Macbeth: The Cambridge Dover Wilson Shakespeare

Autor William Shakespeare Editat de John Dover Wilson

en Limba Engleză Paperback – 19 iul 2009

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

Citește tot Restrânge

Toate formatele și edițiile

	Preț	Express
Paperback (107)	20^.96 lei 3-5 săpt.	+3^.01 lei 7-13 zile
Wordsworth Editions – 30 apr 1992	20^.96 lei 3-5 săpt.	+3^.01 lei 7-13 zile
Dover Publications – 30 noi 1993	21^.14 lei 3-4 săpt.	+7^.54 lei 7-13 zile
Hamburger Lesehefte – mai 2018	24^.38 lei 17-23 zile	+2^.27 lei 7-13 zile
HarperCollins Publishers – sep 2019	25^.47 lei 3-5 săpt.	+5^.31 lei 7-13 zile
Prakash Books – noi 2016	33^.00 lei 3-5 săpt.
Penguin Random House Group – 31 dec 2000	33^.94 lei 3-5 săpt.
OUP OXFORD – 11 apr 2024	36^.76 lei 10-16 zile	+12^.76 lei 7-13 zile
CREATESPACE –	39^.43 lei 3-5 săpt.
CREATESPACE –	39^.53 lei 3-5 săpt.
Washington Square Press – 30 iun 2003	39^.61 lei 3-5 săpt.	+14^.61 lei 7-13 zile
CREATESPACE –	40^.46 lei 3-5 săpt.
–	40^.91 lei 3-5 săpt.
Hamburger Lesehefte – mai 2018	41^.16 lei 17-23 zile	+3^.82 lei 7-13 zile
CREATESPACE –	42^.67 lei 3-5 săpt.
Scholastic – 3 ian 2019	43^.93 lei 3-5 săpt.	+4^.44 lei 7-13 zile
CREATESPACE –	46^.03 lei 3-5 săpt.
Penguin Random House Group – 31 mar 2016	46^.31 lei 26-32 zile	+14^.58 lei 7-13 zile
CREATESPACE –	46^.66 lei 3-5 săpt.
CreateSpace Independent Publishing Platform –	47^.06 lei 3-5 săpt.
Penguin Books – 14 mar 2024	47^.17 lei 26-32 zile	+16^.24 lei 7-13 zile
Kiwi Publications –	47^.69 lei 3-5 săpt.
Usborne Publishing – 28 apr 2021	48^.01 lei 3-5 săpt.	+6^.83 lei 7-13 zile
Ignatius Press – 31 ian 2010	48^.03 lei 3-5 săpt.
Real Reads – 30 sep 2010	50^.48 lei 3-5 săpt.	+6^.15 lei 7-13 zile
Classics Illustrated Comics – sep 2015	50^.52 lei 3-5 săpt.	+6^.26 lei 7-13 zile
Penguin Books – 26 aug 2015	51^.00 lei 3-5 săpt.	+8^.03 lei 7-13 zile
Scholastic – 4 ian 2023	51^.22 lei 3-5 săpt.	+8^.81 lei 7-13 zile
Yale University Press – 8 mar 2005	51^.29 lei 3-5 săpt.
CREATESPACE –	52^.24 lei 3-5 săpt.
–	52^.71 lei 3-5 săpt.
CREATESPACE –	53^.06 lei 3-5 săpt.
CREATESPACE –	53^.09 lei 3-5 săpt.
ACMRS Press – 8 mai 2021	53^.90 lei 3-5 săpt.	+15^.68 lei 7-13 zile
Modern Library – 31 mar 2009	54^.53 lei 3-5 săpt.
CREATESPACE –	54^.98 lei 3-5 săpt.
Firestone Books – 10 feb 2021	55^.02 lei 3-5 săpt.	+8^.45 lei 7-13 zile
CREATESPACE –	57^.03 lei 3-5 săpt.
HarperCollins Publishers – 7 apr 2016	57^.16 lei 3-5 săpt.	+8^.19 lei 7-13 zile
–	58^.75 lei 3-5 săpt.
–	59^.07 lei 3-5 săpt.
Klett Sprachen GmbH – noi 2010	59^.87 lei 17-23 zile	+5^.56 lei 7-13 zile
Independently Published – 18 mar 2019	62^.49 lei 3-5 săpt.	+8^.22 lei 7-13 zile
CREATESPACE –	63^.91 lei 3-5 săpt.
Bloomsbury Publishing – 10 iul 2019	64^.30 lei 3-5 săpt.	+22^.82 lei 7-13 zile
–	65^.46 lei 3-5 săpt.
CREATESPACE –	65^.46 lei 3-5 săpt.
Bloomsbury Publishing – 25 feb 2015	65^.64 lei 3-5 săpt.	+25^.04 lei 7-13 zile
CREATESPACE –	66^.10 lei 3-5 săpt.
CREATESPACE –	67^.39 lei 3-5 săpt.
–	69^.12 lei 3-5 săpt.
CAN OF WORMS PRESS – 14 oct 2006	69^.43 lei 3-4 săpt.
Armin Lear Press – 9 iul 2020	70^.05 lei 3-5 săpt.
Cambridge University Press – 19 ian 2014	70^.11 lei 3-5 săpt.	+15^.11 lei 7-13 zile
–	76^.49 lei 3-5 săpt.
G&D MEDIA – 9 ian 2024	76^.73 lei 3-5 săpt.
CREATESPACE – 29 mar 2017	78^.07 lei 3-5 săpt.	+10^.07 lei 7-13 zile
CLASSICAL COMICS – 13 feb 2008	78^.14 lei 3-5 săpt.	+17^.92 lei 7-13 zile
CREATESPACE –	78^.16 lei 3-5 săpt.
Cambridge University Press – 26 noi 2008	81^.54 lei 3-5 săpt.	+21^.49 lei 7-13 zile
CREATESPACE –	93^.23 lei 3-5 săpt.
Sovereign – 14 feb 2013	93^.36 lei 3-5 săpt.
Klett Sprachen GmbH – 14 feb 2014	94^.13 lei 17-23 zile	+8^.75 lei 7-13 zile
–	95^.99 lei 3-5 săpt.
Classical Comics – 31 oct 2008	97^.97 lei 3-5 săpt.
Classical Comics – 31 oct 2008	103^.20 lei 3-5 săpt.
Classical Comics – 31 oct 2008	107^.27 lei 3-5 săpt.
–	111^.28 lei 3-5 săpt.
BEDFORD BOOKS – 31 mar 1999	119^.51 lei 3-5 săpt.
CreateSpace Independent Publishing Platform –	135^.65 lei 3-5 săpt.
Stauffenburg Verlag – 4 noi 2024	427^.20 lei 17-23 zile	+39^.54 lei 7-13 zile
–	50^.40 lei 6-8 săpt.
–	50^.40 lei 6-8 săpt.
–	55^.91 lei 6-8 săpt.
Digireads.com – 31 dec 2004	57^.92 lei 38-44 zile
SeaWolf Press – 22 ian 2019	58^.21 lei 38-44 zile
–	60^.69 lei 6-8 săpt.
CREATESPACE –	65^.35 lei 6-8 săpt.
CREATESPACE –	65^.35 lei 6-8 săpt.
CREATESPACE –	65^.35 lei 6-8 săpt.
CREATESPACE –	65^.35 lei 6-8 săpt.
CreateSpace Independent Publishing Platform –	66^.81 lei 6-8 săpt.
Full Measure Press – 28 feb 2010	72^.29 lei 6-8 săpt.
LIGHTNING SOURCE INC – 3 sep 2018	74^.96 lei 17-23 zile
Bibliologica Press – 6 noi 2020	75^.33 lei 6-8 săpt.
NICK HERN BOOKS – 31 aug 2004	80^.41 lei 41-52 zile
Akasha Classics – 11 feb 2010	82^.48 lei 6-8 săpt.
EduGorilla Community Pvt. Ltd. – 7 iun 2022	86^.38 lei 6-8 săpt.
Markosia Enterprises Ltd – 9 iun 2019	91^.96 lei 6-8 săpt.
LIGHTNING SOURCE INC – 16 mai 2018	94^.93 lei 17-23 zile
Throne Classics – 8 iul 2019	101^.35 lei 38-44 zile
Simon & Brown – 30 sep 2011	102^.22 lei 38-44 zile
Prince Classics – 16 mai 2019	102^.43 lei 38-44 zile
Book Jungle – 5 sep 2007	103^.37 lei 6-8 săpt.
Simon & Brown – 31 oct 2011	104^.86 lei 38-44 zile
Lulu.Com – 5 aug 2016	109^.85 lei 6-8 săpt.
LIGHTNING SOURCE INC – 16 mai 2018	122^.24 lei 17-23 zile
NMD Books – 26 aug 2014	128^.96 lei 6-8 săpt.
Simon & Brown – 31 mai 2011	129^.02 lei 38-44 zile
Simon & Brown – 4 noi 2018	131^.39 lei 38-44 zile
Read & Co. Classics – 4 mar 2009	134^.52 lei 6-8 săpt.
Simon & Brown – 22 noi 2018	135^.17 lei 38-44 zile
Tredition – 4 dec 2012	142^.35 lei 6-8 săpt.
Tredition – 4 dec 2012	143^.19 lei 6-8 săpt.
Tredition – 4 dec 2012	143^.35 lei 6-8 săpt.
Tredition – 4 dec 2012	179^.31 lei 6-8 săpt.
Cambridge University Press – 19 iul 2009	282^.46 lei 6-8 săpt.
Cambridge University Press – 16 iun 2004	316^.54 lei 6-8 săpt.
Hardback (19)	41^.77 lei 3-5 săpt.	+26^.37 lei 7-13 zile
Pan Macmillan – 10 aug 2016	41^.77 lei 3-5 săpt.	+26^.37 lei 7-13 zile
Baker Street Press – 31 oct 2018	51^.09 lei 3-5 săpt.	+8^.41 lei 7-13 zile
Classical Comics – 31 iul 2011	143^.19 lei 3-5 săpt.
–	157^.46 lei 38-44 zile
Simon & Brown – 24 noi 2011	158^.57 lei 38-44 zile
Akasha Classics – 11 feb 2010	162^.94 lei 6-8 săpt.
Prince Classics – 16 mai 2019	170^.48 lei 38-44 zile
Throne Classics – 8 iul 2019	171^.10 lei 38-44 zile
–	181^.22 lei 38-44 zile
Mjp Publishers – 31 mai 2023	181^.78 lei 6-8 săpt.
Simon & Brown – 4 noi 2018	184^.36 lei 38-44 zile
Simon & Brown – 22 noi 2018	199^.37 lei 38-44 zile
TREDITION CLASSICS – 30 noi 2012	214^.79 lei 6-8 săpt.
TREDITION CLASSICS – 30 noi 2012	249^.88 lei 6-8 săpt.
TREDITION CLASSICS – 30 noi 2012	250^.09 lei 6-8 săpt.
TREDITION CLASSICS – 30 noi 2012	251^.42 lei 6-8 săpt.
Cambridge University Press – 26 noi 2008	470^.19 lei 6-8 săpt.
Bloomsbury Publishing – 25 feb 2015	539^.15 lei 6-8 săpt.
Cambridge University Press – 16 iun 2004	709^.30 lei 6-8 săpt.

Preț: 282^.46 lei

Nou

Puncte Express: 424

:
54^.07€ • 56^.29$ • 44^.52£

Carte tipărită la comandă

Livrare economică 01-15 februarie 25

Adaugă în coș

Wish list
Gift list
Am citit!

Adaugă în listă

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781108005913
ISBN-10: 1108005918
Pagini: 276
Dimensiuni: 140 x 216 x 16 mm
Greutate: 0.35 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:Cambridge, United Kingdom

Cuprins

Introduction; The stage-history; To the reader; The Tragedy of Macbeth; The copy for Macbeth, 1623; Notes; Glossary.

Descriere

New Shakespeare, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.

Textul de pe ultima copertă

One of the great Shakespearean tragedies, "Macbeth" is a dark and bloody drama of ambition, murder, guilt, and revenge. Prompted by the prophecies of three mysterious witches and goaded by his ambitious wife, the Scottish thane Macbeth murders Duncan, King of Scotland, in order to succeed him on the throne. This foul deed soon entangles the conscience-stricken nobleman in a web of treachery, deceit, and more murders, which ultimately spells his doom. Set amid the gloomy castles and lonely heaths of medieval Scotland, "Macbeth" paints a striking dramatic portrait of a man of honor and integrity destroyed by a fatal character flaw and the tortures of a guilty imagination.

Notă biografică

William Shakespeare (bapt. 26 April 1564 - 23 April 1616) was an English playwright, poet, and actor, widely regarded as the greatest writer in the English language and the world's greatest dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, two long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. They also continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. At age 49 (around 1613), he appears to have retired to Stratford, where he died three years later. Few records of Shakespeare's private life survive; this has stimulated considerable speculation about such matters as his physical appearance, his sexuality, his religious beliefs, and whether the works attributed to him were written by others. Shakespeare produced most of his known works between 1589 and 1613.His early plays were primarily comedies and histories and are regarded as some of the best work produced in these genres. Until about 1608, he wrote mainly tragedies, among them Hamlet, Romeo and Juliet, Othello, King Lear, and Macbeth, all considered to be among the finest works in the English language. In the last phase of his life, he wrote tragicomedies (also known as romances) and collaborated with other playwrights. Many of Shakespeare's plays were published in editions of varying quality and accuracy in his lifetime. However, in 1623, two fellow actors and friends of Shakespeare's, John Heminges and Henry Condell, published a more definitive text known as the First Folio, a posthumous collected edition of Shakespeare's dramatic works that included all but two of his plays. The volume was prefaced with a poem by Ben Jonson, in which Jonson presciently hails Shakespeare in a now-famous quote as "not of an age, but for all time".

Recenzii

“The polymathic scholar and translator Burton Raffel not only elucidates baffling terms but offers guidance on the prosody and declamation of Shakespeare’s lines, often to subtle effect, which will be useful to actors as well as readers.”—Eric Ormsby, New York Sun

Selected for Association of American University Presses (AAUP) Books for Public and Secondary School Libraries, 2006

Selected as a 2005 outstanding book by University Press Books for Public and Secondary School Libraries

Featured by American Library Association among “Best of the Best from the University Presses: Books you should know about”

Extras

Dramatis Personae

DUNCAN, King of Scotland
MALCOLM his sons
DONALBAIN

MACBETH, Thane of Glamis, later of Cawdor, later
King of Scotland
LADY MACBETH

BANQUO, a thane of Scotland
FLEANCE, his son
MACDUFF, Thane of Fife
LADY MACDUFF
SON of Macduff and Lady Macduff

LENNEX
ROSS
MENTEITH thanes and noblemen of Scotland
ANGUS
CAITHNESS

SIWARD, Earl of Northumberland
YOUNG SIWARD, his son
SEYTON, an officer attending Macbeth
Another LORD
ENGLISH DOCTOR
SCOTTISH DOCTOR
GENTLEWOMAN attending Lady Macbeth
CAPTAIN serving Duncan
PORTER
OLD MAN
Three MURDERERS of Banquo
First MURDERERS at Macduff's castle
MESSENGER to Lady Macbeth
MESSENGER to Lady Macduff
SERVENT to Macbeth
SERVENT to Lady Macbeth
Three WITCHES or WEIRD SISTERS
HECATE
Three APPARITIONS

Lords, Gentlemen, Officers, Soldiers, Murderers,
and Attendants

SCENE: Scotland; England

Location: An open place.
hurlyburly tumult
Grimalkin i.e., gray cat, name of the witch's familiar—a demon or evil spirit supposed to answer a witch's call and to allow him or her to perform black magic.
Paddock toad; also a familiar
Anon At once, right away.

1.2 Location: A camp near Forres.
0.1 Alarum trumpet call to arms

1.1 * Thunder and lightning. Enter three Witches.

FIRST WITCH
When shall we three meet again?
In thunder, lightning, or in rain?

SECOND WITCH
When the hurlyburly's done,
When the battle's lost and won.

THIRD WITCH
That will be ere the set of sun.
first witch
Where the place?
second witch Upon the heath.
third witch
There to meet with Macbeth.

FIRST WITCH I come, Grimalkin!

SECOND WITCH Paddock calls.

THIRD WITCH Anon.

ALL
Fair is foul, and foul is fair.
Hover through the fog and filthy air. Exeunt.
1.2 * Alarum within. Enter King [Duncan], Malcolm, Donalbain, Lennox, with attendants, meeting a
bleeding Captain.

DUNCAN
What bloody man is that? He can report,
As seemeth by his plight, of the revolt

newest state latest news.   sergeant i.e., staff officer. (There may be no inconsistency with his rank of "captain" in the stage direction and speech prefixes in the Folio.)
broil battle spent tired out choke their art render their skill in swimming useless.
The merciless . . . supplied The merciless Macdonwald—worthy of the hated name of rebel, for in the cause of rebellion an ever-increasing number of villainous persons and unnatural qualities swarm about him like vermin—is joined by light-armed Irish footsoldiers and ax-armed horsemen from the western islands of Scotland (the Hebrides and perhaps Ireland)
And Fortune . . . whore i.e., Fortune, proverbially a false strumpet, smiles at first on Macdonwald's damned rebellion but deserts him in his hour of need.
well . . . name well he deserves a name that is synonymous with "brave"
minion darling. (Macbeth is Valor's darling, not Fortune's.)
the slave i.e., Macdonwald
Which . . . to him i.e., Macbeth paused for no ceremonious greeting or farewell to Macdonwald.
nave navel.   chops jaws
cousin kinsman
As . . . swells Just as terrible storms at sea arise out of the east, from the place where the sun first shows itself in the seeming comfort of the dawn, even thus did a new military threat come on the heels of the seeming good news of Macdonwald's execution.
skipping (1) lightly armed, quick at maneuvering (2) skittish
surveying vantage seeing an opportunity

The newest state.

MALCOLM This is the sergeant
Who like a good and hardy soldier fought
'Gainst my captivity.—Hail, brave friend!
Say to the King the knowledge of the broil
As thou didst leave it.

CAPTAIN Doubtful it stood,
As two spent swimmers that do cling together
And choke their art. The merciless Macdonwald—
Worthy to be a rebel, for to that
The multiplying villainies of nature
Do swarm upon him—from the Western Isles
Of kerns and gallowglasses is supplied;
And Fortune, on his damned quarrel smiling,
Showed like a rebel's whore. But all's too weak;
For brave Macbeth—well he deserves that name—
Disdaining Fortune, with his brandished steel,
Which smoked with bloody execution,
Like valor's minion carved out his passage
Till he faced the slave,
Which ne'er shook hands nor bade farewell to him
Till he unseamed him from the nave to th' chops,
And fixed his head upon our battlements.

DUNCAN
Oh, valiant cousin, worthy gentleman!

CAPTAIN
As whence the sun 'gins his reflection
Shipwrecking storms and direful thunders break,
So from that spring whence comfort seemed to come
Discomfort swells. Mark, King of Scotland, mark.
No sooner justice had, with valor armed,
Compelled these skipping kerns to trust their heels
But the Norweyan lord, surveying vantage,
With furbished arms and new supplies of men,
Began a fresh assault.

Yes . . . eagles Yes, about as much as sparrows terrify eagles. (Said ironically.)
say sooth tell the truth cracks charges of explosive
Except Unless memorize make memorable or famous.   Golgotha "place of a skull," where Christ was crucified. (Mark 15:22.)
Thane Scottish title of honor, roughly equivalent to "Earl"
seems to seems about to flout mock, insult fan . . . cold fan cold fear into our troops.
Norway The King of Norway.   terrible numbers terrifying numbers of troops dismal ominous
Till . . . proof i.e., until Macbeth, clad in well-tested armor. (Bellona was the Roman goddess of war.)
him i.e., the King of Norway.   self-comparisons i.e., matching counterthrusts

DUNCAN
Dismayed not this our captains, Macbeth and Banquo?

CAPTAIN
Yes, as sparrows eagles, or the hare the lion.
If I say sooth, I must report they were
As cannons overcharged with double cracks,
So they doubly redoubled strokes upon the foe.
Except they meant to bathe in reeking wounds
Or memorize another Golgotha,
I cannot tell.
But I am faint. My gashes cry for help.

DUNCAN
So well thy words become thee as thy wounds;
They smack of honor both.—Go get him surgeons.
[Exit Captain, attended.]
Enter Ross and Angus.
Who comes here?

MALCOLM The worthy Thane of Ross.

LENNEX What a haste looks through his eyes!
So should he look that seems to speak things strange.

ROSS God save the King!

DUNCAN Whence cam'st thou, worthy thane?

ROSS From Fife, great King,
Where the Norweyan banners flout the sky
And fan our people cold.
Norway himself, with terrible numbers,
Assisted by that most disloyal traitor,
The Thane of Cawdor, began a dismal conflict,
Till that Bellona's bridegroom, lapped in proof,
Confronted him with self-comparisons,
Point against point, rebellious arm 'gainst arm,
Curbing his lavish spirit; and to conclude,
The victory fell on us.

Norways' Norwegians'.   composition agreement, treaty of peace
Saint Colme's Inch Inchcolm, the Isle of St. Columba in the Firth of Forth dollars Spanish or Dutch coins
Our (The royal "we.")   bosom close and intimate.   present immediate

Location: A heath near Forres.
Aroint thee Begone.   rump-fed runnion fat-rumped baggage
Tiger (A ship's name.)
like . . . do (Suggestive of the witches' deformity and sexual insatiability. Witches were thought to seduce men sexually. Do means [1] act [2] perform sexually.)

DUNCAN Great happiness!

ROSS That now
Sweno, the Norways' king, craves composition;
Nor would we deign him burial of his men
Till he disbursed at Saint Colme's Inch
Ten thousand dollars to our general use.

DUNCAN
No more that Thane of Cawdor shall deceive
Our bosom interest. Go pronounce his present death,
And with his former title greet Macbeth.
ROSS I'll see it done.

DUNCAN
What he hath lost noble Macbeth hath won.
Exeunt.
1.3 * Thunder. Enter the three Witches.

FIRST WITCH Where hast thou been, sister?

SECOND WITCH Killing swine.

THIRD WITCH Sister, where thou?

FIRST WITCH
A sailor's wife had chestnuts in her lap,
And munched, and munched, and munched. "Give me," quoth I.
"Aroint thee, witch!" the rump-fed runnion cries.
Her husband's to Aleppo gone, master o'th' Tiger;
But in a sieve I'll thither sail,
And like a rat without a tail
I'll do, I'll do, and I'll do.

SECOND WITCH
I'll give thee a wind.

FIRST WITCH
Thou'rt kind.

I . . . card I can summon all other winds, wherever they blow and from whatever quarter in the shipman's compass card.

I'll . . . hay (With a suggestion of sexually draining the seaman's semen.)
penthouse lid i.e., eyelid (which projects out over the eye like a penthouse or slope-roofed structure). forbid accursed. sev'nnights weeks peak grow peaked or thin
Weird Sisters women connected with fate or destiny; also women having a mysterious or unearthly, uncanny appearance
Posters of swift travelers over

THIRD WITCH
And I another.

FIRST WITCH
I myself have all the other,
And the very ports they blow,
All the quarters that they know
I'th' shipman's card.
I'll drain him dry as hay.
Sleep shall neither night nor day
Hang upon his penthouse lid.
He shall live a man forbid.
Weary sev'nnights nine times nine
Shall he dwindle, peak, and pine.
Though his bark cannot be lost,
Yet it shall be tempest-tossed.
Look what I have.

SECOND WITCH Show me, show me.

FIRST WITCH
Here I have a pilot's thumb,
Wrecked as homeward he did come. Drum within.

THIRD WITCH
A drum, a drum!
Macbeth doth come.
all [dancing in a circle]
The Weird Sisters, hand in hand,
Posters of the sea and land,
Thus do go about, about,
Thrice to thine, and thrice to mine,
And thrice again, to make up nine.
Peace! The charm's wound up.
Enter Macbeth and Banquo.
macbeth
So foul and fair a day I have not seen.
is't called is it said to be choppy chapped
fantastical creatures of fantasy or imagination
show appear.
grace honor
rapt withal entranced.
beg . . . hate beg your favors nor fear your hate.

BANQUO
How far is't called to Forres?—What are these,
So withered and so wild in their attire,
That look not like th'inhabitants o'th'earth
And yet are on't?—Live you? Or are you aught
That man may question? You seem to understand me
By each at once her choppy finger laying
Upon her skinny lips. You should be women,
And yet your beards forbid me to interpret
That you are so.

MACBETH Speak, if you can. What are you?

FIRST WITCH
All hail, Macbeth! Hail to thee, Thane of Glamis!

SECOND WITCH
All hail, Macbeth! Hail to thee, Thane of Cawdor!

THIRD WITCH
All hail, Macbeth, that shalt be king hereafter!

BANQUO
Good sir, why do you start and seem to fear
Things that do sound so fair?—I'th' name of truth,
Are ye fantastical or that indeed
Which outwardly ye show? My noble partner
You greet with present grace and great prediction
Of noble having and of royal hope,
That he seems rapt withal. To me you speak not.
If you can look into the seeds of time
And say which grain will grow and which will not,
Speak then to me, who neither beg nor fear
Your favors nor your hate.

FIRST WITCH Hail!

SECOND WITCH Hail!

THIRD WITCH Hail!

FIRST WITCH
Lesser than Macbeth, and greater.

happy fortunate
get beget
imperfect cryptic
Sinel's (Sinel was Macbeth's father.)
Say . . . intelligence Say from what source you have this disturbing information
blasted blighted
corporal corporeal
on of.   insane root root causing insanity; variously identified

SECOND WITCH
Not so happy, yet much happier.

THIRD WITCH
Thou shalt get kings, though thou be none.

So all hail, Macbeth and Banquo!

FIRST WITCH
Banquo and Macbeth, all hail!

MACBETH
Stay, you imperfect speakers, tell me more!
By Sinel's death I know I am Thane of Glamis,
But how of Cawdor? The Thane of Cawdor lives
A prosperous gentleman; and to be king
Stands not within the prospect of belief,
No more than to be Cawdor. Say from whence
You owe this strange intelligence, or why
Upon this blasted heath you stop our way
With such prophetic greeting? Speak, I charge you.
Witches vanish.

BANQUO
The earth hath bubbles, as the water has,
And these are of them. Whither are they vanished?

MACBETH
Into the air; and what seemed corporal melted, 81
As breath into the wind. Would they had stayed!

BANQUO
Were such things here as we do speak about?
Or have we eaten on the insane root 84
That takes the reason prisoner?

MACBETH
Your children shall be kings.
banquo You shall be king.

MACBETH
And Thane of Cawdor too. Went it not so?

and when . . . his and when he reads of your extraordinary valor in fighting the rebels, he concludes that your wondrous deeds outdo any praise he could offer.
stout haughty, determined, valiant
Nothing not at all
As . . . with post As fast as could be told, i.e., counted, came messenger after messenger. (Unless the text should be amended to "As thick as hail.")
earnest token payment addition title
Who He who combined confederate line the rebel reinforce Macdonwald

BANQUO
To th' selfsame tune and words.—Who's here?
Enter Ross and Angus.

ROSS
The King hath happily received, Macbeth,
The news of thy success; and when he reads
Thy personal venture in the rebels' fight,
His wonders and his praises do contend
Which should be thine or his. Silenced with that,
In viewing o'er the rest o'th' selfsame day
He finds thee in the stout Norweyan ranks,
Nothing afeard of what thyself didst make,
Strange images of death. As thick as tale
Came post with post, and every one did bear
Thy praises in his kingdom's great defense,
And poured them down before him.

ANGUS
We are sent
To give thee from our royal master thanks,
Only to herald thee into his sight,
Not pay thee.

ROSS
And, for an earnest of a greater honor,
He bade me, from him, call thee Thane of Cawdor;
In which addition, hail, most worthy thane,
For it is thine.
BANQUO What, can the devil speak true?

MACBETH
The Thane of Cawdor lives. Why do you dress me
In borrowed robes?
ANGUS Who was the thane lives yet,
But under heavy judgment bears that life
Which he deserves to lose. Whether he was combined
With those of Norway, or did line the rebel
With hidden help and vantage, or that with both
in . . . wrack to bring about his country's ruin capital deserving death
The greatest is behind either (1) Two of the three prophecies (and thus the greatest number of them) have already been fulfilled, or (2) The greatest one, the kingship, is still to come. home all the way
In deepest consequence in the profoundly important sequel.
Cousins i.e., Fellow lords
swelling act stately drama
soliciting tempting unfix my hair make my hair stand on end
use custom.   fears things feared whose . . . fantastical in which the conception of murder is merely imaginary at this point single . . . man weak human condition function normal power of action.   surmise speculation, imaginings And . . . not and everything seems unreal.

Caracteristici

Lengthy illustrated introduction discusses key issues of theatrical and critical history, as well as authorship and the play's historical context

Papetărie, jocuri, reviste