Ex-centric Cinema: Giorgio Agamben and Film Archaeology: Thinking Cinema
Autor Janet Harborden Limba Engleză Paperback – 19 oct 2016
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 193.18 lei 6-8 săpt. | |
Bloomsbury Publishing – 19 oct 2016 | 193.18 lei 6-8 săpt. | |
Hardback (1) | 833.06 lei 6-8 săpt. | |
Bloomsbury Publishing – 19 oct 2016 | 833.06 lei 6-8 săpt. |
Preț: 193.18 lei
Preț vechi: 223.68 lei
-14% Nou
Puncte Express: 290
Preț estimativ în valută:
36.97€ • 38.36$ • 30.90£
36.97€ • 38.36$ • 30.90£
Carte tipărită la comandă
Livrare economică 15-29 martie
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781628922417
ISBN-10: 1628922419
Pagini: 272
Ilustrații: 10 bw illus
Dimensiuni: 152 x 229 x 24 mm
Greutate: 0.43 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Thinking Cinema
Locul publicării:New York, United States
ISBN-10: 1628922419
Pagini: 272
Ilustrații: 10 bw illus
Dimensiuni: 152 x 229 x 24 mm
Greutate: 0.43 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Thinking Cinema
Locul publicării:New York, United States
Caracteristici
Challenges ideas of the medium and the being-in-a-medium of all things
Notă biografică
Janet Harbord is Professor of Film Studies at Queen Mary, University of London, UK. She is the author of several books on film and philosophies of the moving image, including Chris Marker: La Jetée (2009), The Evolution of Film (2006) and Film Cultures (2002). She is the recipient of grants from the AHRC, EPSRC and the Leverhulme Trust.
Cuprins
Introduction 1 Ex-centric Cinema: An Archaeological Method2 Mute Cinema: Gesture and the Impression of Character3 Animal: Cinema as an Anthropological Machine4 Profaning the Cinematic: Children, Assistants, Ghosts5 Conditions of Cinematic Possibility: Repetition and Stoppage6 The Coming CommunityBibliographyIndex
Recenzii
Sparkling with ideas, provocative, and beautifully written, Harbord's is a loving text that invites us not simply to consider the commodified toys that cinema offers up, but also to play with the other materials that accompany cinema, but which often are forgotten and/or left behind.
Ex-centric Cinema introduces readers to a radically different way of thinking about cinema, which is attentive to lost or occluded potentials that can be re-activated. This is the first major study of Agamben's fragmentary work on cinema and the image, and also a major intervention in film studies. Harbord writes with clarity and elegance of expression.
Both beautifully written and theoretically astute, Ex-centric Cinema powerfully revitalizes film philosophy and methodology, while also providing an indispensable reading of Agamben's work in relation to cinema studies and media archaeology.
(Bloomsbury translation)A materialistic and materially comprehensive revision of film history.
Ex-centric Cinema introduces readers to a radically different way of thinking about cinema, which is attentive to lost or occluded potentials that can be re-activated. This is the first major study of Agamben's fragmentary work on cinema and the image, and also a major intervention in film studies. Harbord writes with clarity and elegance of expression.
Both beautifully written and theoretically astute, Ex-centric Cinema powerfully revitalizes film philosophy and methodology, while also providing an indispensable reading of Agamben's work in relation to cinema studies and media archaeology.
(Bloomsbury translation)A materialistic and materially comprehensive revision of film history.