Musical Theatre, Realism and Entertainment: Ashgate Interdisciplinary Studies in Opera
Autor Millie Tayloren Limba Engleză Paperback – 16 noi 2016
Toate formatele și edițiile | Preț | Express |
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Paperback (1) | 322.31 lei 6-8 săpt. | |
Taylor & Francis – 16 noi 2016 | 322.31 lei 6-8 săpt. | |
Hardback (1) | 844.46 lei 6-8 săpt. | |
Taylor & Francis – 28 ian 2012 | 844.46 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781138279537
ISBN-10: 1138279536
Pagini: 202
Ilustrații: Illustrations, black and white
Dimensiuni: 156 x 234 x 11 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Ashgate Interdisciplinary Studies in Opera
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138279536
Pagini: 202
Ilustrații: Illustrations, black and white
Dimensiuni: 156 x 234 x 11 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Ashgate Interdisciplinary Studies in Opera
Locul publicării:Oxford, United Kingdom
Notă biografică
Dr Millie Taylor, Reader in Performing Arts, University of Winchester, UK
Cuprins
Introduction; Chapter 1 Musical Characterisation in HMS Pinafore and The Rocky Horror Show; Chapter 2 Encoding the Voice; Chapter 3 Integration and Distance in Musical Theatre; Chapter 4 Layers of Representation and the Creation of Irony; Chapter 5 Alternatives to Linearity: Cabaret, Kiss of the Spider Woman and Assassins; Chapter 6 Illusions of Realism in West Side Story and Actor-Musician Performances; Chapter 7 Experiencing Live Musical Theatre Performance: La Cage Aux Folles and Priscilla, Queen of the Desert; Chapter 8 I’ve Heard that Song Before; Chapter 101 Conclusion;
Descriere
Beginning from the passion musical theatre performances arouse and their ubiquity in London's West End and on Broadway this book explores the ways in which musical theatre reaches out to and involves its audiences. It investigates how pleasure is stimulated by vocal, musical and spectacular performances. Early discussions centre on the construction of the composed text, but then attention is given to performance and audience response. In doing this, the book challenges the conception of musical theatre as 'only entertainment'.