Knives in Hens: Modern Classics
Autor David Harrower Introducere de Mark Fisheren Limba Engleză Paperback – 20 mai 2015
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (2) | 49.53 lei 6-8 săpt. | |
Bloomsbury Publishing – 20 mai 2015 | 49.53 lei 6-8 săpt. | |
Bloomsbury Publishing – 16 aug 2017 | 77.02 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781472574312
ISBN-10: 1472574311
Pagini: 64
Dimensiuni: 129 x 198 x 8 mm
Greutate: 0.07 kg
Ediția:Revised
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Classics
Locul publicării:London, United Kingdom
ISBN-10: 1472574311
Pagini: 64
Dimensiuni: 129 x 198 x 8 mm
Greutate: 0.07 kg
Ediția:Revised
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Classics
Locul publicării:London, United Kingdom
Caracteristici
A Modern Classic edition of this iconic play, published with a new introduction that looks at the play - its themes and context - and the production history.
Notă biografică
David Harrower is a Scottish playwright, based in Glasgow. His first play, Knives in Hens, was premiered at Edinburgh's Traverse Theatre in 1995. Subsequent plays include Kill the Old Torture Their Young, Presence, Dark Earth, Blackbird, and 365. Harrower has also written adaptations including The Chrysalids, Six Characters in Search of an Author, Ivanov, and Woyzeck. Translations include The Girl on the Sofa, a translation of the Jon Fosse play as well as Schiller's Romantic tragedy Mary Stuart.
Cuprins
IntroductionPlay
Recenzii
An outstanding . . . play, David Harrower's Knives in Hens is set in a God-fearing, pre-industrial world and deals, passionately and intelligently with a woman's discovery of a language that corresponds with her feelings . . . A remarkable debut.
David Harrower's remarkable debut as a professional dramatist creates a haunting, poetic and entirely individual world of its own. I have never seen a play quite like it. . . You leave the theatre in no doubt that you have watched one of the year's most heartening and accomplished debuts. Harrower already seems like a writer built to last.
David Harrower's brittle, beautiful play Knives in Hens [...] is widely regarded as a masterpiece, and justifiably so. Its unvarnished language is at once coarse and moving.
[A]bsolutely unique, sparsely poetic and deeply affecting. Its care with language (which is a central concern for the young women) is reminiscent of the assiduous selecting (and removing) of words in the work of Harold Pinter . . . [O]ne of the greatest plays in the Scottish theatrical canon
David Harrower's remarkable debut as a professional dramatist creates a haunting, poetic and entirely individual world of its own. I have never seen a play quite like it. . . You leave the theatre in no doubt that you have watched one of the year's most heartening and accomplished debuts. Harrower already seems like a writer built to last.
David Harrower's brittle, beautiful play Knives in Hens [...] is widely regarded as a masterpiece, and justifiably so. Its unvarnished language is at once coarse and moving.
[A]bsolutely unique, sparsely poetic and deeply affecting. Its care with language (which is a central concern for the young women) is reminiscent of the assiduous selecting (and removing) of words in the work of Harold Pinter . . . [O]ne of the greatest plays in the Scottish theatrical canon