Modern Nature
Autor Derek Jarmanen Limba Engleză Paperback – 5 oct 2009
A divine, meditative and inspiring diary of Derek Jarman's famous garden at Dungeness.'An essential - urgent - book for the 21st Century' Hans Ulrich ObristWITH AN INTRODUCTION BY OLIVIA LAINGIn 1986 Derek Jarman discovered he was HIV positive and decided to make a garden at his cottage on the barren coast of Dungeness.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (2) | 58.97 lei 24-30 zile | +21.79 lei 4-10 zile |
| Vintage Publishing – 3 mai 2018 | 58.97 lei 24-30 zile | +21.79 lei 4-10 zile |
| University of Minnesota Press – 5 oct 2009 | 107.44 lei 3-5 săpt. |
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Specificații
ISBN-13: 9780816665945
ISBN-10: 081666594X
Pagini: 320
Dimensiuni: 140 x 216 x 20 mm
Greutate: 0.39 kg
Ediția:First edition
Editura: University of Minnesota Press
Colecția Univ Of Minnesota Press
ISBN-10: 081666594X
Pagini: 320
Dimensiuni: 140 x 216 x 20 mm
Greutate: 0.39 kg
Ediția:First edition
Editura: University of Minnesota Press
Colecția Univ Of Minnesota Press
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Notă biografică
One of England’s foremost filmmakers, Derek Jarman (1942–1994) wrote and directed several feature films, including Sebastiane, Jubilee, Caravaggio, and Blue, as well as numerous short films and music videos. He was a stage designer, artist, writer, gardener, and an outspoken AIDS and queer rights activist in the United Kingdom and the United States. He wrote several books, among them At Your Own Risk and Chroma, forthcoming from the University of Minnesota Press.
Recenzii
"Epiphanies infuse Modern Nature, Derek Jarman’s diaries from 1989 to 1990, with their ebullient evocations of gardening. For Jarman, planting flowers at his wind- and sea-blasted cottage and then reciting their names (endlessly, passionately) becomes sex, becomes the fullness he’s on his way to leaving as he grows sicker from AIDS." —Village Voice Literary Supplement
"The pace of Jarman’s life as chronicled in Modern Nature is unpredictable. In more energetic moments, Jarman cruises the public parks, makes a film without a script (The Last of England, 1987), and attempts to get Matt Dillon’s heartbeat for a project. He plants saxifrage and sea kale. He starts taking AZT. When Jarman discovered he was seropositive, he set himself a goal: to disclose his status and survive Margaret Thatcher. These he has done with aplomb." —Artforum