The Montpellier Codex – The Final Fascicle. Contents, Contexts, Chronologies: Studies in Medieval and Renaissance Music
Autor Catherine Bradley, Karen Desmond, Alison Stones, Anna Kathryn Grau, Anne Ibos–augéen Limba Engleză Hardback – 15 feb 2018
This book provides the first in-depth exploration of the contents and contexts of the Montpellier Codex's final fascicle. It explores the manuscript's production, dating, function, and notation, offering close-readings of individual works, which illuminate compositionally progressive features of therepertoire as well as its interactions with existing musical and poetic traditions, from a variety of perspectives: thirteenth- and fourteenth-century music, art history, and manuscript culture.
CATHERINE A. BRADLEY isan Associate Professor at the University of Oslo; KAREN DESMOND is Assistant Professor of Music at Brandeis University.
Contributors: Rebecca A. Baltzer, Edward Breen, Sean Curran, Rachel Davies, Margaret Dobby, Mark Everist, Solomon Guhl-Miller, Anna Kathryn Grau, Oliver Huck, Anne Ibos-Aug , Eva M. Maschke, David Maw, Dolores Pesce, Alison Stones, Mary Wolinski
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Specificații
ISBN-13: 9781783272723
ISBN-10: 1783272724
Pagini: 351
Dimensiuni: 161 x 239 x 29 mm
Greutate: 0.91 kg
Editura: Boydell and Brewer
Seria Studies in Medieval and Renaissance Music
ISBN-10: 1783272724
Pagini: 351
Dimensiuni: 161 x 239 x 29 mm
Greutate: 0.91 kg
Editura: Boydell and Brewer
Seria Studies in Medieval and Renaissance Music
Notă biografică
Catherine A. Bradley, Karen Desmond
Cuprins
Introduction Montpellier 8: Anatomy of... - Mark Everist A palaeographical analysis of the verbal text in Montpellier 8: problems, implications, opportunities - Sean Curran The style and iconography of Mo folio 350 - Alison Stones The decoration of Montpellier Fascicle 8: its place in the continuum of Parisian manuscript illumination - Rebecca Baltzer Double motet layouts in the Montpellier Codex and contemporaneous Libri motetorum - Oliver Huck Deus in adiutorium revisited: sources and contexts - Eva M. Maschke Thematic clusters and compilational strategies in Mo 8 - Anna Kathryn Grau Texture, rhythm, and stylistic groupings in Montpellier's eighth fascicle motets - Karen Desmond 'Je le temoin en mon chant': The art of diminution in the Petronian triplum - David Maw How rhythmically innovative is the eighth fascicle of the Montpellier Codex? - Mary Wolinski Re-presentation in the Ars antiqua: from chant to polyphony - Solomon Guhl-Miller '[.] Que ne dit "cief bien seans"': Quoting Motets in Mo 8 - Anne Ibos-Augé Montpellier, Fascicle 8 PORTARE Motets and tonal exploration - Dolores Pesce Repetitions, rhythmical evolution, and rhetoric in the Montpellier Codex - Margaret Dobby Shedding light on Mo 8,304: Alma virgo virginum/Benedicta es, Maria - Rachel Davies A performance and reception history of On parole/A Paris/FRESE NOUVELE - Edward George Breen