Men We Reaped: A Memoir
Autor Jesmyn Warden Limba Engleză Paperback – 18 apr 2018
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Specificații
ISBN-13: 9781408898727
ISBN-10: 1408898721
Pagini: 272
Dimensiuni: 129 x 198 x 20 mm
Greutate: 0.2 kg
Ediția:New Edition
Editura: Bloomsbury Publishing
Colecția Bloomsbury Publishing
Locul publicării:London, United Kingdom
ISBN-10: 1408898721
Pagini: 272
Dimensiuni: 129 x 198 x 20 mm
Greutate: 0.2 kg
Ediția:New Edition
Editura: Bloomsbury Publishing
Colecția Bloomsbury Publishing
Locul publicării:London, United Kingdom
Caracteristici
The bestselling memoir from two-time National Book Award-winner Jesmyn Ward, named one of the Most Influential People of 2018 by Time
Notă biografică
Jesmyn Ward received her MFA from the University of Michigan and is currently a professor of creative writing at Tulane University. She is the author of the novels Where the Line Bleeds and Salvage the Bones, which won the 2011 National Book Award, and Sing, Unburied, Sing, which won the 2017 National Book Award. She is also the editor of the anthology The Fire This Time and the author of the memoir Men We Reaped, which was a finalist for the National Book Critics Circle Award. From 2008-2010, Ward had a Stegner Fellowship at Stanford University. She was the John and Renée Grisham Writer in Residence at the University of Mississippi for the 2010-2011 academic year. In 2016, the American Academy of Arts and Letters selected Ward for the Strauss Living Award. She lives in Mississippi.
Recenzii
A brutal, moving memoir . Anyone who emerges from America's black working-class youth with words as fine as Ward's deserves a hearing
When I first read her memoir, Men We Reaped - about five young black men, all of whom died within a span of four years of four years in her life - I understood the weight of grief as one struggles to live ... She is a modern-day William Faulkner, painting tapestries of an America that has not been heard
Raw, beautiful and dangerous ... Ward's singular voice and her full embrace of her anger and sorrow set this work apart from those that have trodden similar ground
Acute and often beautiful
Haunting
Elegiac, rage-filled, and uncommonly brave
A brilliant book about beauty and death ... Ward is one of those rare writers who's traveled across America's deepening class rift with her sense of truth intact
An important, and perhaps even essential, book
Lavishly endowed with literary craft and hard-earned wisdom
A memoir about loss in rural Mississippi that burns with brilliance
A lovely book about stuff so painful that Ward must have written it in a kind of fever ... The final chapters are so moving that you have to avert your eyes, both for the trauma and the tenderness
A memoir that, in plainsong prose punctuated with sudden poetic flashes, schools us in the unforgiving experiences from which [Ward] has drawn her triumphal fiction . . . Unvarnished and penetrating
When I first read her memoir, Men We Reaped - about five young black men, all of whom died within a span of four years of four years in her life - I understood the weight of grief as one struggles to live ... She is a modern-day William Faulkner, painting tapestries of an America that has not been heard
Raw, beautiful and dangerous ... Ward's singular voice and her full embrace of her anger and sorrow set this work apart from those that have trodden similar ground
Acute and often beautiful
Haunting
Elegiac, rage-filled, and uncommonly brave
A brilliant book about beauty and death ... Ward is one of those rare writers who's traveled across America's deepening class rift with her sense of truth intact
An important, and perhaps even essential, book
Lavishly endowed with literary craft and hard-earned wisdom
A memoir about loss in rural Mississippi that burns with brilliance
A lovely book about stuff so painful that Ward must have written it in a kind of fever ... The final chapters are so moving that you have to avert your eyes, both for the trauma and the tenderness
A memoir that, in plainsong prose punctuated with sudden poetic flashes, schools us in the unforgiving experiences from which [Ward] has drawn her triumphal fiction . . . Unvarnished and penetrating