Limit Cinema: Transgression and the Nonhuman in Contemporary Global Film: Thinking Cinema
Autor Chelsea Birksen Limba Engleză Paperback – 22 feb 2023
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Specificații
ISBN-13: 9781501381324
ISBN-10: 1501381326
Pagini: 224
Ilustrații: 15 bw illus
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Thinking Cinema
Locul publicării:New York, United States
ISBN-10: 1501381326
Pagini: 224
Ilustrații: 15 bw illus
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Thinking Cinema
Locul publicării:New York, United States
Caracteristici
Revitalizes the work of Georges Bataille and argues that he is more relevant than ever in our age of social and environmental crisis
Notă biografică
Chelsea Birks is the Learning and Outreach Director at The Cinematheque in Vancouver, Canada and a sessional instructor at the University of British Columbia, Canada. She received her PhD in 2018 from the University of Glasgow, UK. She won the 2017 SCMS Student Writing Award and has been published in Cinema Journal, New Review of Film and Television Studies, and Journal of Gender Studies.
Cuprins
PrefaceAcknowledgementsIntroduction: Cinema at the LimitPart One: Objectivity1. Sacrifice and the Sacred in Apichatpong Weerasethakul and Ben Wheatley2. Objectivity, Speculative Realism, and the Cinematic ApparatusPart Two: Subjectivity3. Eco-consciousness in Under the Skin and Nymphomaniac4. Limits of Love in Grizzly Man and Koneline: Our Land BeautifulConclusionBibliography FilmographyIndex
Recenzii
This is an exciting book which offers a lucid argument about contemporary limit cinema's interrogation of the human and its relationships with nature and the non-human. By bringing the philosophy of Georges Bataille into dialogue with recent scholarly debates about the Anthropocene, Limit Cinema develops an original and compelling critical framework for thinking about the limits of the human, and for reflecting on cinema's role in exposing us to ethical perspectives and encounters beyond anthropocentric reality. An essential contribution to contemporary film philosophy.