including extensive annotations along with commentaries and notes on their musical and performative aspects, the collection begins with an overview which traces the history of the jiuta sōkyoku genre and the various socio-political influences at work in its formation. The translations and analyses are followed by a substantive glossary and bibliography, allowing for a deeper understanding of both the literary and musical aspects of jiuta sōkyoku compositions.
Jiuta Sōkyoku Lyrics and Explanations is a comprehensive anthology that will be of great interest to researchers, including ethnomusicologists, Japanese studies scholars and poetry lovers who are fascinated with the literary and musical impact of the Edo period.
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Specificații

ISBN-13: 9781032698540
ISBN-10: 1032698543
Pagini: 362
Ilustrații: 56
Dimensiuni: 152 x 229 mm
Greutate: 0.83 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria SOAS Studies in Music

Locul publicării:Oxford, United Kingdom

Public țintă

Academic, Postgraduate, and Undergraduate Advanced

Cuprins

Lists of Figures
Glossary
 
1.  Introduction
2.  Introduction to the Art of Jiuta Sōkyoku
3.  Aki no Koto no Ha秋の言の葉
4.  Aki no Kyoku 秋の曲
5.  Akikaze no Kyoku 秋風の曲
6.  Azuma-jishi 吾妻獅子
7.  Chaondo 茶音頭
8.  Chidori no Kyoku 千鳥の曲
9.  Chikubushima 竹生島
10.  Chiyo no Uguisu 千代の鶯
11.  Chōgonka no Kyoku 長恨歌の曲
12.  Echigo-jishi 越後獅子
13.  Enoshima no Kyoku 江ノ島の曲
14.  Fune no Yume 舟の夢
15.  Fuyu no Kyoku 冬の曲
16.  Godan-ginuta 五段砧
17.  Hagi no Tsuyu 萩の露
18.  Haru no Kyoku 春の曲
19.  Hototogisu ほととぎす
20.  Imakomachi 今小町
21  Iso Chidori 磯千鳥
22  Kaede no Hana楓の花
23  Kaji Makura楫枕
24  Katsura O 桂男
25  Keshi no Hana けしの花
26  Kogō no Kyoku 小督の曲
27  Konkai こんかい(狐今、吼噦)
28  Kotobuki Kurabe 寿くらべ
29  Kurokami 黒髪
30  Kyoku Nezumi 曲鼠
31  Mama no Kawa ままの川
32  Matsukaze 松風
33  Meiji Shōchikubai 明治松竹梅
34   Mitsu no Keshiki 三つの景色
35  Mitsuyama三津山
36  Miyako no Haru 都の春
37  Miyama-jishi 御山獅子
38  Nanakomachi 七小町
39  Nasuno 那須野
40  Natsu no Kyoku 夏の曲
41  Nebiki no Matsu 根曳の松
42  Onoe no Matsu 尾上の松
43  Ōmi Hakkei 近江八景
44  Ōuchiyama 大内山
45  Saga no Aki 嵯峨の秋
46  Saigyō-zakura 西行桜
47  Sakura-gari 桜狩
48  Sakura-gawa 桜川
49  Sasa no Tsuyu 笹の露
50  Shiki no Nagame 四季の眺
51  Shin Aoyagi 新青柳
52  Shin Musume Dōjōji 新娘道成寺
53  Shin Takasago 新高砂
54  Shōchikubai 松竹梅
55  Sono no Aki 園の秋
56  Sue no Chigiri 末の契
57  Suma no Arashi 須磨の嵐
58  Sumiyoshi 住吉
59  Tama no Utena 玉の台
60  Tama-gawa 玉川
61  Tōru融
62  Tsuru no Koe 鶴の声
63  Uji Meguri 宇治巡り
64  Ukifune 浮舟
65  Usu no Koe 臼の声
66  Wakana 若菜
67  Yachiyo-jishi 八千代獅子
68  Yaegoromo 八重衣
69  Yotsu no Tami 四つの民
70  Yoyo no Hoshi 夜々の星
71  Yūbe no Kumo 夕辺の雲
72  Yūgao夕顔
73  Yuki ゆき
74  Yuya 熊野
75  Zangetsu 残月
 
 
 
Bibliography
Index
 

Recenzii

“Christopher Yohmei Blasdel gives us a handsome publication that is more than just a translation of shamisen and koto songs (jiuta sōkyoku) from 17th to 19th century Japan. For the English reader, this title adds a visual and literary appreciation to the sonic beauty of these songs. A combination of sensitive English imagery and insightful cultural commentary, its content is illustrated by a stunning series of woodblock prints related to the songs. In performance, the addition of shakuhachi (bamboo flute) enhances the aesthetic of the shamisen and koto performance. It seems therefore fitting that the author, an internationally known shakuhachi artist, enhances our understanding of these songs through this celebration of his lifelong engagement with them.”
Ricardo D. Trimillos, Ph.D., Editor of Asian Music journal, Professor Emeritus in Asian Studies and Ethnomusicology, University of Hawai'i at Mānoa

“Christopher Yohmei Blasdel deserves enormous credit for his prolonged dedicated research along with deep cultural exploration and for the clarity of presentation of such a copious amount of detailed explication of this important repertoire that has received so little attention from scholars of Japanese literature and culture. His knowledge and experience of jiuta sokyoku stems from study of and performance on shakuhachi in Japan for over fifty years. Contextualization of the genre permeates the book: in a guiding overview in Chapter 1; in a beautifully written, succinct tracing of its history and its artistic expressivity through time in Chapter 2 by Blasdel and his colleague in the shakuhachi world, Gunnar Jinmei Linder. Of fresh significance here is the rare attention given to expression of sympathy in the texts for the indentured women entertainers in the pleasure districts of Edo Japan, one of the contexts where these songs would have been heard.”
Bonnie Wade, Professor Emerita (Ethnomusicology), University of California, Berkeley and specialist in Asian musics 

Notă biografică

Christopher Yohmei Blasdel began the shakuhachi in 1972 under legendary shakuhachi master Yamaguchi Goro, completed his MA in ethnomusicology from Tokyo University of Arts in 1982 and received his shihan license from Yamaguchi in 1984. As a scholar and performer, Blasdel focuses both on traditional and contemporary music. He has released several CDs, shakuhachi reference books and has composed music for NHK documentaries and various films. He co-organized the Boulder World Shakuhachi Festival (1998), the Sydney World Shakuhachi Festival (2008) and was co-founder of the Prague Shakuhachi Festival. He presently lectures at University of Hawai’i and holds a fifth-degree black belt in Aikido.
Gunnar Jinmei Linder came to Japan in 1985, with a BA in philosophy and Japanology, and began studies of shakuhachi with Yamaguchi Goro. He received an MA in shakuhachi from the Traditional Music Conservatoire at Tokyo University of the Arts in 1997, and the traditional license shihan in 1998. After many years in Japan as stage and recording artist, as well as teacher of shakuhachi, he returned to his native Sweden and received a PhD in Japanology at Stockholm University in 2012 (Deconstructing Tradition in Japanese Music). In 2016 he received a diploma from the Japanese Minister of Foreign Affairs for his artistic and academic activities.

Descriere

'Jiuta Sōkyoku Lyrics and Explanations' is a compendium of seventy-three representative songs from the well-known genre of traditional Japanese Edo-period sankyoku ensemble music.