A Critical Companion to Medieval Motets: Studies in Medieval and Renaissance Music

Jared C. Hartt

Introduction: Approaching Medieval Motets - Jared C. Hartt The Genre(s) of Medieval Motets - Elizabeth Eva Leach Origins and Interactions: Clausula, Motet, Conductus - Catherine Bradley Tracing the Tenor in Medieval Motets - Alice V. Clark Isorhythm - Lawrence Earp Notations - Karen Desmond Thirteenth-Century Motet Functions: Views through the Lens of the Portare Motet Family - Dolores Pesce A Prism of its Time: Social Functions of the Motet in Fourteenth-Century France - Jacques Boogaart Motets, Manuscript Culture, Mise-en-page - John Haines and Stefan Udell Clerics, Courtiers, and the Vernacular Two-Voice Motet: The Case of Fines amouretes/Fiat and the Roman de la poire - Jennifer Saltzstein When Words Converge and Meanings Diverge: Counterexamples to Polytextuality in the Thirteenth-Century Motet - Suzannah Clark Motets in Chansonniers and the Other Culture of the French Thirteenth-Century Motet - Gaël Saint-Cricq Building a Motet around Quoted Material: Textual and Muscial Structure in Motets Based on Monophonic Songs - Matthew P. Thomson The Duet Motet in England: Genre, Tonal Coherence, Reconstruction - Jared C. Hartt Materia Matters: Reconstructing Colla/Bona - Anna Zayaruznaya Machaut's Motet 10 and its Interconnections - Margaret Bent A Motet Conceived in Troubled Times: Machaut's Motet 22 - Sarah Fuller A Motet Ahead of its Time? The Curious Case of Portio nature/Ida capillorum - Emily Zazulia Bibliography of Works Cited