Nationalism and the Postcolonial: Cross/Cultures, cartea 214
Sandra Dinter, Johanna Marquardten Limba Engleză Hardback – 18 aug 2021
Contributors: Natascha Bing, Prachi Gupta, Ralf Haekel, Kathrin Härtl, Idreas Khandy, Theresa Krampe, Lukas Lammers, Arhea Marshall, Hannah Pardey, Sina Schuhmaier, Hanna Teichler, Michael Westphal
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Specificații
ISBN-13: 9789004464278
ISBN-10: 9004464271
Dimensiuni: 155 x 235 mm
Greutate: 0.5 kg
Editura: Brill
Colecția Brill
Seria Cross/Cultures
ISBN-10: 9004464271
Dimensiuni: 155 x 235 mm
Greutate: 0.5 kg
Editura: Brill
Colecția Brill
Seria Cross/Cultures
Cuprins
List of Tables and Figures
Notes on Contributors and Editors
Nationalism and the Postcolonial: An Introduction
Sandra Dinter
PART 1
The Languages of Nationalism
1 The Nationalist Ideology of Monolingualism in Postcolonial Theory
Michael Westphal
2 Talking Kenya*n
Dynamic Practices for a Heterogeneous Nation
Natascha Bing
3 The Hindi Language and the Imagination of the Indian Nation
Ramchandra Shukla’s Construction of Indian Civilization
Prachi Gupta
PART 2
The Songs and Sounds of Nationalism
4 Singing the Postcolonial Independent in Trinbagonian Calypso
Arhea Marshall
5 Singing the Nation
The Condition of Englishness in the Lyrics of PJ Harvey and Kate Tempest
Sina Schuhmaier
PART 3
Nationalisms in Postcolonial Popular Culture
6 Pop Culture
A Vehicle of State Nationalism in India
Idreas Khandy
7 Meet the ‘Holy Family’
From Multicultural Australia to Enforced Reconciliation in Baz Luhrmann’s Australia (2008)
Hanna Teichler
8 Intersections of Race, Sexuality, and National Identity in BioWare’s Mass Effect
Theresa Krampe
PART 4
Nationalisms in Postcolonial Literatures
9 Blind Spots
Nationalism and the Photographic Gaze in Teju Cole’s Every Day Is for the Thief
Ralf Haekel
10 Emotional Nationalism in the New Nigerian Novel
Hannah Pardey
11 The British Empire and the ‘Laureate of Its Demise’
Postimperial Nostalgia in Jane Gardam’s Old Filth Trilogy
Lukas Lammers
12 ‘Bastardizing’ National Belonging
Derek Walcott and Joseph Conrad
Kathrin Härtl
Index
Notes on Contributors and Editors
Nationalism and the Postcolonial: An Introduction
Sandra Dinter
PART 1
The Languages of Nationalism
1 The Nationalist Ideology of Monolingualism in Postcolonial Theory
Michael Westphal
2 Talking Kenya*n
Dynamic Practices for a Heterogeneous Nation
Natascha Bing
3 The Hindi Language and the Imagination of the Indian Nation
Ramchandra Shukla’s Construction of Indian Civilization
Prachi Gupta
PART 2
The Songs and Sounds of Nationalism
4 Singing the Postcolonial Independent in Trinbagonian Calypso
Arhea Marshall
5 Singing the Nation
The Condition of Englishness in the Lyrics of PJ Harvey and Kate Tempest
Sina Schuhmaier
PART 3
Nationalisms in Postcolonial Popular Culture
6 Pop Culture
A Vehicle of State Nationalism in India
Idreas Khandy
7 Meet the ‘Holy Family’
From Multicultural Australia to Enforced Reconciliation in Baz Luhrmann’s Australia (2008)
Hanna Teichler
8 Intersections of Race, Sexuality, and National Identity in BioWare’s Mass Effect
Theresa Krampe
PART 4
Nationalisms in Postcolonial Literatures
9 Blind Spots
Nationalism and the Photographic Gaze in Teju Cole’s Every Day Is for the Thief
Ralf Haekel
10 Emotional Nationalism in the New Nigerian Novel
Hannah Pardey
11 The British Empire and the ‘Laureate of Its Demise’
Postimperial Nostalgia in Jane Gardam’s Old Filth Trilogy
Lukas Lammers
12 ‘Bastardizing’ National Belonging
Derek Walcott and Joseph Conrad
Kathrin Härtl
Index
Notă biografică
Sandra Dinter is Lecturer of English Literature and Culture at Friedrich-Alexander-University Erlangen-Nürnberg in Germany. Her publications include Childhood in the Contemporary English Novel (Routledge, 2019) and several articles on space and mobility, neo-Victorianism, and rewritings.
Johanna Marquardt teaches English literature and cultural studies at Johannes Gutenberg University, Mainz, Germany. She is working on the (post)modernist works of Brian O’Nolan and their interrelationships with the literary field of mid-twentieth century Dublin.
Johanna Marquardt teaches English literature and cultural studies at Johannes Gutenberg University, Mainz, Germany. She is working on the (post)modernist works of Brian O’Nolan and their interrelationships with the literary field of mid-twentieth century Dublin.