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Masterworks Paperback: The Cherry Orchard (Paperback): Twayne's Masterworks Studies, cartea 0131

Autor Donald Rayfield
en Limba Engleză Paperback – 28 feb 1994
Series Editor: Robert Lecker, McGill University

Written in an easy-to-read, accessible style by teachers with years of classroom experience, "Masterwork Studies" are guides to the literary works most frequently studied in high school. Presenting ideas that spark imaginations, these books help students to gain background knowledge on great literature useful for papers and exams. The goal of each study is to encourage creative thinking by presenting engaging information about each work and its author. This approach allows students to arrive at sound analyses of their own, based on in-depth studies of popular literature. Each volume: Illuminates themes and concepts of a classic text Uses clear, conversational language Is an accessible, manageable length from 140 to 170 pages Includes a chronology of the author's life and era Provides an overview of the historical context Offers a summary of its critical reception Lists primary and secondary sources and index

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Specificații

ISBN-13: 9780805744514
ISBN-10: 0805744517
Pagini: 146
Dimensiuni: 136 x 214 x 12 mm
Greutate: 0.21 kg
Ediția:New.
Editura: Twayne Publishers
Seria Twayne's Masterworks Studies


Textul de pe ultima copertă

For decades after its first performance in 1904, Anton Chekhov's The Cherry Orchard fomented controversy among producers, actors, critics, and audiences. Along with its intrinsic textual richness, linguistic power, and subtlety, the play is saturated with many different, apparently incompatible, elements; it constantly shifts from comedy to pathos, its language concomitantly oscillating from music hall vulgarity to prose poetry. Chekhov assigned a personal way of speaking to each character, divorcing consequence from action, cause from effect. Despite the controversy generated by its paradoxical nature, however, The Cherry Orchard has become a milestone in twentieth-century drama. In this astute analysis of Chekhov's last play, Donald Rayfield argues that The Cherry Orchard can be best understood when read as a culmination of the dramatist's major plays, particularly The Seagull (1896) and Three Sisters (1901). Stressing that Chekhov the playwright is inseparable from Chekhov the story writer, Rayfield points up instances in which the author "reuses" material from such classic stories as "A Visit to Friends", "Panpipes", "The Black Monk", and "The Bride". An engaging history of the how the play came to be - complete with citations from Chekhov's notebooks to show the parallels between his life and the lives of his characters - amplifies Rayfield's dissemination of the dramatist's themes and stylistics technique. Rayfield further uses Chekhov's letters to and from those involved in the initial production - the Moscow Arts Theater director Konstantin Stanislavsky; Chekhov's wife, the actress Olga Knipper; and various of Chekhov's contemporaries in the theater - to chronicle the play'sevolution. The apparent contradiction of a play that is simultaneously comic and tragic is, Rayfield concludes, a fact of the modernist drama of Samuel Beckett, Eugene Ionesco, and Antonin Artaud. Rayfield's concise analysis is an essential companion to any reading of The Cherry Orchard, as it delineates the play's seminal role in the evolution of twentieth-century theater and its crucial position in Russian cultural history as both the culmination of all realist nineteenth-century fiction and the first masterpiece of a new, arguably symbolist or absurdist, literature.