Cantitate/Preț
Produs

Literature and Photography in Transition, 1850-1915

Autor O. Clayton
en Limba Engleză Hardback – 17 noi 2014
Literature and Photography in Transition, 1850-1915 examines how British and American writers used early photography and film as illustrations and metaphors. It concentrates on five figures in particular: Henry Mayhew, Robert Louis Stevenson, Amy Levy, William Dean Howells, and Jack London.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 37170 lei  6-8 săpt.
  Palgrave Macmillan UK – 2015 37170 lei  6-8 săpt.
Hardback (1) 45902 lei  6-8 săpt.
  Palgrave Macmillan UK – 17 noi 2014 45902 lei  6-8 săpt.

Preț: 45902 lei

Preț vechi: 54002 lei
-15% Nou

Puncte Express: 689

Preț estimativ în valută:
8784 9239$ 7339£

Carte tipărită la comandă

Livrare economică 09-23 ianuarie 25

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781137471499
ISBN-10: 1137471492
Pagini: 233
Ilustrații: IX, 233 p.
Dimensiuni: 140 x 216 x 20 mm
Greutate: 0.46 kg
Ediția:2015
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom

Cuprins

List of Illustrations Acknowledgements Introduction 1. E Pluribus Unum: History and Photographic Difference 2. Hybrid Photographies in London Labour and the London Poor 3. Composing Gendered Selfhoods in Robert Louis Stevenson and Amy Levy 4. 'We do the rest': Photography, Labour and Howellsian Realism 5. 'Literature of Attractions': Jack London and Early Cinema Afterword Endnotes Bibliography Index

Recenzii

"Elegantly, fluently written and based on both careful rereading and excellent archival research, this book is full of admirable moments. Clayton is extremely knowledgeable about nineteenth-century photographic techniques and their implications for how we read the literature of transatlantic modernity." - Denis Flannery, University of Leeds, UK

Notă biografică

Owen Clayton is a Lecturer in English Literature at the University of Lincoln. His interests include transatlantic visual culture of the long nineteenth-century, working–class studies and, increasingly, Anglo-Saxonism. He is a previous winner of the William Dean Howells Essay Prize, and the British Association of American Studies Ambassador's Award.