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Nineteenth-Century Serial Narrative in Transnational Perspective, 1830s−1860s: Popular Culture—Serial Culture de Daniel Stein

Nineteenth-Century Serial Narrative in Transnational Perspective, 1830s−1860s: Popular Culture—Serial Culture: Palgrave Studies in Nineteenth-Century Writing and Culture

Editat de Daniel Stein, Lisanna Wiele
en Limba Engleză Hardback – 4 iun 2019
This volume examines the emergence of modern popular culture between the 1830s and the 1860s, when popular storytelling meant serial storytelling and when new printing techniques and an expanding infrastructure brought serial entertainment to the masses. Analyzing fiction and non-fiction narratives from the United States, France, Great Britain, Germany, Austria, Turkey, and Brazil, Popular Culture—Serial Culture offers a transnational perspective on border-crossing serial genres from the roman feuilleton and the city mystery novel to abolitionist gift books and world’s fairs.

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Specificații

ISBN-13: 9783030158941
ISBN-10: 3030158942
Pagini: 319
Ilustrații: XIX, 333 p. 9 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.58 kg
Ediția:1st ed. 2019
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Palgrave Studies in Nineteenth-Century Writing and Culture

Locul publicării:Cham, Switzerland

Cuprins

1 Introducing Popular Culture—Serial Culture: Serial Narrative in Transnational Perspective, 1830s–1860s 1
Daniel Stein and Lisanna Wiele Part I The Transnational Spread of the Feuilleton Novel 17 2 The Beginnings of the Feuilleton Novel in France and the
German-Speaking Regions 19 Norbert Bachleitner 3 Spectacular, Spectacular: Early Paris Mysteries and Dramas 49
Walburga Hülk
4 The Interaction between Serial Fictions and Nonfictional Texts in the Kölnische Zeitung in the 1850s and 1860s 65
Fabian Grumbrecht
5 Brazilian–French Cultural Contact in a Serial Format: The Revista Popular (Rio de Janeiro, 1859–1862) 81
Ricarda MusseIntroducing Popular Culture—Serial Culture: SerialNarrative in Transnational Perspective, 1830s–1860s
6 A Distant Reading of the Ottoman/Turkish Serial Novel Tradition (1831–1908) 95
Reyhan Tutumlu and Ali Serdar
Part II The Antebellum Literary Market: Authors,
Publishers, Institutions 115
7 Between Hamburg and Boston: Frederick Gleason and the Rise of Serial Fiction in the United States 117
Ronald J. Zboray and Mary Saracino Zboray
8 The Serial Character of Abolition: Charting Transatlantic and Gendered Critiques of Slavery in The Liberty Bell 145
Pia Wiegmink
9 Ride with Capitola: E.D.E.N. Southworth’s The Hidden Hand as a “Loud Text” in Serial Antebellum Culture 161
Gunter Süß
10 Counting (on) Crime in De Quincey and Poe: Seriality,Crime Statistics, and the Emergence of a Mass Literary
Market 175
Nicola Glaubitz
Part III The City Mystery Novel in England and the United
States 191
11 Serial Culture in the Nineteenth Century: G.W.M.Reynolds, the Many Mysteries of London, and the Spread of
Print 193
Mark W.Turner
12 The Media Mysteries of London 213
Tanja Weber
13 Of Ladies, Fruit Girls, and Brothel Madams: Womanhood and Female Sexuality in American City Mystery Novels 231
Heike Steinhoff
14 Dead Man Walking: On the Physical and Geographical Manifestations of Sociopolitical Narratives in George
Thompson’s City Crimes—or Life in New York and Boston 247
Lisanna Wiele
15 Henry Boernstein, Radical, and The Mysteries of St. Louis as a Political Novel 271
Matthias Göritz
16 Slavery as Racial Dis/order in Antebellum America: The Case of the City Mystery Novel 287
Daniel Stein
17 (Re-)Making American Culture: The Crystal Palace and the Transnational Series and Adaptations of Antebellum
New York City 311
Florian Groß
Index 329

Notă biografică

Daniel Stein is Professor of North American Literary and Cultural Studies at the University of Siegen, Germany.
Lisanna Wiele is a PhD candidate in North American Literary and Cultural Studies at the University of Siegen, Germany.

Textul de pe ultima copertă

'Popular Culture—Serial Culture is the first book to explore serial fiction and the city-mysteries novel in a transatlantic context. Thoughtfully edited and introduced by Daniel Stein and Lisanna Wiele, Popular Culture—Serial Culture features original essays on many aspects of nineteenth-century serial publication by scholars from various countries. This book is an important and timely contribution to book history and transatlantic cultural studies.'
— David S. Reynolds, CUNY Graduate Center, author of Mightier than the Sword: “Uncle Tom’s Cabin” and the Battle for America and Beneath the American Renaissance
 'Popular Culture—Serial Culture addresses in a comprehensive and thoughtful way a significant gap in our scholarship on early popular culture: the complicated and generative transnational circulation of serial texts through an increasingly frenetic popular print culture defined by piracies, “borrowings,” and adaptations. Popular Culture—Serial Culture allows us to reorient our understanding of popular culture by finally making visible how popular culture was always complicating national borders and literary cultures in ways that have ramifications for how we must understand pop culture today.'
— Jared Gardner, Professor and Director of Popular Culture Studies at The Ohio State University, USA, and author of Master Plots: Race and the Founding of an American Literature, 1787-1845 and The Rise and Fall of Early American Magazine Culture
'As an enthusiast for the transnational turn in literary studies, with a special interest in the nineteenth-century serial boom, I am delighted to see this fine collection in print.'
 — Graham Law, Professor in Media History, Waseda University, Japan

Caracteristici

Focuses on the transnational aspects in continental Europe and beyond of popular fiction in serial form Argues that popular serial storytelling was one of the decisive forces reshaping nineteenth-century cultures and societies across the Western hemisphere Investigates the many networks producing and produced by serial popular fiction, the emergence of a transnational print culture, and the workings of an increasingly international market for books and periodicals at a crucial point in the formation of popular culture