Lucasfilm: Filmmaking, Philosophy, and the Star Wars Universe: Philosophical Filmmakers
Autor Cyrus R. K. Patellen Limba Engleză Paperback – 11 aug 2021
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Specificații
ISBN-13: 9781350100619
ISBN-10: 1350100617
Pagini: 280
Ilustrații: 10 bw illus
Dimensiuni: 138 x 216 x 26 mm
Greutate: 0.34 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Philosophical Filmmakers
Locul publicării:London, United Kingdom
ISBN-10: 1350100617
Pagini: 280
Ilustrații: 10 bw illus
Dimensiuni: 138 x 216 x 26 mm
Greutate: 0.34 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Philosophical Filmmakers
Locul publicării:London, United Kingdom
Caracteristici
An examination of the mythologies and philosophical ideas underpinning the internationally renowned Star Wars franchise
Notă biografică
Cyrus R. K. Patell is Global Network Professor of Literature at NYU Abu Dhabi and Professor of English at NYU in New York, USA. He is author of Emergent U.S. Literatures (2014) and Cosmopolitanism and the Literary Imagination (2015) and co-editor (with Deborah Lindsay Williams) of The Oxford History of the Novel in English, Volume 8: American Fiction since 1940.
Cuprins
List of Images AcknowledgmentsIntroduction1. Filmmaking and Philosophizing 2. From Lucas to Lucasfilm 3. Reversal and Recognition, Exile and Return 4. Melodrama 5. Individualism 6. Technophobia 7. Cosmopolitanism 8. Fallibilism 9. Moral Compass NotesBibliography Index
Recenzii
Offers an informative overview on Star Wars, focusing on the importance of storytelling combined with filmmaking and its overarching connection to philosophy.
Cyrus Patell's immensely engaging volume dismantles the long-assumed tension between film as industrial production and film as an art form capable of philosophical reflection when controlled by an auteur. In considering Lucasfilm and the Star Wars universe as evidence for the existence of a corporate cogito, Patell argues for the films' cosmopolitanism, working with their viewers to build a model of the world and contemplate how best to live in it.
In Lucasfilm: Filmmaking, Philosophy, and the Star Wars Universe, Cyrus R. K. Patell takes cultural criticism to a new level, advancing a cosmopolitan reading practice that grounds the concerns of contemporary critical theory in the discursive realities of media production and media reception. From the Modesto-born Journal of the Whills to the StageCraft-enabled filming facilities of The Mandalorian, Patell clearly and humanely charts an emergent mythology of the postmodern age.
Cyrus Patell's immensely engaging volume dismantles the long-assumed tension between film as industrial production and film as an art form capable of philosophical reflection when controlled by an auteur. In considering Lucasfilm and the Star Wars universe as evidence for the existence of a corporate cogito, Patell argues for the films' cosmopolitanism, working with their viewers to build a model of the world and contemplate how best to live in it.
In Lucasfilm: Filmmaking, Philosophy, and the Star Wars Universe, Cyrus R. K. Patell takes cultural criticism to a new level, advancing a cosmopolitan reading practice that grounds the concerns of contemporary critical theory in the discursive realities of media production and media reception. From the Modesto-born Journal of the Whills to the StageCraft-enabled filming facilities of The Mandalorian, Patell clearly and humanely charts an emergent mythology of the postmodern age.