Cantitate/Preț
Produs

Ex-centric Cinema: Giorgio Agamben and Film Archaeology: Thinking Cinema

Autor Janet Harbord
en Limba Engleză Paperback – 19 oct 2016
In the beginning, cinema was an encounter between humans, images and machine technology, revealing a stream of staccato gestures, micrographic worlds, and landscapes seen from above and below. In this sense, cinema's potency was its ability to bring other, non-human modes of being into view, to forge an encounter between multiple realities that nonetheless co-exist. Yet the story of cinema became (through its institutionalization) one in which the human swiftly assumed centrality through the literary crafting of story, character and the expression of interiority. Ex-centric Cinema takes an archaeological approach to the study of cinema through the writings of philosopher Giorgio Agamben, arguing that whilst we have a century-long tradition of cinema, the possibility of what cinema may have become is not lost, but co-exists in the present as an unexcavated potential. The term given to this history is ex-centric cinema, describing a centre-less moving image culture where animals, children, ghosts and machines are privileged vectors, where film is always an incomplete project, and where audiences are a coming community of ephemeral connections and links. Discussing such filmmakers as Harun Farocki, the Lumiere Brothers, Guy Debord and Wong Kar-wai, Janet Harbord draws connections with Agamben to propose a radically different way of thinking about cinema.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 19318 lei  6-8 săpt.
  Bloomsbury Publishing – 19 oct 2016 19318 lei  6-8 săpt.
Hardback (1) 83306 lei  6-8 săpt.
  Bloomsbury Publishing – 19 oct 2016 83306 lei  6-8 săpt.

Din seria Thinking Cinema

Preț: 19318 lei

Preț vechi: 22368 lei
-14% Nou

Puncte Express: 290

Preț estimativ în valută:
3697 3836$ 3090£

Carte tipărită la comandă

Livrare economică 15-29 martie

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781628922417
ISBN-10: 1628922419
Pagini: 272
Ilustrații: 10 bw illus
Dimensiuni: 152 x 229 x 24 mm
Greutate: 0.43 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Thinking Cinema

Locul publicării:New York, United States

Caracteristici

Challenges ideas of the medium and the being-in-a-medium of all things

Notă biografică

Janet Harbord is Professor of Film Studies at Queen Mary, University of London, UK. She is the author of several books on film and philosophies of the moving image, including Chris Marker: La Jetée (2009), The Evolution of Film (2006) and Film Cultures (2002). She is the recipient of grants from the AHRC, EPSRC and the Leverhulme Trust.

Cuprins

Introduction 1 Ex-centric Cinema: An Archaeological Method2 Mute Cinema: Gesture and the Impression of Character3 Animal: Cinema as an Anthropological Machine4 Profaning the Cinematic: Children, Assistants, Ghosts5 Conditions of Cinematic Possibility: Repetition and Stoppage6 The Coming CommunityBibliographyIndex

Recenzii

Sparkling with ideas, provocative, and beautifully written, Harbord's is a loving text that invites us not simply to consider the commodified toys that cinema offers up, but also to play with the other materials that accompany cinema, but which often are forgotten and/or left behind.
Ex-centric Cinema introduces readers to a radically different way of thinking about cinema, which is attentive to lost or occluded potentials that can be re-activated. This is the first major study of Agamben's fragmentary work on cinema and the image, and also a major intervention in film studies. Harbord writes with clarity and elegance of expression.
Both beautifully written and theoretically astute, Ex-centric Cinema powerfully revitalizes film philosophy and methodology, while also providing an indispensable reading of Agamben's work in relation to cinema studies and media archaeology.
(Bloomsbury translation)A materialistic and materially comprehensive revision of film history.