Studying Musical Theatre: Theory and Practice
Autor Millie Taylor, Dominic Symondsen Limba Engleză Paperback – 19 noi 2014
With its accessible and extensive content, this text is the ideal accompaniment to any study of musical theatre internationally: an essential tool for students of all levels, lecturers, practitioners and enthusiasts alike.
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Specificații
ISBN-10: 1137270942
Pagini: 284
Ilustrații: 18 black & white halftones, 2 black & white illustrations
Dimensiuni: 155 x 235 x 15 mm
Greutate: 0.44 kg
Ediția:2014
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Locul publicării:London, United Kingdom
Caracteristici
- Explores
opera
as
well
as
musical
theatre,
considering
dozens
of
diverse
shows
from
1607
to
the
present
day
–
from
Monteverdi
toMamma
Mia,
and
fromHMS
PinaforetoHedwig
- Focuses
on
the
key
topics
of
'Reading
Texts,'
'Interpreting
Contexts,'
'Performing
Identities'
and
'Rethinking
Relationships'
- Reveals
a
broad
range
of
theoretical
perspectives,
including
narrative
theory,
orientalism,
gender
theory
and
globalization
- Richly
illustrated
with
captivating
photos
- Contains
a
complete
list
of
further
reading
recommendations
- Draws
on
real
life
examples
of
musical
theatre
productions
such
asCarmen
(1982),Anything
Goes
(1934),
Here
Lies
Love
(2013)
Guys
and
Dolls
(1950)andThe
Lion
King
(1997)
Notă biografică
Millie Taylor is Professor of Musical Theatre at the University of Winchester, UK. She is author of Musical Theatre, Realism and Entertainment, among other titles.
Dominic Symonds is Reader in Drama at the University of Lincoln, UK. He is co-editor of the Studies in Musical Theatre journal, and author of the forthcoming We'll Have Manhattan: the Early Work of Rodgers and Hart, among other titles.
Cuprins
List of Illustrations.- Acknowledgements.- Introduction.- PART I: READING TEXTS.- 1. 'A tale as old as time': Narrative Theory.- 2. 'A man who can interpret could go far': Semiotics and Semiology.- 3. 'Razzle dazzle 'em': Reception Theory and the Epic Musical.- 4. 'Life is a cabaret': Cultural Materialism.- PART II: INTERPRETING CONTEXTS.- 5. 'You've got to be carefully taught': Orientalism and Musical Theatre.- 6. 'I wanna be a producer': Globalization, Capitalism and Consumerism.- 7. 'What's the buzz?' Meta-narratives and Postlinearity.- PART III: PERFORMING IDENTITIES.- 8. 'Marry the man today': Feminism and the Performance of Identity.- 9. 'The bitch of living': Youth Cultures, Power, and Sexuality.- 10. 'I am what I am': Sexuality and Queer Theory.- PART IV: RETHINKING RELATIONSHIPS.- 11. 'It's the last midnight': Playing with Time and Space.- 12. 'I'm just a Broadway baby': Intertextuality in Music and Lyrics.- 13. 'Dreamgirls will make you happy': The Pleasures of Voice and Body.- 14. 'Make 'em laugh': The Politics of Entertainment.- Bibliography.- Index.
Descriere
This lively textbook provides a comprehensive overview of the history, theory and practice of this popular theatre form. Bringing critical theory and musical theatre together, Millie Taylor and Dominic Symonds explore the musical stage from a broad range of theoretical perspectives. Part 1 focuses on the way we understand musicals as texts and Part 2 then looks at how musical theatre negotiates its position in the wider world. Part 3 recognises the affiliations of various communities with the musical stage, and finally part 4 unravels the musical’s relationship with time, space, intertextuality and entertainment. Written by leading experts in Musical Theatre and Drama, Taylor and Symonds utilise their wealth of knowledge to engage and educate the reader on this diverse subject.
With its accessible and extensive content, this text is the ideal accompaniment to any study of musical theatre internationally: an essential tool for students of all levels, lecturers, practitioners and enthusiasts alike.
Textul de pe ultima copertă
The ideal accompaniment to any study of musical theatre, this lively textbook provides a comprehensive overview of the history, theory and practice of this popular theatre form. Bringing critical theory and musical theatre together, Millie Taylor and Dominic Symonds explore the musical stage from a broad range of theoretical perspectives, including narrative theory, orientalism, gender theory and globalization.
Focusing on opera as well as musical theatre, Studying Musical Theatre considers dozens of diverse shows from 1607 to the present day. From Monteverdi to Mamma Mia, and from HMS Pinafore to Hedwig, this book offers an accessible and up-to-date guide to musical theatre for students, aficionados and enthusiasts alike.