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Joseph Conrad: Longman Critical Readers

Autor Andrew Michael Roberts
en Limba Engleză Paperback – 9 apr 1998
Joseph Conrad is a key figure in modernist fiction, whose innovative work engages with many of the crucial philosophical, moral and political concerns of the twentieth century. This collection of major critical readings of his work is arranged according to the issues which each critic addresses, issues which are of crucial importance, and in many cases remain controversial, within contemporary literary theory and criticism.

Following an opening section on the critical tradition, indicating how the study of Conrad's work has been politicised since the 1970s, there are sections on 'Narrative, Textuality and Interpretation', 'Imperialism', 'Gender and Sexuality', 'Class and Ideology', and 'Modernity'. Within each section two or three critical excerpts offer contrasting and complementary accounts of the fiction, while the headnotes to each piece and the introduction place these excerpts within the wider critical debate, clarifying for the reader both the theoretical issues and the interpretation of Conrad's fiction. A glossary of terms and a bibliography categorised by critical approach complete a volume which will provide an invaluable resource for students of Conrad and twentieth-century literature as well as other readers of Conrad's work.

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Specificații

ISBN-13: 9780582245983
ISBN-10: 0582245982
Pagini: 296
Dimensiuni: 138 x 216 x 18 mm
Greutate: 0.45 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Seria Longman Critical Readers

Locul publicării:Oxford, United Kingdom

Cuprins

General Editor's Preface  Preface  Acknowledgements  Introduction  Part 1: Conrad and the Critical Tradition 
Part 2: Narrative, Textuality and Interpretation  Part 3: Imperialism  Part 4: Gender and Sexuality  Part 5: Class and Ideology  Part 6: Modernity  Glossary of Terms  Further Reading  Biographical Notes  Index

Descriere

 This collection of major critical readings of Conrad's work addresses crucially important and in many cases controversial issues within contemporary theory and criticism. The opening section looks at how the study of Conrad's work has been politicised since the 1970s, with subsequent sections covering 'Narrative, Textuality and Interpretation', 'Imperialism', 'Gender and Sexuality', 'Class and Ideology', and 'Modernity'. Each contain critical excerpts that offer contrasting and complementary accounts of the fiction. Headnotes and introductions clarify both the theoretical issues and the interpretation of Conrad's fiction.