Le Morte d'Arthur
Autor Thomas Maloryen Limba Engleză Paperback – 18 oct 2022
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Specificații
ISBN-13: 9783368310523
ISBN-10: 3368310526
Pagini: 708
Dimensiuni: 148 x 210 x 49 mm
Greutate: 0.91 kg
Editura: Outlook Verlag
ISBN-10: 3368310526
Pagini: 708
Dimensiuni: 148 x 210 x 49 mm
Greutate: 0.91 kg
Editura: Outlook Verlag
Notă biografică
Sir Thomas Malory was a knight and estate owner in the mid 15th century, who spent many years in prison for political crimes as well as robbery. He wrote Le Morte d’Arthur, the first great English prose epic, while imprisoned in Nwgate. The epic was published in 1485 by William Caxton, the first English printer. Malory is believed to have died in 1471.
Descriere
Descriere de la o altă ediție sau format:
Chivalry is not dead!
Central figures in "The Matter of Britain," King Arthur and his Knights of the Round Table still inspire many books and films today. Drawing on the legends of Camelot from French and English sources, Sir Thomas Malory compiled the drama of illicit love, the magic of sorcery, and the quest for the Holy Grail into a sordid and chivalrous tale that's been recounted for centuries. This beautiful leather-bound volume, with gilded edges and a ribbon bookmark so you never lose your place, will be a treasured edition of classic Arthurian folklore in any home library.
Recenzii
"I've just finished reading Joseph Glaser's Le Morte D'Arthur . I'm very pleased with it: the introduction is helpful without becoming an extended essay, the suggested reading seems solid and diverse, and the index is VERY useful, even for someone who has read Malory before. At last, a reader can keep all the knights and ladies straight! A fine entry point to a grand text, and when I next have an occasion to teach a course involving chivalry, I'll plan to use this very affordable edition." Craig Caldwell, Department of History, Appalachian State University
A highly readable, reduced, and modernized Malory. . . . The effective condensation of a seemingly uncontainable network of narratives is an impressive feat. . . . Glaser's storylines are distinct, not dense, his dialogue is concise, not digressive, and his language is unassuming, not luxuriant. While these features do not match most readers' impressions of Malory's style, his Arthurian tales of adventure, love, death, and betrayal are all here for a new readership to relish. [T]his new narrative brings the intersections of plot lines to the fore, helping readers to see the larger structural connections between seemingly disparate episodes and themes. With some of the density removed, readers can more readily see storylines that often get submerged, such as the ongoing feud between the families of King Pellinor and King Lot that starts, stops, and reignites across multiple books. Glaser even appends a detailed index of characters and important objects that includes short descriptions of their appearances in sequence throughout the text. This index is exceedingly helpful because it highlights unifying themes and character development as well as clearly demonstrates that the main character of the Morte is Lancelot, not Arthur. Whereas Arthur's index entry is approximately a page and a half long, Tristram's is two pages, and Lancelot's is close to three. The index also reveals amusing repetitions and contradictions, including two dead Colgrevaunces and five Elaines. Alex Mueller, University of Massachusetts, Boston, in The Medieval Review
"Glaser's project of modernizing and condensing Malory's Le Morte D'Arthur is refreshingly successful. Both an extremely accessible introduction to the text for beginners and a handy reference tool for experts, the compact volume can easily be enjoyed by all modern readers." Rachel Levinson-Emley, University of California, Santa Barbara, in Comitatus
"Preserves most of the original and provides a simplified reduction for the bewildering array of plot lines and characters who wind in, and out, and often back in again to the narrative thread. Hackett Publishing Company and Joseph Glaser have provided an aesthetically appealing, serviceable, and inexpensive addition to the Malory shelf." Katherine Haynes, Aquinas College Nashville, in Sixteenth Century Journal
A highly readable, reduced, and modernized Malory. . . . The effective condensation of a seemingly uncontainable network of narratives is an impressive feat. . . . Glaser's storylines are distinct, not dense, his dialogue is concise, not digressive, and his language is unassuming, not luxuriant. While these features do not match most readers' impressions of Malory's style, his Arthurian tales of adventure, love, death, and betrayal are all here for a new readership to relish. [T]his new narrative brings the intersections of plot lines to the fore, helping readers to see the larger structural connections between seemingly disparate episodes and themes. With some of the density removed, readers can more readily see storylines that often get submerged, such as the ongoing feud between the families of King Pellinor and King Lot that starts, stops, and reignites across multiple books. Glaser even appends a detailed index of characters and important objects that includes short descriptions of their appearances in sequence throughout the text. This index is exceedingly helpful because it highlights unifying themes and character development as well as clearly demonstrates that the main character of the Morte is Lancelot, not Arthur. Whereas Arthur's index entry is approximately a page and a half long, Tristram's is two pages, and Lancelot's is close to three. The index also reveals amusing repetitions and contradictions, including two dead Colgrevaunces and five Elaines. Alex Mueller, University of Massachusetts, Boston, in The Medieval Review
"Glaser's project of modernizing and condensing Malory's Le Morte D'Arthur is refreshingly successful. Both an extremely accessible introduction to the text for beginners and a handy reference tool for experts, the compact volume can easily be enjoyed by all modern readers." Rachel Levinson-Emley, University of California, Santa Barbara, in Comitatus
"Preserves most of the original and provides a simplified reduction for the bewildering array of plot lines and characters who wind in, and out, and often back in again to the narrative thread. Hackett Publishing Company and Joseph Glaser have provided an aesthetically appealing, serviceable, and inexpensive addition to the Malory shelf." Katherine Haynes, Aquinas College Nashville, in Sixteenth Century Journal