Moby-Dick: Classic Starts

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en Limba Engleză Hardback – 31 mar 2010 – vârsta de la 7 până la 9 ani

"Call me Ishmael." These three famous words begin one of America's most epic novels, a tale of one obsessed captain, his doomed crew, and an elusive white whale named Moby-Dick. The massive original, however, can be very hard for young readers to navigate. This beautifully abridged and adventure-filled version will thrill children and whet their appetite for the complete work--when they are ready to tackle it.

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Specificații

ISBN-13: 9781402766442
ISBN-10: 1402766440
Pagini: 149
Ilustrații: b/w throughout, includes illustrations
Dimensiuni: 142 x 198 x 16 mm
Greutate: 0.32 kg
Ediția:Abridged ed.
Editura: Sterling Publishing
Seria Classic Starts

Notă biografică

Herman Melville (August 1, 1819 - September 28, 1891) was an American novelist, short story writer, and poet of the American Renaissance period. His best known works include Typee (1846), a romantic account of his experiences in Polynesian life, and his whaling novel Moby-Dick (1851). His writing draws on his experience at sea as a common sailor, exploration of literature and philosophy, and engagement in the contradictions of American society in a period of rapid change. He developed a complex, baroque style; the vocabulary is rich and original, a strong sense of rhythm infuses the elaborate sentences, the imagery is often mystical or ironic, and the abundance of allusion extends to biblical scripture, myth, philosophy, literature, and the visual arts. Melville was born in New York City, the third child of a merchant in French dry goods and his wife. His formal education ended abruptly after his father died in 1832, as this left the family in financial straits. He briefly became a schoolteacher before he took to sea in 1839 as a sailor on a merchant ship. In 1840, he signed aboard the whaler Acushnet for his first whaling voyage but jumped ship in the Marquesas Islands. He returned to Boston in 1844 after further adventures. In August 1850, Melville moved his growing family to Arrowhead, a farm in Pittsfield, Massachusetts, where he established a profound but short-lived friendship with Nathaniel Hawthorne, to whom he dedicated Moby-Dick.

Extras

CHAPTER 1

LOOMINGS

Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen, and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.

There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme down-town is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.

Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?--Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster--tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?

But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand--miles of them--leagues. Inlanders all, they come from lanes and alleys, streets and avenues--north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?

Once more. Say, you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absentminded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.

But here is an artist. He desires to paint you the dreamiest, shadiest, quietest, most enchanting bit of romantic landscape in all the valley of the Saco. What is the chief element he employs? There stand his trees, each with a hollow trunk, as if a hermit and a crucifix were within; and here sleeps his meadow, and there sleep his cattle; and up from yonder cottage goes a sleepy smoke. Deep into distant woodlands winds a mazy way, reaching to overlapping spurs of mountains bathed in their hill-side blue. But though the picture lies thus tranced, and though this pine-tree shakes down its sighs like leaves upon this shepherd's head, yet all were vain, unless the shepherd's eye were fixed upon the magic stream before him. Go visit the Prairies in June, when for scores on scores of miles you wade knee-deep among Tiger-lilies--what is the one charm wanting?--Water--there is not a drop of water there! Were Niagara but a cataract of sand, would you travel your thousand miles to see it? Why did the poor poet of Tennessee, upon suddenly receiving two handfuls of silver, deliberate whether to buy him a coat, which he sadly needed, or invest his money in a pedestrian trip to Rockaway Beach? Why is almost every robust healthy boy with a robust healthy soul in him, at some time or other crazy to go to sea? Why upon your first voyage as a passenger, did you yourself feel such a mystical vibration, when first told that you and your ship were now out of sight of land? Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and own brother of Jove? Surely all this is not without meaning. And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all.

Now, when I say that I am in the habit of going to sea whenever I begin to grow hazy about the eyes, and begin to be over conscious of my lungs, I do not mean to have it inferred that I ever go to sea as a passenger. For to go as a passenger you must needs have a purse, and a purse is but a rag unless you have something in it. Besides, passengers get sea-sick--grow quarrelsome--don't sleep of nights--do not enjoy themselves much, as a general thing;--no, I never go as a passenger; nor, though I am something of a salt, do I ever go to sea as a Commodore, or a Captain, or a Cook. I abandon the glory and distinction of such offices to those who like them. For my part, I abominate all honorable respectable toils, trials, and tribulations of every kind whatsoever. It is quite as much as I can do to take care of myself, without taking care of ships, barques, brigs, schooners, and what not. And as for going as cook,--though I confess there is considerable glory in that, a cook being a sort of officer on ship-board--yet, somehow, I never fancied broiling fowls;--though once broiled, judiciously buttered, and judgmatically salted and peppered, there is no one who will speak more respectfully, not to say reverentially, of a broiled fowl than I will. It is out of the idolatrous dotings of the old Egyptians upon broiled ibis and roasted river horse, that you see the mummies of those creatures in their huge bake-houses the pyramids.

No, when I go to sea, I go as a simple sailor, right before the mast, plumb down into the forecastle, aloft there to the royal mast-head. True, they rather order me about some, and make me jump from spar to spar, like a grasshopper in a May meadow. And at first, this sort of thing is unpleasant enough. It touches one's sense of honor, particularly if you come of an old established family in the land, the Van Rensselaers, or Randolphs, or Hardicanutes. And more than all, if just previous to putting your hand into the tar-pot, you have been lording it as a country schoolmaster, making the tallest boys stand in awe of you. The transition is a keen one, I assure you, from a schoolmaster to a sailor, and requires a strong decoction of Seneca and the Stoics to enable you to grin and bear it. But even this wears off in time.

What of it, if some old hunks of a sea-captain orders me to get a broom and sweep down the decks? What does that indignity amount to, weighed, I mean, in the scales of the New Testament? Do you think the archangel Gabriel thinks anything the less of me, because I promptly and respectfully obey that old hunks in that particular instance? Who ain't a slave? Tell me that. Well, then, however the old sea-captains may order me about--however they may thump and punch me about, I have the satisfaction of knowing that it is all right; that everybody else is one way or other served in much the same way--either in a physical or metaphysical point of view, that is; and so the universal thump is passed round, and all hands should rub each other's shoulder-blades, and be content.

Again, I always go to sea as a sailor, because they make a point of paying me for my trouble, whereas they never pay passengers a single penny that I ever heard of. On the contrary, passengers themselves must pay. And there is all the difference in the world between paying and being paid. The act of paying is perhaps the most uncomfortable infliction that the two orchard thieves entailed upon us. But being paid,--what will compare with it? The urbane activity with which a man receives money is really marvellous, considering that we so earnestly believe money to be the root of all earthly ills, and that on no account can a monied man enter heaven. Ah! how cheerfully we consign ourselves to perdition!

Finally, I always go to sea as a sailor, because of the wholesome exercise and pure air of the forecastle deck. For as in this world, head winds are far more prevalent than winds from astern (that is, if you never violate the Pythagorean maxim), so for the most part the Commodore on the quarter-deck gets his atmosphere at second hand from the sailors on the forecastle. He thinks he breathes it first; but not so. In much the same way do the commonalty lead their leaders in many other things, at the same time that the leaders little suspect it. But wherefore it was that after having repeatedly smelt the sea as a merchant sailor, I should now take it into my head to go on a whaling voyage; this the invisible police officer of the Fates, who has the constant surveillance of me, and secretly dogs me, and influences me in some unaccountable way--he can better answer than any one else. And, doubtless, my going on this whaling voyage, formed part of the grand programme of Providence that was drawn up a long time ago. It came in as a sort of brief interlude and solo between more extensive performances. I take it that this part of the bill must have run something like this:

"grand contested election for the presidency of the united states.

"whaling voyage by one ishmael.

"bloody battle in afghanistan."

Though I cannot tell why it was exactly that those stage managers, the Fates, put me down for this shabby part of a whaling voyage, when others were set down for magnificent parts in high tragedies, and short and easy parts in genteel comedies, and jolly parts in farces--though I cannot tell why this was exactly; yet, now that I recall all the circumstances, I think I can see a little into the springs and motives which being cunningly presented to me under various disguises, induced me to set about performing the part I did, besides cajoling me into the delusion that it was a choice resulting from my own unbiased freewill and discriminating judgment.

Chief among these motives was the overwhelming idea of the great whale himself. Such a portentous and mysterious monster roused all my curiosity. Then the wild and distant seas where he rolled his island bulk; the undeliverable, nameless perils of the whale; these, with all the attending marvels of a thousand Patagonian sights and sounds, helped to sway me to my wish. With other men, perhaps, such things would not have been inducements; but as for me, I am tormented with an everlasting itch for things remote. I love to sail forbidden seas, and land on barbarous coasts. Not ignoring what is good, I am quick to perceive a horror, and could still be social with it--would they let me--since it is but well to be on friendly terms with all the inmates of the place one lodges in.

By reason of these things, then, the whaling voyage was welcome; the great flood-gates of the wonder-world swung open, and in the wild conceits that swayed me to my purpose, two and two there floated into my inmost soul, endless processions of the whale, and, mid most of them all, one grand hooded phantom, like a snow hill in the air.

CHAPTER 2

THE CARPET-BAG

I stuffed a shirt or two into my old carpet-bag, tucked it under my arm, and started for Cape Horn and the Pacific. Quitting the good city of old Manhatto, I duly arrived in New Bedford. It was on a Saturday night in December. Much was I disappointed upon learning that the little packet for Nantucket had already sailed, and that no way of reaching that place would offer, till the following Monday.

As most young candidates for the pains and penalties of whaling stop at this same New Bedford, thence to embark on their voyage, it may as well be related that I, for one, had no idea of so doing. For my mind was made up to sail in no other than a Nantucket craft, because there was a fine, boisterous something about everything connected with that famous old island, which amazingly pleased me. Besides though New Bedford has of late been gradually monopolizing the business of whaling, and though in this matter poor old Nantucket is now much behind her, yet Nantucket was her great original--the Tyre of this Carthage;--the place where the first dead American whale was stranded. Where else but from Nantucket did those aboriginal whalemen, the Red-Men, first sally out in canoes to give chase to the Leviathan? And where but from Nantucket, too, did that first adventurous little sloop put forth, partly laden with imported cobble-stones--so goes the story--to throw at the whales, in order to discover when they were nigh enough to risk a harpoon from the bowsprit?

Now having a night, a day, and still another night following before me in New Bedford, ere I could embark for my destined port, it became a matter of concernment where I was to eat and sleep meanwhile. It was a very dubious-looking, nay, a very dark and dismal night, bitingly cold and cheerless. I knew no one in the place. With anxious grapnels I had sounded my pocket, and only brought up a few pieces of silver,--So, wherever you go, Ishmael, said I to myself, as I stood in the middle of a dreary street shouldering my bag, and comparing the gloom towards the north with the darkness towards the south--wherever in your wisdom you may conclude to lodge for the night, my dear Ishmael, be sure to inquire the price, and don't be too particular.

Descriere

Descriere de la o altă ediție sau format:
"It will be a strange sort of a book, tho', I fear; blubber is blubber you know; tho' you may get oil out of it, the poetry runs as hard as sap from a frozen maple tree;--& to cook the thing up, one must needs throw in a little fancy.... Yet I mean to give the truth of the thing, spite of this."Moby-Dick has a monumental reputation. Less well known are the novel's unexpectedly weird, funny, tantalizing, messy, and wondrous moments. Narrator Ishmael, along with the whaleship Pequod's other "meanest mariners, and renegades and castaways", is beguiled into joining Captain Ahab in his vengeful pursuit of the white whale that "dismasted" him. But along the way, Ishmael takes the reader along many a detour into variegated ways of knowing. In a tone "strangely compounded of fun and fury", Moby-Dick brings outlandish curiosity to bear on the multitudinous, oceanic scale of our diverse world. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Recenzii

"A masterpiece" Guardian "A great book...a deep great artist" -- D.H. Lawrence "A wonderful delight" -- Nathaniel Philbrick "Moby Dick is my favourite novel, bar none. It works on so many levels. It taught me that you can have a top layer of narrative - like the seafaring story - and then below that all those wonderful, rich, symbolic things going on" -- Clive Barker "To convey an adequate idea of a book of such various merits as that which the author of Typee and Omoo has here placed before the reading public, is impossible in the scope of a review. High philosophy, liberal feeling, abstruse metaphysics popularly phrased, soaring speculation, a style as many-coloured as the theme, yet always good, and often admirable; fertile fancy, ingenious construction, playful learning, and an unusual power of enchaining the interest, and rising to the verge of the sublime, without overpassing that narrow boundary which plunges the ambitious penman into the ridiculous; all these are possessed by Herman Melville, and exemplified in these volumes" London Morning Advertiser, October 24 1851

Cuprins

Introduction Suggestions for Further Reading A Note on the Text Etymology Extracts Moby Dick

Loomings The Carpet Bag The Spouter-Inn The Counterpane Breakfast The Street The Chapel The Pulpit The Sermon A Bosom Friend Nightgown Biographical Wheelbarrow Nantucket Chowder The Ship The Ramadan His Mark The Prophet All Astir Going Aboard Merry Christmas The Lee Shore The Advocate Postscript Knights and Squires Knights and Squires Ahab Enter Ahab; to him, Stubb The Pipe Queen Mab Cetology The Specksynder The Cabin Table The Mast-Head The Quarter-Deck • Ahab and all Sunset Dusk First Night-Watch Forecastle---Midnight Moby Dick The Whiteness of the Whale Hark! The Chart The Affidavit Surmises The Mat-Maker The First Lowering The Hyena Ahab's Boat and Crew---Fedallah The Spirit-Spout The Pequod meets the Albatross The Gam The Town Ho's Story Monstrous Pictures of Whales Less Erroneous Pictures of Whales Of Whales in Paint, in Teeth, &c. Brit Squid The Line Stubb kills a Whale The Dart The Crotch Stubb's Supper The Whale as a Dish The Shark Massacre Cutting In The Blanket The Funeral The Sphynx The Pequod meets the Jeroboam • Her Story The Monkey-rope Stubb & Flask kill a Right Whale The Sperm Whale's Head The Right Whale's Head The Battering-Ram The Great Heidelburgh Tun Cistern and Buckets The Prairie The Nut The Pequod meets the Virgin The Honor and Glory of Whaling Jonah Historically Regarded Pitchpoling The Fountain The Tail The Grand Armada Schools & Schoolmasters Fast Fish and Loose Fish Heads or Tails The Pequod meets the Rose Bud Ambergris The Castaway A Squeeze of the Hand The Cassock The Try-Works The Lamp Stowing Down & Clearing Up The Doubloon The Pequod meets the Samuel Enderby of London The Decanter A Bower in the Arsacides Measurement of the Whale's Skeleton The Fossil Whale Does the Whale Diminish? Ahab's Leg The Carpenter The Deck • Ahab and the Carpenter The Cabin • Ahab and Starbuck Queequeg in his Coffin The Pacific The Blacksmith The Forge The Gilder The Pequod meets the Bachelor The Dying Whale The Whale-Watch The Quadrant The Candles The Deck Midnight, on the Forecastle Midnight, Aloft The Musket The Needle The Log and Line The Life-Buoy Ahab and the Carpenter The Pequod meets the Rachel The Cabin •Ahab and Pip The Hat The Pequod meets the Delight The Symphony The Chase • First Day The Chase • Second Day The Chase • Third Day Epilogue

List of Textual Emendations Explanatory Notes Glossary of Nautical Terms Maps and Illustrations

Textul de pe ultima copertă

A masterpiece of storytelling, this epic saga pits Ahab, a brooding and fantastical sea captain, against the great white whale that crippled him. In telling the tale of Ahab's passion for revenge and the fateful voyage that ensued, Melville produced far more than the narrative of a hair-raising journey; Moby-Dick is a tale for the ages that sounds the deepest depths of the human soul.
Interspersed with graphic sketches of life aboard a whaling vessel, and a wealth of information on whales and 19th-century whaling, Melville's greatest work presents an imaginative and thrilling picture of life at sea, as well as a portrait of heroic determination. The author's keen powers of observation and firsthand knowledge of shipboard life (he served aboard a whaler himself) were key ingredients in crafting a maritime story that dramatically examines the conflict between man and nature.
"A valuable addition to the literature of the day," said American journalist Horace Greeley on the publication of Moby-Dick in 1851 a classic piece of understatement about a literary classic now considered by many as "the great American novel." Read and pondered by generations, the novel remains an unsurpassed account of the ultimate human struggle against the indifference of nature and the awful power of fate."

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