Shakespearean Tragedy: Longman Critical Readers
Autor John Drakakisen Limba Engleză Hardback – 5 dec 2016
The collection begins by considering the impact of social semiotics on approaches to the tragedies, before moving on to deal, in turn, with the various forms of Marxist criticism, New Historicism, Cultural Materialism, Feminism, Psychoanalysis, and Poststructuralism.
Toate formatele și edițiile | Preț | Express |
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Paperback (1) | 505.27 lei 6-8 săpt. | |
Taylor & Francis – 2 dec 1991 | 505.27 lei 6-8 săpt. | |
Hardback (1) | 1000.27 lei 6-8 săpt. | |
Taylor & Francis – 5 dec 2016 | 1000.27 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781138178410
ISBN-10: 1138178411
Pagini: 448
Dimensiuni: 138 x 216 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Longman Critical Readers
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138178411
Pagini: 448
Dimensiuni: 138 x 216 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Longman Critical Readers
Locul publicării:Oxford, United Kingdom
Recenzii
"The cumulative effect of these essays is to destabalise the apparent firmness and cohesion of the concept of 'tragedy' itself, to liberate the texts of Shakespearian drama from such universalising categories, and to return the texts to history, to criticism and to theory." - Times Educational Supplement
Cuprins
Chapter 1 Introduction; Chapter 2 Semiotics; Chapter 3 Marxism and Materialism; Chapter 4 New Historicism; Chapter 5 Cultural Materialism; Chapter 6 Feminism; Chapter 7 Psychoanalytical Criticism; Chapter 8 Post-Structuralism and Materialism;
Descriere
Brings together fifteen major contemporary essays on individual plays and the genre as a whole. The collection provides both a guide and an explanation to the various ways in which contemporary criticism has determined our understanding of the tragedies, and the opportunity for assessing the wider issues such criticism raises. The book begins by considering the impact of social semiotics on approaches to the tragedies, before moving on to deal, in turn, with the various forms of Marxist criticism, New Historicism, Cultural Materialism, Feminism, Psychoanalysis, and Poststructuralism.