Music, Myth and Story in Medieval and Early Modern Culture: Studies in Medieval and Renaissance Music

Katherine Butler, Samantha Bassler

Introduction Music and the Myth of Apollo's Grove - John MacInnis The Consolation of Philosophy and the 'Gentle' Remedy of Music - Férdia J Stone-Davis And in England, There are Singers: Grafting Oneself into the Origins of Music - Elina G. Hamilton The Harmonious Blacksmith, Lady Music, and Minerva: The Iconographyof Secular Song in the Late Middle Ages - Jason Stoessel Foolish Midas: Representing Musical Judgement and Moral Judgement in Italy c.1520 - Tim Shephard Marsilio Ficino and Girolamo Cardano under Orpheus's Spell - Jacomien Prins Origin Myths, Genealogies, and Inventors: Defining the Nature of Musicin Early Modern England - Katherine Butler How to Sing like Angels: Isaiah, Ignatius of Antioch, and Protestant Worship in England - Jamie Apgar In Pursuit of Echo: Sound, Space, and the History of the Self - Ljubica Ilic Ophelia's Mad Songs and Performing Story in Early Modern England - Samantha Bassler Dangerous Beauty: Stories of Singing Women in Early Modern Italy - Sigrid Harris 'Fantastic Spirits': Myth and Satire in the Ayres of Thomas Weelkes - Katie Bank Feeling Fallen: A Re-telling of the Biblical Myth of the Fall in a Musical Adaptation of Marvell's 'A Dialogue between Thyrsis and Dorinda' - Aurora Faye Martinez 'Armida's Picture we from Tasso Drew'?: The Rinaldo and Armida Story in Late-Seventeenth- and Early-Eighteenth-Century English Operatic Entertainments - Amanda Eubanks Winkler Translating Myth Through Tunes: Ebenezer Forrest's Ballad Opera Adaptation of Louis Fuzelier's Momus Fabuliste (1719-29) - Erica Levenson Bibliography